Bienvenue chez les Ch'tis

As a French film lover, I had to discover this little film which was surrounded by much hype and now ranks among the 5 most profitable movies launched in France. Otherwise, people would have told me: "what? You haven't seen Bienvenue Chez Les Ch'Ti's? Everyone's talking about it. It's terrific". So terrific that it turned the small town of Berck into an unlikely tourist attraction and a few months ago I ate a delicious "Maroual" tart! Without mentioning verbal expressions that are now used in French common language like "Biloute". I went to see it also partly because I had enjoyed Dany Boon's first effort as a director: "la Maison Du Bonheur" (2006) even if I especially smiled than laughed.

I'm a little baffled that this film which isn't that much original made itself known in virtually every French house. The premise of a man who has to cope with a new and supposedly hostile world has been used thousands of times before in cinema. At first, Boon follows an apparently mapped scheme. Kad Merad is anguished at the idea to spend a part of his professional life in Northern France where it is supposed to rain every day and where inhabitants appear to be sullen. But then, things aren't what he believes them to be: it's often sunny and people are generally charming. But as he wants to avoid a breakdown to his wife, Merad lies to her until one day she joins him in the Nord Pas De Calais.

What I like in Boon's effort is that it recycles the clichés linked to this French area to boost laughter and it often works. I dig the moments when Merad is on the highway (to hell?) and as soon as he arrives in the Nord Pas De Calais, it starts to rain. When Merad also tries to help Boon to solve his problem with alcohol, it's quite funny too. I would also quote the moments with humorist Patrick Bosso as a cop who stops twice Merad on the highway and its results. Boon's directing should also be praised for taking some of his clichés into unexpected territories like when Boon announces to Line Renaud that he wants to marry his girlfriend. And when Merad's wife comes to visit him in Northern France, Dany Boon thumbs the nose at the ones who have a dogged vision of dreary Northern France.

There's no denying that Boon is deeply attached to his native area. His love for it transpires in virtually every plan where we can see parts of the town and its inhabitants. It's obvious that he feels much more at ease in directing and acting than in its previous effort where secondary roles almost stole him the show. He manages to convey tenderness for his characters to the viewer. However, like in "la Maison Du Bonheur", I especially smiled than laughed. The sole moment where I was dead laughing was when Merad pretends to be disabled to have his promotion even if this trick isn't new.

But Boon's effort is better than his first one thanks to his control over directing (one can admire the contrast when Merad enjoys being in joyful Northern France and when he has to go back to Nice to find again his depressed wife), clichés and also the performance as a whole. It's also comforting that such a film rode high at the French box office while other productions that were likely to be successes failed in spite of a conspicuous publicity campaign like "Astérix Aux Jeux Olympiques" (2008). And it's a film that should definitely reduce the detractors of Northern France to silence. So, I liked "Bienvenue Chez Les Ch'Ti's" but I doubt whether I would want to watch it again.

Of course it's not a deep film, but nor is it pretentious. It might also not please everyone - if you don't want to have a good laugh, or if your French is challenged, you could find it dull. But true laugh-out-loud comedies that feel genuine and refreshing (like this one) instead of grotesque and vulgar are few and far in between. Moreover, and even more rare, the whole audience - me included - seemed to be howling in laughter, not just three people making a lot of noise.

While the pun is largely based on the local "ch'ti" dialect, it is not limited to it and humour works throughout, well timed and mastered by the actors. The dialect itself was ably used, and the audience are introduced to it nicely. Boon is wonderful, both touching and funny, and Kad Merad delivers a nice performance. More than the dialect or the actors, the region itself and its people are beautifully pictured, and the spirit is well captured. Clichés are used for comedic purpose, and are dispelled instead of being woven. Amateurs will also find an incredible short appearance by Michel Galabru (my favourite part of the film). The film never aims to be realistic, and never seems pretentious, but the feel of Northern France is genuine.

In the end, it is a truly pleasing film: funny, true to itself, fresh and nicely French (but not the part you are most used to seeing) is what you should expect.

Finally a movie that is not the usual American comedies! Not judging the American comedies of course, I love them, but is a different movie for you to watch. Incredible story, different story, and really funny.

I would say that this movie is in the best ten comedies i've ever seen. A lot of adventure, comedy, a little drama, but amazing to watch.

I started watching this movie with no good expectations about it. I taught- French aren't funny- turns out they are really funny.

Again, don't listen to the bad reviews about this movie, even if you do, there's not much bad reviews about it(that's how good it is).

Be prepared for a good french movie. Good film!

I saw this movie in Lille, France, two weeks after the premiere, and the movie theaters were full. Everyone wanted to see it. (After two weeks, 15 million viewers. That's a lot.) Even though they sometimes spoke Ch'ti it was quite easy to understand, and many parts would have been funny in any language. I really recommend everyone to see it, no matter if you speak French or not. Many of the jokes with words (jeu de mots) are only comprehensible if you speak French, but it's still great. The point with the movie isn't just the language, another aspect is the prejudices the Southerns have about the Northerns. Which can be found in many more countries than France. I really think that it's a movie everyone can find something to like about. Maybe the French over-hyped it, but it's still a superb movie.

A Parisian husband who is transfered to a town in north of France carrying a negative image about its people, but then he realizes the truth of his misperceptions.

The plot is kinda simple yet fun depicting stereotyping and friendship in a sweet and lovable way.

I really felt for the climax as I am one who is really attached to people and places. What helped more to enjoy WELCOME TO THE STICKS (BIENVENUE CHEZ LES CH'TIS) is the incredible work for the subtitles which captured the essence of scenes where different dialects have a role in the plot for non-French speaking.