Séraphine

A beautifully crafted film about a genius with a gentle soul set in a time of war and recession. The sense of period is brought to life in this heart warming tale of Seraphine de Senlis. Anyone who has ever laid under a large tree as the leaves rustle in the wind or near the waters edge as the sea laps the shore, will appreciate the calm and beauty contained in this wonderful film.

Seraphine Louis,who would eventually change her name to Seraphine deSenlis (after the name of her hometown)was an artist who cleaned houses by day,and painted by night (all the time while singing the hymns of her staunch Catholic upbringing,while she was growing up an orphan by Nuns). Seraphine is pretty much maligned by the village locals,taunted by children,and pretty much avoided by most all that know her. When German art collector & critic,Wilhelm Uhde rents a room in the town of Senlis,while on the run from the insanity of World War I,and discovers a painting by Seraphine & is amazed by it's use of colour & texture. When the war moves ever closer,Uhde & his sister escapes the madness. Years later,he returns to Senlis,rediscovers an aged,but still painting Seraphine & vows to put her work on display (despite the fallout of the Wall Street crash of 1929,as well as the subsequent great depression,that managed to cripple a good percentage of Europe's economy,as well). Martin Provost directs & co writes (with Marc Abdelnoir)a lovingly depicted portrait of a woman possessed of genius that is cruelly stolen too early (deSenlis spent her aged years in an insane asylum & never painted again in life). Yolande Moreau plays Seraphine,a woman unpossesed by pretentious,real fine. Ulrich Tukur plays Wilhelm Uhde,in a winning role that depicts Uhde as an impresario of art first,and who's personal life is down played,somewhat (in life,Uhde was an ardent homosexual that made no bones about his gay lifestyle). The photography is a real treat for the eye (at times,the composition of visual images are very painterly,such as films such as 'Tous Le Matin Du Monde'). A film to check out for those with a love of art,or art history (or both). Spoken in French & German with English subtitles. Not rated by the MPAA,this film contains flashes of nudity & adult content.

Séraphine was one of these so called common people who in the early 1900s were discovered. The expression "discovered" is not wrong, but that wasn't just about the person, it's was also about another type of seeing and another type of expression.

Séraphine lived a poor and humiliating life like most women of her class. Then this German art collector finds her. But it stops there, because for certain reasons he in the end can't improve her life materially. And the result is disastrous, because it means betrayal of a person, although not of her art.

A silent realistic movie, there you can smell the poverty and despair.

A frumpy cleaning woman well into middle age is discovered by an art critic to be a painter with talent comparable to Vincent Van Gogh. Her story is told in the riveting Seraphine, directed by Martin Provost and winner of seven Césars, the French version of the Oscars, including a best actress award for Yolande Moreau. With a screenplay by Martin Provost and Marc Abdelnour, the film is set in the village of Senlis outside of Paris where Séraphine Louis (Yolande Moreau) lives alone and must take odd jobs just to pay for her painting supplies. Séraphine is a visionary, a devout Catholic who believes she is guided by a guardian angel and her exotic paintings of flowers and plants describe her feelings of closeness to spirit.

Treated with disdain by her condescending employer, her life takes on new meaning when a tenant, German art critic Wilhelm Uhde (Ulrich Tukur) hires Séraphine to clean for him and accidentally discovers one of her paintings that her boss had tossed aside. A champion of modern "primitvist" artists who is credited with early recognition of Picasso and Rousseau, Uhde is portrayed by Tukur as a quiet, unassuming man who lives with his sister and a gay lover. He recognizes Séraphine's talent but never shows much enthusiasm, preferring to keep their relationship on a very business-like basis.

Impressed by Seraphine's passionate art, Uhde offers to become her patron but, feeling estranged in France, must soon leave the country to return to Germany as the First World War begins. Although Séraphine continues to paint, she has no connection with Uhde until the latter part of the 1920s when he provides her with the means to quit her job and paint full time. Unfortunately, her grip on reality falters and she is soon hospitalized after indulging in spending sprees on a wedding dress and purchase of a large mansion. One of the saddest scenes in the film is that of Séraphine dressed in a full wedding gown, going door to door giving her away her possessions.

Provost in Séraphine captures the artist's mystical nature and her close bond with nature that shows up in her works, which are still exhibited in many of the world's museums. She is shown hugging trees, climbing them, and standing as a tiny speck beneath a towering shade tree. One scene shows her standing nude in water up to her chest in a nearby river. Provost takes a minimalist approach and the film does not contain much dialogue. The story is told by the silences and facial expressions and the music by Michael Galasso adds richness to the experience. Fully capturing the eternal mystery of the creative process, Séraphine itself is a work of art.

I enjoy French films very much and saw Seraphine in Paris. While the movie looks beautiful and the acting is excellent, overall the film bored me. There wasn't enough dramatic tension or intense character development to sustain my interest. I was very surprised that it won so many awards, but then again if the French academy is similar to the one in the U.S., they tend to play it safe. Seraphine is worth seeing if you are interested in thinking about the artistic soul. But there is nothing groundbreaking here. I would have liked to see a version of this artist's life that was less academic and more thought provoking. The one thing I admired very much was the performance of the lead actress. I was trying to imagine anyone equivalent to her in the U.S. and was unable to conjure any names. She is not classically beautiful, yet clearly she is an actress of great stature in France to have won this role. The lesson I took away from the film was the appreciation of talent, both of Seraphine and the actress who portrayed her.