The Prisoner
- TV Mini Series
- 2009
- 45m
An update to the cult favorite series from the 1960s about a government agent who is kidnapped and sent to a remote island known as "The Village."An update to the cult favorite series from the 1960s about a government agent who is kidnapped and sent to a remote island known as "The Village."An update to the cult favorite series from the 1960s about a government agent who is kidnapped and sent to a remote island known as "The Village."
- Nominated for 2 Primetime Emmys
- 10 nominations total
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As a fan of the original Prisoner I can't begin to say how incredibly disappointed I am with this "remake". The "plot" is non-existent and makes no sense. It might be good if it had characters that made kept your interest in spite of the unintelligible plot line but sadly there isn't a single character that makes me care about what happens to them. In the original Patrick McGoohan was an excellent actor and portrayed an engaging character. The character of 6 in the original embodied the admirable quality of not giving up in spite of the odds. He was direct, smart and capable. In contrast, this 6 is a confused mamby-pamby guy with the personality of a doorstop. I am especially disappointed that one of my favorite actors, Ian McKellen would agree to appear in this mess. I think Patrick McGoohan is turning over in his grave.
Yikes. I don't know what standards The Prisoner is being compared to by other reviewers (other than obviously the original series, which is completely different). While not absolutely stellar, it certainly is superior to almost everything out there on network TV. While it's sometimes difficult to figure out where the four first hours are going, the last two hours are really delivered with the tone of cerebral and philosophical thriller that chillingly ties the mini-series together. I thought the Prisoner's social commentary on the balance between impersonal technology and personal consciousness which is hammered home in the ending sequences was especially effective. The acting level was also certainly above network TV level -- McKellen giving a creepy performance that ultimately becomes understandable as No. 2, and Cazieval, who likes many of his other roles, brings a humanity to character who doesn't quite understand what is going on to him. There are certainly flaws in the production and scripting, but if you come with an open mind and not prepared to judge the series in the context of the original series, I think it's a worthwhile investment of the viewer's time.
Would anyone really want to see a verbatim remake of a 1960s TV series? C'mon people, spies? It's not the cold war. Let the new series explore themes of paranoia, subversion, and identity in a new, interesting, and CURRENT context. At the same time it's adding new mystery. Part of the fun is figuring out what's going on. I wouldn't want a replica mystery and therefore be spoiled. I applaud the update, its creepy, technically sound, and confusing as hell. Granted, the acting is not top notch, Caviezel is doing the best he can but can't carry it, although McKellen and Ruth Wilson are great. Is it perfect? No. But does it deserve 1-2/10 just because it doesn't mimic its predecesor? C'mon people stop living in the past.
I have been an enthusiastic follower/student of the original "The Prisoner" since the premiere episode "Arrival" had its first USA showing in May 1968. Consequently, I was looking forward to this remake/update. Unfortunately, I was so disappointed that I changed the channel about five minutes into "Harmony." It was well acted, photographed, etc., but the problems were unsurmountable.
Right off, it starts with The Prisoner awakening, but not within The Village. He is instead in a desert, which proves to be not far removed from that community. We are never given any hint of a reason why--or even how--he comes to be there. Even Number Two, in the first interrogation scene, indicates that he does not know. It may be that the producers have disposed with the superficial level storyline, which even Patrick McGoohan considered unimportant, a necessity to get Lew Grade to agree to back the series. However, I feel that it is necessary to initiate audience involvement/sympathy. Here, "they" are trying to get our nameless hero to believe that The Village and environs is the entire world, no other population centers and indeed no other people. The only information sought from him concerns an old man he met in the desert, undoubtedly intended to be played by McGoohan; he even wears Patrick's Village costume. That is resolved in this opening episode.
This version of The Village, despite its name, looks like a small city, and not architecturally distinctive/surreal like "the grounds of the Hotel Portmeirion" (the location credit on the original show's finale), which was the initial inspiration. The residents wear normal clothing instead of distinctive Village costumes; although "Number Six" sports an outfit that would not have looked particularly out of place on a "Star Trek" set, it would not get a second look on a city street, either.
People unfamiliar with the original might not have the problems I had, but I can not guarantee that. For myself, I am done with this program.
Right off, it starts with The Prisoner awakening, but not within The Village. He is instead in a desert, which proves to be not far removed from that community. We are never given any hint of a reason why--or even how--he comes to be there. Even Number Two, in the first interrogation scene, indicates that he does not know. It may be that the producers have disposed with the superficial level storyline, which even Patrick McGoohan considered unimportant, a necessity to get Lew Grade to agree to back the series. However, I feel that it is necessary to initiate audience involvement/sympathy. Here, "they" are trying to get our nameless hero to believe that The Village and environs is the entire world, no other population centers and indeed no other people. The only information sought from him concerns an old man he met in the desert, undoubtedly intended to be played by McGoohan; he even wears Patrick's Village costume. That is resolved in this opening episode.
This version of The Village, despite its name, looks like a small city, and not architecturally distinctive/surreal like "the grounds of the Hotel Portmeirion" (the location credit on the original show's finale), which was the initial inspiration. The residents wear normal clothing instead of distinctive Village costumes; although "Number Six" sports an outfit that would not have looked particularly out of place on a "Star Trek" set, it would not get a second look on a city street, either.
People unfamiliar with the original might not have the problems I had, but I can not guarantee that. For myself, I am done with this program.
OK, I get the concept that the AMC production is in no way a sequel-type update to the 60's TV show. No argument there.
But--and I am sincere--can anyone actually provide me (and probably MANY others) with a detailed story line? A CLEAR plot summary? The writers/producers obviously wanted to keep viewers guessing and engaged, but there was never enough detail to determine which were flashbacks and which were...something else. And the last chapter was way too obtuse. It's fine that parts of the series wanted to comment on grand themes and deep societal concepts like the original did, in a modern way, but a more sharply-defined story line could easily do that, and probably hold everyone's attention longer. (Note: I can't buy into any explanation that says "It was all an allegory...it's whatever you think it means." There was enough of that already built-in to each episode.)
The pacing was awfully slow. The whole story could have been told well in 4 hours instead of 6. I found myself starting to want more unexplained holes in the sand and explosions just to pick up the action a bit.
You don't suppose that this was all an evil trick, the creation of a wicked team, to get us to watch all the episodes and then realize that WE were the prisoners for six hours?
But--and I am sincere--can anyone actually provide me (and probably MANY others) with a detailed story line? A CLEAR plot summary? The writers/producers obviously wanted to keep viewers guessing and engaged, but there was never enough detail to determine which were flashbacks and which were...something else. And the last chapter was way too obtuse. It's fine that parts of the series wanted to comment on grand themes and deep societal concepts like the original did, in a modern way, but a more sharply-defined story line could easily do that, and probably hold everyone's attention longer. (Note: I can't buy into any explanation that says "It was all an allegory...it's whatever you think it means." There was enough of that already built-in to each episode.)
The pacing was awfully slow. The whole story could have been told well in 4 hours instead of 6. I found myself starting to want more unexplained holes in the sand and explosions just to pick up the action a bit.
You don't suppose that this was all an evil trick, the creation of a wicked team, to get us to watch all the episodes and then realize that WE were the prisoners for six hours?
Did you know
- Trivia"Be seeing you" is a commonly-heard phrase in Le prisonnier (1967), this movie, and was also one of Patrick McGoohan's catchphrases in Destination danger (1960) and Destination danger (1964) . McGoohan's character "Johnny Cousin" (a pot-smoking drummer) in Tout au long de la nuit (1962) uses the phrase also when he says goodbye to the road manager "Berger" towards the end of the movie.
- ConnectionsFeatured in A Six Hour Film Shot in 92 Days: The Diary of 'The Prisoner' (2010)
- How many seasons does The Prisoner have?Powered by Alexa
Details
- Runtime45 minutes
- Color
- Aspect ratio
- 1.78 : 1
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