L'homme de la chambre 301

Partly created by Briton Kate (Shaun of The Dead) Ashfield but transferred to Finland, a twisty piece of fluff. Twelve years after a child is killed, the extended family are targeted by someone they believe to be the person held responsible. Half the series drip-feeds the history, the other half covers the repercussions. There are storytelling absurdities - a young couple who think it is acceptable to take a child from a hotel without seeking permission from the parents - but suspension of disbelief leads to a fun story. After the first two episodes I sought out the other four via on-demand services rather than wait.

Perhaps the series is unfairly lumped in with Scandi-noir, which it is not. The story is basic and allows us to stay a step ahead of the plotting at all times. The ending should be a surprise to nobody but it is still fun getting there. Only the most inexperienced watcher will be caught out by the twists, and I found myself adding others that weren't there, but the innocent characters are likeable and we want them to survive. Even the final resolution is largely satisfactory.

The show is not going to change the world but it helps pass the time and should offend nobody.

Even the title is a red herring.but forgivable as this is a well constructed thriller .perhaps it takes you down to many misleading avenues .but it is never less than absorbing.

Wasted potential. Starts off strong and I was intrigued by the family secrets. But...This show was so frustrating to watch and the ending made no sense. Multiple creepy young men creep around, but no one ever seems to be creeped out until it's too late. I yelled "ASK WHY?!?!" at the screen many times. No one seems to want to know why anyone does inexplicable creepy things.

Unfortunately for me this show delivered characters that seemed to have very little emotion or energy. After watching all the episodes I actually read somewhere, that the script was British and that it was modified to better suit "the Finnish way of communication and self expression" which was considered to be more low-key. I cannot see why this would have been necessary, and cannot be happy with the result. They could have left a pulse at least...

There are some great supporting roles and actors such as Elias Gould and Elias Salonen, who bring the show to life. I was more interested in them, than in the "main family". The story itself is great, I liked the game with timelines and it did kind of pick up towards the end.

Usually, the Nordic nations are masters of thrill and suspense, with static meaning not boring, but here, in spite of a promising starting point, it becomes protracted soon, with too heavy dominance of burden and oppression. Perhaps the number of episodes could have been less (4, for instance), some confusing twists added, and the round-up less sophisticated. The characters and performances not too elaborate either...

Finland has produced several interesting crimes series, e.g. Sorjonen or Karppi. Alas, Huone 301 is long behind of them.