Zombie, la création

Unless you live in another planet, people that watch this type of movies have seen Alien II This story line and progression of the movie, it's that other way better movie.

I like low, low, low budget movies, and I think this one actually had a few dollars, just to bad they forgot to pay the writer some money to come up with something original.

Asian Zombies, I'm cool with that, but please, better dub would not have hurt.

The movie in not even worth renting, but it was fun to see this people's version of the space marines.

I found delight in the connection this movie shares with Island of the Living Dead, a film I had previously enjoyed. However, my sentiments take a turn when considering Zombies: The Beginning. The film unabashedly mimics the 1986 blockbuster Aliens to an alarming degree. Every element, from the narrative and dialogue to the music, sounds, and characters, appears ripped off directly from Aliens, albeit transposed to a remote island and replacing xenomorphs with flesh-eating zombies.

Zombies: The Beginning feels like a meticulous replication of Aliens, practically a frame-to-frame duplication. Some character names even bear a striking resemblance to those found in Aliens. The pervasive imitation left me grappling with conflicting feelings, prompting me to view Zombies: The Beginning more as a parody of Aliens than a sincere attempt at producing something noteworthy.

Notably, the film boasts an abundance of gore and an unusual inclusion of nudity, a less common feature in zombie movies. However, the movie's decision to opt for dubbing raises questions. While the dubbing's accuracy is lacking, my personal tolerance allowed me to overlook this flaw. Yet, for others, the subpar dubbing might prove irksome, accentuating the already prevalent issue of substandard acting throughout the film.

In conclusion, I hesitate to recommend Zombies: The Beginning unless it happens to be available for free, and you find yourself with absolutely nothing better to do or possess a peculiar interest in witnessing the epitome of cinematic mimicry.

Zombies: The Beginning (2007)

* 1/2 (out of 4)

Italian director Mattei ended his career with this sequel to ISLAND OF THE LIVING DEAD but don't expect a typical zombie flick. This film picks up right where the previous left as the sole survivor is asked by the government to head back to the island where her crew was killed by the zombies. That's pretty much all you need to know in terms of story as you really don't even need that considering this movie completely ignores what happened at the very end of the previous one. Yes, Mattei's final flick has a lot of zombies but it's actually just a direct rip off of ALIENS. This isn't the first time Mattei has ripped ALIENS and even though this movie is extremely bad, you can't help but somewhat admire how much ripping this guy can do. Not only do we get dialogue and scenes ripped from the Cameron flick but we get the typical stock footage stolen from other movies and this time it's CRIMSON TIDE. How Mattei got away with doing this his entire career is beyond me but quite a few of the sub scenes from that movie are lifted and used here. The movie actually looks like it had a fairly decent budget as the set design is actually pretty good and this is especially true at the end when we visit the alien/zombie tombs. Fans of gore will get quite a bit of that here as the red stuff is constantly flowing with various heads being shot off and parts being ripped or eaten. The CGI effects are quite poor but it adds a somewhat campy feel to the film. The performances, like the previous film, are hard to judge considering how bad the dubbing is but most people don't come to movies like this for the acting. The film doesn't mind ripping off other movies including dialogue from DAY OF THE DEAD and Mattei even rips off his own RATS: NIGHT OF TERROR. Fans of exploitation will probably want to check this out just for the cheese but the biggest problem is that it runs way too long and there's just not enough here to warrant the long running time. Mattei certainly went out with his comeback and this film contains all the bad stuff he'll always be remembered for.

Bruno Mattei's latest and last flick brings more zombie madness to our bloodthirsty mitts. I for one am not the biggest fan of zombie flicks, but I respect a movie with loads of gore and with a high level of cheese. And yep, Zombies: The Beginning delivers just that.

The story revolves around some cuteass Asian babe who plays a scientist of sorts. She's the lone survivor of a zombie rampage which left her entire crew/team dead. Events lead her back to the island where the zombies live...unlive. And as you can guess, loads of zombies and gore follow. Some weird turns in the story take place, but really, you're only really expecting the next scene of violence. Which basically, this film is fine for.

Z:TB was pretty fun, but ultimately it was a tad too tedious, and just really amateurish. For example, in the first 20 minutes they show a nightmare our lead lady has been suffering from three times. No biggie if it's quick or cool, but nope. It's long and stupid....but understandable. Of course if you love cheesy, foreign zombie flicks, this shouldn't bother you in the slightest and you should feel right at home.

If you're a die hard fan of Mattei or zombies, there's no reason not to check it out. It delivers the red stuff, the awful (good thing) dubbing, and a ridiculous story. Just don't expect our leading lady to shed any clothing. Even with those nice boobs....no nudity. Oh well, at least there were some zombie boobs.

The swan song of exploitation legend Bruno Mattei, Zombies: The Beginning starts with Dr Sharon Dimao being airlifted to safety, the woman claiming to be the only survivor from a salvage ship that ran aground on an island of zombies. After a week in hospital, she goes back to work but loses her job, her employers disbelieving her story about the reanimated dead. The next six months are spent recuperating at a Buddhist temple, but Sharon still suffers from terrible nightmares (well, the same nightmare several times over).

When a man from the Tyler corporation visits Sharon, telling her that he believes her story and that he wants her to act as a consultant on a mission to another island that might be overrun by the living dead, she decides to confront her fears. Accompanied by a platoon of tough, gung-ho marines, she travels to the island where she once again comes face to face with the ravenous zombies (which look a lot more like Lamberto Bava's demons than anything to be found in a George Romero movie).

In short, Zombies: The Beginning is James Cameron's Aliens, but with zombies (that look like demons).

This might be the final effort from a director whose career has spanned four decades, but Mattei proves that he has lost none of his magic: his last film is just as clumsy, cheesy, gory and downright hilarious as anything from his heyday. Sure, it's got a nasty shot-on-video aesthetic that makes it look even cheaper than 'classics' like Rats Night of Terror and Hell of the Living dead, but all of the director's trademarks are there: dreadful dialogue, terrible performances, unconvincing special effects, and lots of unintentional hilarity.

The real fun, however, is in spotting the countless ways that this film apes Aliens. Mattei has zero shame in copying everything he possibly can from Cameron's classic: marines equipped with motion detectors, a tough female soldier, flamethrowers for roasting the enemy, a stomach-burster, a treacherous company man, and an ending that sees Sharon strip to her vest to destroy the zombies' nest, where people are being used for breeding.

In a last-ditch effort to inject just a smidgen of originality, Bruno throws in some cone-headed zombie children with bug eyes, and a disembodied brain in a jar that has been planning to take over the world. Dumb doesn't even begin to describe it.

A tough one to rate: it's embarrassingly bad, and unlikely to appeal to the average Joe, but fans of Mattei's particular brand of trash will have a blast. I'll play it safe and give it a middling 5/10.