Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?
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The ending killed it. It was a good and enjoyable plot until it stoped making sense towards the end.
It's so exhausting watching Agatha Christie adaptations that literally should not legally be called an adaptation. The storyline was trash and nothing to do with the book. Other than it contained a great cast and visually was shot well, this is a must miss.
Once again Phelps thinks she knows better than Dame Agatha Christie, if she feels the need to re-write her plots just remove Christie's name from the title. As others have said it's creepy and attractive to look at, but go past the visuals and you'll find pretty poor story telling. I had expected Death comes as the end to be the next production, that would have been interesting as it has never been made for television. This is one of Christie's later books, it has a chilling core, I fear that in each of the Television adaptations, that grit has been missed. It's better than the dreadful mash up of The ABC Murders from last year.
I was really enjoying this until the very end. I didn't understand the ending and even reading the BBC's dissection on what it all meant left me none the wiser. I feel as if I wasted valuable TV time :-(
An unpleasant man does unpleasant things to his unpleasant friends and unpleasant acquaintances, who do unpleasant things back to him, possibly for all eternity.
There is no doubt an audience for this very classy, well-made and well-acted soap opera, consisting of people who think the world unpleasant and like to have their noses rubbed in it. There are such people, and they deserve to be entertained as much as the rest of us do.
However, viewers should be aware that, though it borrows Agatha Christie's title, her characters, and several plot elements, this bears no more than a superficial resemblance to Christie's novel, but free-rides on Christie's reputation, presumably in order to boost its viewing figures. I can think of no other reason for it to pose as a Christie adaptation.
There is no doubt an audience for this very classy, well-made and well-acted soap opera, consisting of people who think the world unpleasant and like to have their noses rubbed in it. There are such people, and they deserve to be entertained as much as the rest of us do.
However, viewers should be aware that, though it borrows Agatha Christie's title, her characters, and several plot elements, this bears no more than a superficial resemblance to Christie's novel, but free-rides on Christie's reputation, presumably in order to boost its viewing figures. I can think of no other reason for it to pose as a Christie adaptation.
Did you know
- TriviaMark and Hermia have paintings of four English nobles on horseback over their bed. These are likely meant to represent the four horsemen of the apocalypse.
- GoofsWhen Mark Easterbrook speeds down the lane and stops his car to speak to Oscar Venable, the top is clearly up on the car. In the next scene as he comes to a stop in town, the top is down and secured by a leather cover.
- Crazy creditsNo cinematographer / director of photography / lighting cameraman was credited for either episode, although there was a credit for the 2nd unit DoP.
- ConnectionsVersion of The Pale Horse (1997)
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- The Pale Horse
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- Bristol, England, UK(on location)
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- See more company credits at IMDbPro
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