Un éclair de génie

Time after time, Anerican audiences have stood witness to the fact Inventors have created and continue to create some of the most important breakthroughs in history. As a result, America has become the Land of Opportunity for any young inventor to make his mark in history. However, there are those in high position who believe they are so powerful, they can reach out and steal anything they want with total impunity. This movie is a case in point. The worthy film is called a " Flash of Genius. " It is essentially the story of Bob Kearns (Greg Kinnear) a college professor who in a moment of inspiration, invents a wind shield wiper with an oscillating program. A top executive of the Ford Motor company ( Mitch Pileggi) tries to plays the professor for a fool and disregarding the little man, steals his patents. Though it will take money, time, effort and patience to fight the industrial giant, Kearns risks all to fight for what he believes is the right thing to do. Alan Alda plays a wimp of a lawyer and tries to convince Kearns to take a tiny settlement and give up the fight. Despite the risk of losing his wife, his family and even his sanity, Kearns is determined and creates a wonderful David vs Goliath story. Highly recommended to anyone who believe in fighting with the best weapon of all; the truth. ****

Saw the very first showing of this tonight at the Traverse City Film Festival. It was a good movie and Greg Kinnear was very good. The film felt too restricted and hyper focused on the primary movie subject, Bob Kearns. It could have been made better by infusing a bit of side-story from the conflicting characters points of view. Bob Kearns low point in the movie also seemed to happen abruptly with no run-in to the plot twist, so much so that I felt like I missed something. Lauren Graham offered a fine performance, as did Dermot Mulroney's limited screen time. Overall I liked the movie but felt more could have been done to fill some gaps.

Just imagine over 30 years ago inventing something as useful as the intermittent windshield wiper, a device everyone uses when it rains. Now that's immortality for inventor Bob Kearns, professor and engineer.

What is more astonishing is he was almost forgotten after the Ford Motor Company usurped the design and promoted it as its own. The dramatic tension is Kearns' fight for recognition involving years of personal and familial losses. The two moments of inspiration, the "flash of genius," one a personal eye injury and the other driving in the driving rain, are dramatically satisfying if not downright underplayed (appealing to my minimalist sensibilities).

The film is exciting when Kearns is developing the device with those design inspiration moments fleshed out and the partnering with Ford slowly materializing. The film slows down as if in a school zone when at least a third of the Kearns' time is spent struggling with wife Phyllis Kearns (Lauren Graham) over the cost to them in time and trauma to go after Ford. The dutiful wife suffering the ambitious husband has been played in American cinema and theater too much to be fresh, no different here. The scenes with family, especially his wife, evoke my usual response: All right, already, I get the point. Now get on to the good stuff.

Similarly, Kinnear plays Kearns so low key as to be soporific. Although I don't doubt Kearns was an introverted geek, a dramatic rendition would have enlivened the character without compromising his essence.

I, for one, strongly oppose any kind of plagiarism because nobody has the right to steal someone else's work and claim it to be theirs. 'Flash of Genius' tells the heartbreaking story of inventer Dr. Kearns. While windshield wipers may sound like a small thing that hardly many give consideration to (as Kearns's friends have told him), it's not a matter of the object at hand but the effort that went behind it and why should credit go to somebody else? I admire Kearns for putting up a fight and keeping up the battle for justice and even though it cost him his family, he fought to the end. I'm surprised as to how little recognition 'Flash of Genius' received considering that the story is extremely relevant even for today's world.

The director does a splendid job in telling this moving story. Greg Kinnear delivers a heartfelt lowkeyed performance which is among one of the best of his career. Unfortunately, he remains an underrated actor but I hope he keeps making the wise film choices and gets his due soon. Lauren Graham is wonderfully restrained and marvelous but she's risking getting typecast (she's played supportive wife in two other recent movies 'Evan Almighty' and 'Birds of America'). Dermot Mulroney too stands out as Privick.

Where the technical department is concerned, the director has used a lot of subtlety with the cinematography, soundtrack and visuals. It is only later that we realize what an important symbol rain is in this movie. The washed out colour adds to the tense, stressful and sad atmosphere. 'Flash of Genius' is definitely a worthy watch not only because it tells an engaging story but a very relevant one.

OK, so, on paper you must confess that any film that dramatises anything involving windscreen-wipers runs the risk of being pretty darn dull. But then at the same time maybe it is one of those films that sounds dull but is actually thrilling by way of drawing the viewer into the subject. When you thing about it, ignoring the part of the car that it involves, this story of the little man put down by a heartless corporation is pretty well timed with the strength of feeling towards our economic ruling class nowadays. So maybe Flash of Genius could ride that wave and deliver an impacting and uplifting story of overcoming at the same time – full of tension and emotion. Well, yes, I guess it "could" but the question is "does it?"

Unfortunately the answer to that is "no" and at best the film could be described as "solid". Contrary to my preconception the film is not dull because of the subject or because it gives lots of detail on engineering but rather because it seems to drag everything out and offer the viewer very little reason to care. It doesn't appear to focus on forward motion because if there is an opportunity to go over old ground or get into a rut then you best believe that it takes it. It is not a grind though, don't get me wrong, it is not a bad film, but just one that seems happy to do very little other than the basics. The courtroom scenes are where it should have come to life but even these fail to thrill or engage – OK they are there and they are "fine" for what they are but how am I the viewer supposed to be excited by what I am watching if the film itself seems all very underwhelmed by it.

I won't say that the cast are the problem but they are certainly part of it. Kinnear tries to deliver the character with real emotion in a way that will draw sympathy from the audience but his drab performance and repetitive delivery is part of the film being slowed down and not allowed to fizz. Graham doesn't help because she is part of this aspect of his character. In fairness she is quite lively and real but she cannot lift the film when the rest of it seems so intent on being average and sluggish. Alda turns up to offer the viewer hope as he enters the film with his custom delivery and energy, having several good scenes before disappearing again. Pileggi is a good solid "baddie" in the corporate sense and perhaps it would have helped to have allowed him more room to play with his character. Sadly none of the cast really gets to do this other than Kinnear, who has to take his scenes down into "despair" in a way that deadens the film and robs it of pace. Perhaps this is an accurate telling of the story but in this case it comes at a price and that price is the film's effectiveness and entertainment value.

This leaves Flash of Genius as a film that is far too worthy for its own good. It plays like a solid TVM and it certainly offered me nothing to justify why it was in the cinema with me when at best it was a DVD release. It has little in the way of drama or tension to it and it is hard to emotionally buy into the film in the way I needed to be able to in order to stick with it. If "solid" is what you are after then this is an OK film but the only remarkable thing about it is just how unremarkable, sluggish and frankly dull the whole thing is.