Adieu Monsieur Haffmann
- 2021
- Tous publics
- 1h 55m
IMDb RATING
7.0/10
3.4K
YOUR RATING
After the Germans occupy Paris, a talented jeweler, Joseph Haffmann, arranges for his family to flee the city and offers one of his employees the opportunity to take over his store until the... Read allAfter the Germans occupy Paris, a talented jeweler, Joseph Haffmann, arranges for his family to flee the city and offers one of his employees the opportunity to take over his store until the conflict subsides.After the Germans occupy Paris, a talented jeweler, Joseph Haffmann, arranges for his family to flee the city and offers one of his employees the opportunity to take over his store until the conflict subsides.
- Awards
- 1 win total
Jean-Cyril Durieux
- Allemand au ballon 2
- (as Jean-Cyrill Durieux)
Featured reviews
As revisionism is running rampant in Europa , films such as "l'homme de la cave " (also feat Auteuil) and "Adieu Monsieur Haffmann" are deeply appropriate to our times,appropriate in a way that recent works like "une jeune fille qui va bien " are not.
The depiction of occupied Paris in those darker hours of the twentieth century is uncompromising : the milice and the collaborators, the gendarmes -the story takes place in 1941,the year before the the roundup of Jews in the Paris Velodrome d'hiver-, checking the identity papers , the piles of informers' letters in the offices , the jewels stolen from the deported -where do they come from ? Asks the jeweller hidden in his cellar :the moment when he discovers among them his old friend's pendant is harrowing- , women sleeping with the enemy to get them ,the growing terror of the Jews : although he does not know the existence of the concentration camps ,the jeweller asks himself :"they are going to work in Germany? These old men???"
Some people will blame the director for showing the warts and all of the occupied France: the characters are either afraid (the butcher/smuggler) or profiteers , a la "Lacombe Lucien ": what's the matter,if he's not part of the milice ? Like Louis Malle's hero,he "protects "a Jew ,but,slowly and inexorably, he realizes he can own the workshop and drink champagne in the parties with the German ; like Joseph Losey's "Monsieur Klein" who would buy the Jews' valuable paintings for a song ,the employee understands his time may have come: this is a huis clos , most of the action taking place in a workshop or in a cellar where the owner becomes ,little by little, a prisoner ."I'll pay you what you used to give me "(when you were the boss); no humiliation is spared the jeweller : as his former employee is sterile, he wants him to get his wife pregnant .
Playing with fire may be dangerous : note the similarities -on a smaller scale- with the ending of "Monsieur Klein"!
Extremely well acted by Gilles Lellouche as the unscrupulous employee,Sara Giraudeau as the bewildered wife ,and Daniel Auteuil who perhaps needed this role to make up for the hateful hero of "l'homme de la cave" :he's another "man in the cellar" after all.
The depiction of occupied Paris in those darker hours of the twentieth century is uncompromising : the milice and the collaborators, the gendarmes -the story takes place in 1941,the year before the the roundup of Jews in the Paris Velodrome d'hiver-, checking the identity papers , the piles of informers' letters in the offices , the jewels stolen from the deported -where do they come from ? Asks the jeweller hidden in his cellar :the moment when he discovers among them his old friend's pendant is harrowing- , women sleeping with the enemy to get them ,the growing terror of the Jews : although he does not know the existence of the concentration camps ,the jeweller asks himself :"they are going to work in Germany? These old men???"
Some people will blame the director for showing the warts and all of the occupied France: the characters are either afraid (the butcher/smuggler) or profiteers , a la "Lacombe Lucien ": what's the matter,if he's not part of the milice ? Like Louis Malle's hero,he "protects "a Jew ,but,slowly and inexorably, he realizes he can own the workshop and drink champagne in the parties with the German ; like Joseph Losey's "Monsieur Klein" who would buy the Jews' valuable paintings for a song ,the employee understands his time may have come: this is a huis clos , most of the action taking place in a workshop or in a cellar where the owner becomes ,little by little, a prisoner ."I'll pay you what you used to give me "(when you were the boss); no humiliation is spared the jeweller : as his former employee is sterile, he wants him to get his wife pregnant .
Playing with fire may be dangerous : note the similarities -on a smaller scale- with the ending of "Monsieur Klein"!
Extremely well acted by Gilles Lellouche as the unscrupulous employee,Sara Giraudeau as the bewildered wife ,and Daniel Auteuil who perhaps needed this role to make up for the hateful hero of "l'homme de la cave" :he's another "man in the cellar" after all.
This film had my complete attention from start to finish. Very well acted and full of ironic twists. For me, this movie was a profound exploration of the moral dilemmas that people face in times of crisis. With many movies these days, especially American movies, you more or less know within about ten minutes where the story is going. Not so with Farewell Mr. Haffman. It's a film that makes you examine yourself and wonder what you would do in such a situation. Great acting by all three of the main characters, so much so that you forget the actors and become totally absorbed in the characters they are portraying. I love movies set in this period, but this one is also exceptionally well directed and acted.
I am beginning to wonder that the great French actor Daniel Auteuil has hit lower ground with his recent choices for the movies he is starring in. Daniel Auteuil used to be a sure bet that you were gonna see a solid movie, but times have changed, so it seems...
The bad: this movie is dressing up to be a dramatic movie about war refugees, but what it ends up being is a cheap copycat.
Every technical detail (set, photography, sound) is below average. But what's worse is that the acting performances are lacking in spark and punch. There simply is no actor's chemisty.
This looks and feels like a cheaply made television movie. Bummer. Expected a lot more from it...
The bad: this movie is dressing up to be a dramatic movie about war refugees, but what it ends up being is a cheap copycat.
Every technical detail (set, photography, sound) is below average. But what's worse is that the acting performances are lacking in spark and punch. There simply is no actor's chemisty.
This looks and feels like a cheaply made television movie. Bummer. Expected a lot more from it...
To set the scenes appropriately, extract the best from your actors and reduce the background music - make the audience they're a part of the movie too - simply brilliant!
Flawless work by the cast make this watch an emotion inducing one. It's a people story full of artistic expressions. Great visuals to portray how lives changed. A chronicle on what people saw, felt and had to live through in a time of death. Farewell Mr. Haffmann is for the keen minds to revisit history and admire the strange ways of human mind the fountain of persona.
Did you know
- TriviaA part of the street rue Androuet in 75018 Paris had been turned into a period film set in February 2020, but on the 17th of March 2020, France went into lockdown and on the night of 10th of May 2020, a thunderstorm hit the city, so for 2 months, the street was trapped in time and the set slowly destroyed. They had to be recreated after end of lockdown, 11th of May 2020, so shooting can finally start on the week of 1st of June 2020.
- GoofsThe poster on the wall outside the shop has stayed there during months but it is still intact.
- How long is Farewell, Mr. Haffmann?Powered by Alexa
Details
Box office
- Gross worldwide
- $6,419,026
- Runtime1 hour 55 minutes
- Color
- Aspect ratio
- 2.39 : 1
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