Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?
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It's so exhausting watching Agatha Christie adaptations that literally should not legally be called an adaptation. The storyline was trash and nothing to do with the book. Other than it contained a great cast and visually was shot well, this is a must miss.
Once again Phelps thinks she knows better than Dame Agatha Christie, if she feels the need to re-write her plots just remove Christie's name from the title. As others have said it's creepy and attractive to look at, but go past the visuals and you'll find pretty poor story telling. I had expected Death comes as the end to be the next production, that would have been interesting as it has never been made for television. This is one of Christie's later books, it has a chilling core, I fear that in each of the Television adaptations, that grit has been missed. It's better than the dreadful mash up of The ABC Murders from last year.
First part was promising something very good but then part two.. I am quite unsatisfied by the ending.
The ending killed it. It was a good and enjoyable plot until it stoped making sense towards the end.
There seems to be a need these days to take classic works by the likes of Bram Stoker and in this instance, Agatha Christie and re-write them. Or to put it another way, in my opinion, "stuff them up".
For me, the maxim "if it ain't broke don't fix it" applies and The Pale Horse is no exception. To start with you have a male hero, who can't be a hero, without first being a villain. The original hero of the piece is re-written as a scoundrel and a womaniser. Why this is the case I can only guess at but its a lame ploy.
The rest of the story fares little better, skewing the tale away from an intriguing murder mystery, towards a rather jaded tale of sexual infidelity and secrets.
On the plus side the acting is decent and the visuals are creepily eerie. That said, once again, the price of tinkering with something that works just fine is an off balance tale, that fails to resonate.
5/10.
For me, the maxim "if it ain't broke don't fix it" applies and The Pale Horse is no exception. To start with you have a male hero, who can't be a hero, without first being a villain. The original hero of the piece is re-written as a scoundrel and a womaniser. Why this is the case I can only guess at but its a lame ploy.
The rest of the story fares little better, skewing the tale away from an intriguing murder mystery, towards a rather jaded tale of sexual infidelity and secrets.
On the plus side the acting is decent and the visuals are creepily eerie. That said, once again, the price of tinkering with something that works just fine is an off balance tale, that fails to resonate.
5/10.
Did you know
- TriviaMark and Hermia have paintings of four English nobles on horseback over their bed. These are likely meant to represent the four horsemen of the apocalypse.
- GoofsWhen Mark Easterbrook speeds down the lane and stops his car to speak to Oscar Venable, the top is clearly up on the car. In the next scene as he comes to a stop in town, the top is down and secured by a leather cover.
- Crazy creditsNo cinematographer / director of photography / lighting cameraman was credited for either episode, although there was a credit for the 2nd unit DoP.
- ConnectionsVersion of The Pale Horse (1997)
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- The Pale Horse
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- Bristol, England, UK(on location)
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