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Once Were Brothers: Robbie Robertson & The Band

  • 2019
  • R
  • 1h 40m
IMDb RATING
7.4/10
2.4K
YOUR RATING
Robbie Robertson, Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, and The Band in Once Were Brothers: Robbie Robertson & The Band (2019)
ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND is a confessional, cautionary, and occasionally humorous tale of Robertson’s young life and the creation of one of the most enduring groups in the history of popular music, The Band.
Play trailer2:36
2 Videos
18 Photos
BiographyDocumentaryHistoryMusic

A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.

  • Director
    • Daniel Roher
  • Writer
    • Daniel Roher
  • Stars
    • The Band
    • Robbie Robertson
    • Bruce Springsteen
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    2.4K
    YOUR RATING
    • Director
      • Daniel Roher
    • Writer
      • Daniel Roher
    • Stars
      • The Band
      • Robbie Robertson
      • Bruce Springsteen
    • 48User reviews
    • 32Critic reviews
    • 61Metascore
  • See production info at IMDbPro
    • Awards
      • 4 wins & 8 nominations total

    Videos2

    Official Trailer
    Trailer 2:36
    Official Trailer
    Once Were Brothers: Robbie Robertson and the Band
    Trailer 2:29
    Once Were Brothers: Robbie Robertson and the Band
    Once Were Brothers: Robbie Robertson and the Band
    Trailer 2:29
    Once Were Brothers: Robbie Robertson and the Band

    Photos18

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    Top cast52

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    The Band
    The Band
    • Themselves
    • (archive footage)
    Robbie Robertson
    Robbie Robertson
    • Self
    Bruce Springsteen
    Bruce Springsteen
    • Self
    Rick Danko
    Rick Danko
    • Self - Bass and Vocals, The Band
    • (archive footage)
    Levon Helm
    Levon Helm
    • Self - Vocals and Drums, The Band
    • (archive footage)
    Richard Manuel
    Richard Manuel
    • Self - Piano and Vocals, The Band
    • (archive footage)
    Garth Hudson
    Garth Hudson
    • Self
    • (archive footage)
    Eric Clapton
    Eric Clapton
    • Self
    Martin Scorsese
    Martin Scorsese
    • Self
    Taj Mahal
    Taj Mahal
    • Self
    Rosemarie 'Dolly' Robertson
    Rosemarie 'Dolly' Robertson
    • Self - Robbie's Mother
    • (archive footage)
    Chuck Berry
    Chuck Berry
    • Self
    • (archive footage)
    Jann Wenner
    Jann Wenner
    • Self - Co-Founder, Rolling Stone Magazine
    Ronnie Hawkins
    Ronnie Hawkins
    • Self
    Jim Robertson
    Jim Robertson
    • Self - Robbie's Father
    • (archive footage)
    Alexander Klegerman
    Alexander Klegerman
    • Self - Robbie's Biological Father
    • (archive footage)
    Natie Klegerman
    Natie Klegerman
    • Self - Robbie's Uncle
    • (archive footage)
    Morrie Klegerman
    Morrie Klegerman
    • Self - Robbie's Uncle
    • (archive footage)
    • Director
      • Daniel Roher
    • Writer
      • Daniel Roher
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews48

    7.42.3K
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    Featured reviews

    7SnobReviews

    An inciting and compelling doc.

    "Once Were Brothers: Robbie Robertson And The Band" invites you to sit back and relax, while Robbie Robertson and other music royalty dive into the mystical journey of a great rock band. . In this documentary, singer/songwriter Robbie Robertson tells the candid story about the creation of one of the most enduring bands in the history of popular music, The Band. . There's something about The Band that always draws me in. Maybe it's the music, maybe it's their short lived musical journey, maybe it's how mysterious they seemed, but one thing is for sure is that not all bands have withstood what these guys have been through. Seeing Robertson tell personal stories about himself and the band is ultimately gratifying. I still think that Scorsese's "The Last Waltz" is the ultimate music doc and concert but this doc is a solid full framed story about these incredible musicians. The final moments of this film are nothing short of heart-wrenching and beautiful. Fans of music and The Band will enjoy this ride. . Follow @snobmedia for more reviews!
    5leegielen

    One side

    Robbie tells a good story, and by piecing old interviews from former band mates he supports his narrative.

    Loved the old footage of the Band.

    But the story in this film is not complete; what about how he sneakily got their publishing rights, and created a chasm between his "brothers"?

    This is a piece of the puzzle, of the Band. But it's no way THE story. There's a lot more to their story. I'd love to know what Garth had to say about this film. Bob Dylan himself had no interest in being involved present day.

    Robbie had talent. But to claim he wrote the Bands music and lyrics all by himself is bananas. Only reinforced by the fact he still claims the band ended when he left. Do your research viewer, the Band didn't die when he left. They played for years together after. Why does he ignore this? Doesn't fit his narrative...

    This isn't a film about the Band as much as it is a film about Robbie and what he wants people to believe about the Band. Too bad. We needed a full doc.
    7ferguson-6

    I shall be released

    Greetings again from the darkness. Based on Robbie Robertson's "Testimony: A Memoir", documentarian Daniel Roher's film is understandably told from the lead guitarist's point of view, and in fact, Mr. Robertson spends a good deal of time recollecting directly to the camera. For those familiar with the acrimonious-filled history since The Band split in 1976, you won't be surprised that Robertson's recounting of events varies greatly from those in the 1993 memoir of his former friend and bandmate in "This Wheel's on Fire - Levon Helm and the Story of the Band."

    Mr. Robertson is now 76 years old, and in addition to his guitar skills, he has always been an articulate speaker, and one who comes across as prideful and mostly sincere. These days he is one of only 2 band member still living, and the other (Garth Hudson) has nothing to say publicly about The Band or its members. This is one man's version of reality, and from a perspective of music history, it's quite interesting and entertaining.

    "The Band was greater than the sum of their parts", says Bruce Springsteen, in one of many interviews used for the film - including Eric Clapton, Taj Mahal, George Harrison, Peter Gabriel, David Geffen, Martin Scorsese, and "Rolling Stone" magazine founder Jann Wenner. Some of the initial interview clips play over an opening live performance of "Up on Cripple Creek", including Clapton stating he was "in awe of their brotherhood." The film then traces the timeline and early years as the pieces of the band came together ... much of it centered around Ronnie Hawkins, who is not only the most insightful of those interviewed, but also the most colorful. We learn that Robertson was writing songs at age 15, and that it was meeting Bob Dylan that changed everything.

    A substantial portion of the film deals with those early years, and the tales of being booed by audiences as they backed the newly "electric" Dylan are especially fascinating. In 1967 when The Band moved to the pink house in Woodstock, communal living led to artistic and creative productivity, including The Band's masterpiece album, "Music from Big Pink" (1968). There are some terrific old photos included here which give us a feel for the times, and the aforementioned 'brotherhood' of this band that seemed more tightly connected than most.

    Of course, it was the late 1960's and heavy drinking and drug usage took its toll, and The Band began to unravel. In 1976, 34 year old Martin Scorsese was brought on to direct a documentary of The Band's final performance. THE LAST WALTZ was released in 1978 and included electrifying live performances from some of the all-time greats: Van Morrison, Eric Clapton, Neil Diamond, Joni Mitchell, and Bob Dylan, to name a few. The concert was held at Winterland Ballroom in San Francisco, which would later close after a 1979 New Year's Day marathon concert by The Grateful Dead. Scorsese's film included interviews with the band members, but it was his unique and varied camera placements that brought the stage show to life.

    Director Roher's producers on this film include Scorsese, Ron Howard, and Brian Glazer. While it is often the story of Robbie Robertson's personal journey, it also serves as his perspective on The Band - a group of musicians who were right in the middle of things as popular music evolved. Levon Helm, Richard Manuel, and Rick Danko have passed away, and reclusive Garth Hudson refuses to re-live the past, so it's Robertson who tells their story, and his. We do get to see The Band perform "The Weight", "The Night They Drove Old Dixie Down", and most fittingly, "I Shall Be Released", but if it's the music that most interests you, track down and experience THE LAST WALTZ. It was the final time THE BAND performed all together on stage, and as Robertson says, "everybody just forgot to come back."
    6Win-5

    Wonderful, but horribly biased

    I love the history and the old footage of one of my favorite groups, both the concert films and the personal shots, but this documentary is horribly biased toward Robbie Robertson, while three people who might tell a different tale are dead. In particular, Robbie says that after The Last Waltz, "everybody just forgot to come back." This ignores the fact that he declared the group done, without asking the other four members, and ignores the fact that they went on to record multiple albums without him. Again, I'm glad this film exists, but I worry that anyone would consider it to be the complete story.
    10zken-1

    One of the truly great music films

    This writer grew up with this music, so I must be biased. When I was living a few miles from the Big Pink house, neither I or any of my friends had any idea who they were and what was going on. That is the reason that this film seems like such a revelation. It opens the door to the real feel of where the magical music came from, and why it seems so strong today. This is film is a joy from first to last frame, and has a simply amazing rhythm and poetry. It is a story of love, destruction, creation and the ecstasy around one of the truly great pop bands. It is true that the POV is from Robbie, but since he is one of only two survivors, that issue is irrelevant. What we see is what they saw. And the feeling runs through us with the same joy and excitement they felt playing right to the last notes of the last show. What a beautiful trip it was.

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    Music

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The distinct signature sound Garth Hudson has on the organ is from a Lowrey organ.
    • Quotes

      Ronnie Hawkins: They paid 35000 cash right in front of me for a little ole bit of cocaine. I snorted a couple lines, and I said, "Boys, there's enough flour and sugar in this shit, you'll sneeze biscuits for three fuckin' months after you snort this..."

      Ronnie Hawkins: [chuckles]

      Ronnie Hawkins: ...and they ended up buying another one.

    • Connections
      Edited from La Dernière Valse (1978)

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    FAQ18

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    Details

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    • Release date
      • February 21, 2020 (United States)
    • Countries of origin
      • Canada
      • United States
    • Official sites
      • Official Site
      • Official site (Japan)
    • Language
      • English
    • Also known as
      • Once Were Brothers: Robbie Robertson and the Band
    • Production companies
      • Shed
      • Bell Media Studios
      • Diamond Docs
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $449,561
    • Opening weekend US & Canada
      • $37,828
      • Feb 23, 2020
    • Gross worldwide
      • $536,534
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 40m(100 min)
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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