The Descendants
- 2011
- Tous publics
- 1h 55m
A land baron tries to reconnect with his two daughters after his wife is seriously injured in a boating accident.A land baron tries to reconnect with his two daughters after his wife is seriously injured in a boating accident.A land baron tries to reconnect with his two daughters after his wife is seriously injured in a boating accident.
- Won 1 Oscar
- 65 wins & 148 nominations total
Jon McManus
- Cousin Six
- (as Jonathan McManus)
Featured reviews
The director of this movie, Alexander Payne, was the guy who made "Sideways." This is a very different movie in that it focuses on family relationships rather than those between friends and lovers. But, Payne displays--in this touching and very real movie--the same incredible talent for doing two things better than almost every other movie maker (at least as far as I'm concerned): 1) he brings the viewer into the geography and milieu of the time and place in a gritty way that clearly presents the natural beauty of the area without over-romanticizing it and 2) he fits the characters into this environment and achieves a reality for these people that transcends the 2-dimensional characters that populate the multiplexes. You really care about these people.
Another similarity between the characters in "Sideways" and this movie is that the protagonists are, in at least one important way, lost. They both are also honest with themselves.
And thank God Payne did not use an orchestra for the soundtrack that would foreshadow and punctuate the scenes telling us how our emotions should run...I will not tell you what the soundtrack is, other than to say it's perfect.
This is not a comedy though there are a few laugh lines. Clooney will get the Oscar for this...how can he not? He is in every scene, and I cannot imagine him being better. And Shailene Woodley plays his older daughter: just amazing. A beautifully realized character.
I tried carefully here to give nothing away but to encourage you to see this as soon as you can. Brilliant.
Another similarity between the characters in "Sideways" and this movie is that the protagonists are, in at least one important way, lost. They both are also honest with themselves.
And thank God Payne did not use an orchestra for the soundtrack that would foreshadow and punctuate the scenes telling us how our emotions should run...I will not tell you what the soundtrack is, other than to say it's perfect.
This is not a comedy though there are a few laugh lines. Clooney will get the Oscar for this...how can he not? He is in every scene, and I cannot imagine him being better. And Shailene Woodley plays his older daughter: just amazing. A beautifully realized character.
I tried carefully here to give nothing away but to encourage you to see this as soon as you can. Brilliant.
This drama offers nothing that unique, it's just really well done. I was moved by the incredibly realistic, raw and deeply complex characters and relationships. They're written, directed and acted brilliantly. These and other film techniques evoke in the audience a wide range of emotions that are exactly what you would expect people in the characters' circumstances to be experiencing. Confusion, grief, frustration, anger and a lingering solemness are just some of the things I was positioned to feel so profoundly alongside the characters. These things justify the grave narrative in a truly impacting way. The characters and plot are definitely the highlights, although there are also several well-crafted and highly relevant themes and perspectives woven into the film, that add more layers of brilliance to an already great watch. There's also not much in the movie that's not purposeful. Great examples of this are the setting and soundtrack, which not only aid the plot but also develop mood and help construct the messages being conveyed. There are also some genuinely funny moments scattered throughout. All of these things combine to produce a viewing that is immensely enjoyable, impacting and thought-provoking. If you haven't seen The Descendants yet, I'd highly recommend it.
I watched it at the movies in 2011 and it was immediatly my least favorites of Clooneys', an actor I like; my least favorites of Paynes', a director, I owed so much great times.
Then, I crossed its paths 2 or 3 times on tv for years, without much change but when I fully watched it again in full, alone, in 2025...it struck me as one my 10 key personal movies and stories.
Movies are brilliant objects, they do not change but we evolve around them and one day, we either puzzle out or puzzle into them.
That one eventually clicked, I saw characters, and not actors anymore: I had lived through some of the events and understood and felt a lot. Its writing and dialogues are mature and his subjects unique. We will all be concerned, if not already.
Then, I crossed its paths 2 or 3 times on tv for years, without much change but when I fully watched it again in full, alone, in 2025...it struck me as one my 10 key personal movies and stories.
Movies are brilliant objects, they do not change but we evolve around them and one day, we either puzzle out or puzzle into them.
That one eventually clicked, I saw characters, and not actors anymore: I had lived through some of the events and understood and felt a lot. Its writing and dialogues are mature and his subjects unique. We will all be concerned, if not already.
I do not know the book inspiring the film. But the film is real seductive for the fresh honesty. For the performance of George Clooney. For atmosphere and for the realism of the clash between generations. The delicate humor, the nice performances, the story are few virtues defining a beautiful film about family, death, secrets, courage, reconciliation with yourself, new beginning and duty. So, a beautiful film.
This is a great movie, no doubt about it. But given the combination of golden globe, Oscar buzz and positive feedback on IMDb, I expected much more.
The story and the premise of the movie is perfect. In fact, the tagline caught my attention enormously: "trying to reconnect with daughters." That is exactly the type of movie I like. Instantly, I could tell this was a movie about character development and human connection, usually the type of movies with the greatest potential.
Unfortunately, it was merely decent, but not special. It felt like the movie built up so much potential, but failed to release it at a certain point during the movie. The whole movie, for me, felt too introductory in nature. Not necessarily the plot, because the plot does evolve, but the overall "feel" of the movie felt preliminary to a bigger and more dramatic event which never happened.
It's not easy to explain my feelings towards the movie because the fault wasn't necessarily technical or specific. But it did linger around and distracted my viewing somewhat. I felt like there was still more to explore in both Clooney's character and the character of his daughters. Also, I think this element alone impacted on Clooney's performance. His performance was good, definitely, but again, because I felt like there was more to be explored, naturally, I also felt like his performance could have been added to (but not necessarily improved).
Given the Oscar buzz of this movie, I have to compare it to other movies of a similar nature. And unfortunately, I didn't feel like there was sufficient connection between the characters...although the potential to reach that connection was established, it was not acted upon in my opinion. Unfortunately I have to say there have been better developed "re-establishing connection" movies.
In summary, this is an enjoyable movie, but it is missing some important elements which deteriorates the viewing experience to some extent.
The story and the premise of the movie is perfect. In fact, the tagline caught my attention enormously: "trying to reconnect with daughters." That is exactly the type of movie I like. Instantly, I could tell this was a movie about character development and human connection, usually the type of movies with the greatest potential.
Unfortunately, it was merely decent, but not special. It felt like the movie built up so much potential, but failed to release it at a certain point during the movie. The whole movie, for me, felt too introductory in nature. Not necessarily the plot, because the plot does evolve, but the overall "feel" of the movie felt preliminary to a bigger and more dramatic event which never happened.
It's not easy to explain my feelings towards the movie because the fault wasn't necessarily technical or specific. But it did linger around and distracted my viewing somewhat. I felt like there was still more to explore in both Clooney's character and the character of his daughters. Also, I think this element alone impacted on Clooney's performance. His performance was good, definitely, but again, because I felt like there was more to be explored, naturally, I also felt like his performance could have been added to (but not necessarily improved).
Given the Oscar buzz of this movie, I have to compare it to other movies of a similar nature. And unfortunately, I didn't feel like there was sufficient connection between the characters...although the potential to reach that connection was established, it was not acted upon in my opinion. Unfortunately I have to say there have been better developed "re-establishing connection" movies.
In summary, this is an enjoyable movie, but it is missing some important elements which deteriorates the viewing experience to some extent.
Did you know
- TriviaWhen Matt King describes his inherited wealth, he says, "I don't want my daughters growing up entitled and spoiled. And I agree with my father; you give your children enough money to do something but not enough to do nothing." This is based on a well-known quote from billionaire investor Warren Buffett in a 1986 Fortune magazine interview. "Setting up his heirs with a lifetime supply of food stamps just because they came out of the right womb can be harmful for them and is an antisocial act. To him the perfect amount to leave children is 'enough money so that they would feel they could do anything, but not so much that they could do nothing.'"
- GoofsThe resort models shown could not be built. Kaua'i's "coconut tree" building law states that new construction cannot be more than 4 stories tall.
But this Princeville hotel is a real hotel because it's built on a hill. The Top floor is at ground level and the hotel is built with multiple stories going down to the Ocean.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.17 (2011)
- SoundtracksKa Makani Ka'ili Aloha
Written by Matthew Kane
Arranged and Performed by Gabby Pahinui
Courtesy of Panini Records
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Los descendientes
- Filming locations
- Hanalei, Kaua'i, Hawaii, USA(Matt & Hugh meeting at Tahiti Nui Restaurant, Speers beach cottage at 5032 Weke Road)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $82,584,160
- Opening weekend US & Canada
- $1,190,096
- Nov 20, 2011
- Gross worldwide
- $177,243,185
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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