La visite de la fanfare

I liked this movie. As a viewer, I was subjected to a wide range of emotions during this film: joy, frustration, embarrassment, delight and so on.

One must understand that Israel and Egypt had been long time enemies (until the peace agreement in 1979) and that Israeli Jews and Arabs have very different views on so many matters. Within this context the humanity of the film really shines. People of such different backgrounds are basically the same; Same hopes and aspirations, same fears and frustrations etc. The same things make all of us tick.

This film is also about strangers and others. And how we can help one another. The scene with Haled and the Israeli boy and girl in the skating rink is, my opinion, classic.

enjoy

As a dedicated husband of a BAFTA voting member, we trawl through 100+ DVD's at this time of year. The Hollywood movies all blur into muchness, but then this film comes along without any fancy marketing blurb, no fancy box, just a DVD in a plastic sleeve. We put it in and said we would give it 10 minutes, and spent the next 100 minutes or so spellbound and laughing our socks off! The acting was simply wonderful, the comic situations and timing were redolent of "The Office", and the political analogies were intriguing, The soundtrack was the best of any 2007 movie imho. It gets our nomination for Best Film, Best Direction, Best Editing, Best Soundtrack, with further nominations for the "Dina" and "Tewfiq" actors plus a vote for others in the band in the supporting actor category.

Try to see it if you can!

We know there is going to be trouble for the arriving members of the Egyptian orchestra, when they are not met at the airport. To make matters worse, they pile into a bus that takes them to a place, so isolated, that for all practical purposes they have gone to another planet. The Israeli town is in the Negev and has little life on its own.

The orchestra's leader, the proper Tawfiq, goes to get help when they get off the bus. The only thing in sight is Dina's cafe, where nothing seems to happen. Dina, who is skeptical at first, realizes the plight of these men, stranded until the next day in that isolated spot with practically no money, decides to feed them soup and bread. Dina, who is a lonely woman who has seen better days, decides to take Tawfiq and Haled to her own home and bullies two men that hang out in her cafe to take the others to their relatives.

Dina, after taking the men to her own small apartment, decides to take the men out to a small eatery. As she gets to know them, she begins to develop a fondness for the older musician, who also feels the attraction, but he is too polite to do anything about it. Following the night in the small town we watch as the band walks out in formation to where they will be picked up.

Eran Kolinn, the writer and director of "Tbe Band's Visit", created an intimate portrait of lonely people coming together because of circumstances beyond their control. There is also an undercurrent message about how bitter enemies can come together when they really know each other. Talking seems to dispel old fears since we all are the same no matter where.

The film is enhanced by the quiet dignity of Sasson Gabai, who plays the band's director. He plays Tawfiq with such flair that he wins us from the start. Ronit Elkabetz is seen as Dina, the woman of a certain age, now stuck in that forsaken place. She lives a lonely existence in that forsaken place that she is grateful for the distraction of the stranded musicians and sees a possibility of some bliss even if it's short-lived.

Eran Kolinn is a talent that will go to bigger and better things because he shows he can do it, judging from his work in this winning film.

A fully uniformed Egyptian police band arrives in Israel to perform at the opening ceremony of a new Arab Cultural Center but no one shows up to meet them at the airport. Lonely and tired, they end up taking the wrong bus, ending up in Bet Hatikvah, a lonely outpost in the Negev that, according to one of its residents, not only doesn't have a cultural center but has no culture. Unable to get transportation until the next morning, the band agrees to stay overnight at a local restaurant run by Dina (Ronit Elkabetz), a free-spirited but lonely Israeli restaurateur who longs for companionship.

Eran Kolirin's A Band's Visit is the story of the small connections that bring people together. Israeli's submission as Best Foreign Film at the Oscars (rejected because much of its dialog is in English), it is about what some of us have lost in modern society – the ability to reach across cultural, political, and language barriers to connect with fellow human beings. Over the course of the evening, the Israelis and the Egyptians approach each other tentatively and little by little, the staid Egyptians open up to their Israeli hosts, finding some common ground exemplified in a spontaneous dinner table rendition of George Gershwin's "Summertime".

When the two groups begin to get to know each other, they find that beneath the language and cultural differences, they are simply people - full of joy and sadness, friendship and loneliness, connection and loss. Tewfiq (Sasson Gabal), the conductor of the Alexandria Ceremonial Police Orchestra, is formal and rigid in his demeanor but is able to strike up a friendship with Dina (Ronit Elkabetz). After some awkward silences, the melancholy conductor reveals details of tragic losses in his family and how he feels that he is to blame. Another band member, Khaled (Saleh Bakri) decides to accompany local Papi (Shlomi Avraham) and his date to a roller skating rink. In a memorable scene, Khaled offers the socially backward Papi some instructions on courting his shy girl friend.

In another moving sequence, band member Simon (Kalifa Natour) plays a lovely but unfinished composition for the clarinet for Itzik (Rubi Moscovich) who tells him that he should end the piece, not with a traditional showy display but with what is there for him at the moment, "not sad, not happy, a small room, a lamp, a bed, a child sleeping, and tons of loneliness." A Band's Visit is a film about Israeli's and Arabs but without the usual backdrop of boundary disputes, the peace process, or the religious divide, even avoiding the clichés about how music is a universal language. It is a small film but wise in its understated depiction of humanity's common bonds, slow-paced but held together with a sensitive charm.

The band, an group of eight Egyptians looking slightly stilted and uncomfortable but always professional, are dropped off at the Israeli airport, but there is no bus to drive them. They eventually get one, but it drops them off in the middle of nowhere. They walk to a local restaurant/dive that's about as empty as the rest of the small town - it's the wrong town, of course, as one letter was off in the name of the town of the band-mates inquired about. So it's time to stay overnight in this sleepy little desert town before things get straightened out to their destination.

With that simple premise, Eran Kolirin creates an atmosphere that seems like the awkward, piercingly funny but "low-key" (in other words not overly dramatic) characters in a Jarmusch film, and despite the 'small' nature of the story, that there isn't very much to go in its 80 minute running time, a lot can be explored through interaction. This is probably not a 'great' film, but it is a great example for those skeptical that an Israeli film has to have some political context or subtext or whatever. The only scene that has the hint of unease between Israel and Arab is an already warm, strange scene at a dinner table where an Israeli man recollects singing "Summertime" as everyone at the table joins in. There are looks exchanged here and there, but nothing to suggest unrest of the expected sort. This story could take place in just about anywhere.

By aiming things towards the little details of people relating on terms of friendly interaction, of the light dances of affection like between the boy who "hears the sea" and the "gloomy girl" at the skating rink (probably the single funniest scene without a word spoken, all movement), the first-time director creates a little play on people who live and/or work in a marginalized part of the world. That doesn't mean they're poor or ignorant, far from it. But it's a sweet view into people we otherwise wouldn't know much about (after all, who makes light, wise comedies on the misadventures of a police band from Egypt?) The performances are endearing, the music has the ring of not taking much too seriously, and melodrama is kept at a low (if not, in the underlying sense, melancholy). Only a few scenes (like the running story strand of the officer and the other guy waiting at the pay phone) fall sort of flat based on the tone already sent.