The road to achieving a happy ending is a little too rough for two guys Kartik and Aman. While Aman's family tries hard to battle his love for Kartik, Kartik isn't prepared to step back unti... Read allThe road to achieving a happy ending is a little too rough for two guys Kartik and Aman. While Aman's family tries hard to battle his love for Kartik, Kartik isn't prepared to step back until he marries Aman.The road to achieving a happy ending is a little too rough for two guys Kartik and Aman. While Aman's family tries hard to battle his love for Kartik, Kartik isn't prepared to step back until he marries Aman.
- Awards
- 6 wins & 20 nominations total
Pankhuri Awasthi
- Kusum
- (as Pankhuri Awasthy)
Gopal Datt
- Doctor
- (as Gopal Dutt)
Puran Gabbi
- Pintu
- (as Haardik Gabbi)
Sobbie Bawa
- Krishna
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Acting by everyone is good but a thing is missing in whole script. I think that is the soul of the movie..
The first part was fun. Once announced, it came to my watchlist right away and I was excited for it. Considering it's a different movie than other, expectations went higher.
But what happened? The story that could have been well polished, is wasted. The direction is very poor. Cinematography poor. Poor writing and making it become a dark movie. I don't understand why this comedy has to be dark? BGM was upsetting. Some performces, except the leads, were so poor that we couldn't even bare watching.
It's a different story, is a Sit-Com which is the reason it has some positive wom, or else with this direction the movie will go nowhere trust me. Add some unnecessary drama and some missed moments.
What worked:
The movie is an very Indian Bollywood movie with elements of comedy, drama and emotional scenes with maybe some extra spice as well. The makers should be highly applauded for the theme of the movie and the way the movie is executed; written and directed. It's the humor of the makers that made even the glorified melodramatic scenes reasonable and fun to watch. The screenplay is well done, and the narrative seemed to stay on balanced spot to explore a very pivotal subject in a not so liberal system. What makes the movie even special is allowing the space for the parents to convey their shock ,doubts and their weaknesses.Overall, the movie delivers its message and keeps the audience hooked in its storytelling.
What did not work:
One of the biggest concerns for me was the kiss scenes between the two lead actors;once in train and the other in the marriage ceremony. Although I consider myself liberal and open minded, it was one of the most challenging scenes both for the makers and the viewers. Kissing scenes done in such a celebrated and cinematic way is daring and at the same time inviting biases and extreme reactions. I personally believe the makers could have sent the message without showing the kiss scene or implied of the kiss. It's a shocking scene. I would have liked the movie more if not for the sexuality and sexual orientation and preferences were not so much glamorized or questioned. Ayushman's character is a bit loud as compared to Jitendra. You may argue of course because he represents the dominant alpha male. I disagree, it's still a bit louder than necessary. Besides the real topic of the movie ,maybe the movie has tried to use the topic of sex, romance amongst other lead characters such as the parents story. Somehow they might have overdone at parts. Having said all these, the movie is worth a watch, a family drama with a very progressive and necessary topic.
Final verdict: recommended
Generous (6/10)*
Movie is a decent attempt and makes an interesting comment on homophobia which exists in our country.
A major chunk of the film is about conflict within the family and during such times, the principle homosexuality angle takes a backseat.
First half is very humourous and timing of punches r perfect.
Post interval however, the film drops. The scenes are supposed to be funny but don't make you laugh. Also it becomes too lame and unconvincing. The makers try their best to make things interesting but it doesn't work.
A missed Opportunity.
Movie is a decent attempt and makes an interesting comment on homophobia which exists in our country.
A major chunk of the film is about conflict within the family and during such times, the principle homosexuality angle takes a backseat.
First half is very humourous and timing of punches r perfect.
Post interval however, the film drops. The scenes are supposed to be funny but don't make you laugh. Also it becomes too lame and unconvincing. The makers try their best to make things interesting but it doesn't work.
A missed Opportunity.
Hitesh Kewalya has written the story of the film Shubh Mangal Zyada Saavdhan in such a way that every character comes on screen with his different importance.
He is successful in writing Hrishikesh Mukherjee's films like Pasari film, but on many moments, he is unable to stop it from falling apart.
The film's better script and its agile editing could have made it a classic. Many things are missing in 'Shubh Mangal Zyada Saavdhan.'
Ayushmann and his fellow artist Jitendra have given their lives to make Shubh Mangal Zyada Saavdhan a milestone of their time. If you compare between the two, then this film looks more like Jitendra Kumar's film.
In many scenes as a young man who has lost his life on his male partner, he has fallen heavily on Ayushmann.
In the film, the pair of Gajraj Rao and Neena Gupta try to carry on the harmony of their previous movie Badhaai Ho, but here Gajraj Rao is unable to leave an impact on our mind.
Manu and Sunita's pair is more effective than Chacha and Chachi. And, Maanvi Gagroo and Pankhuri Awasthi also managed to impress the audience in their characters.
The biggest drawback of this film is the scattering of the story. Director Hitesh Kewalya had an opportunity where he could present something different from films made earlier on gay relationships. Could rob the applause of the audience.
He also had Ayushmann Khurrana, but he could not capitalize on this opportunity. In an attempt to highlight every character in the movie, they are unable to tell the real story.
If you are a fan of Ayushman Khurana and you are also homophobic in personal life, then with the help of this film, you can remove your doubts in a very entertaining way.
Apart from this, it is an entertaining family entertainer where almost all the stars tie the knot with good acting.
He is successful in writing Hrishikesh Mukherjee's films like Pasari film, but on many moments, he is unable to stop it from falling apart.
The film's better script and its agile editing could have made it a classic. Many things are missing in 'Shubh Mangal Zyada Saavdhan.'
Ayushmann and his fellow artist Jitendra have given their lives to make Shubh Mangal Zyada Saavdhan a milestone of their time. If you compare between the two, then this film looks more like Jitendra Kumar's film.
In many scenes as a young man who has lost his life on his male partner, he has fallen heavily on Ayushmann.
In the film, the pair of Gajraj Rao and Neena Gupta try to carry on the harmony of their previous movie Badhaai Ho, but here Gajraj Rao is unable to leave an impact on our mind.
Manu and Sunita's pair is more effective than Chacha and Chachi. And, Maanvi Gagroo and Pankhuri Awasthi also managed to impress the audience in their characters.
The biggest drawback of this film is the scattering of the story. Director Hitesh Kewalya had an opportunity where he could present something different from films made earlier on gay relationships. Could rob the applause of the audience.
He also had Ayushmann Khurrana, but he could not capitalize on this opportunity. In an attempt to highlight every character in the movie, they are unable to tell the real story.
If you are a fan of Ayushman Khurana and you are also homophobic in personal life, then with the help of this film, you can remove your doubts in a very entertaining way.
Apart from this, it is an entertaining family entertainer where almost all the stars tie the knot with good acting.
Ayushmann Khurrana on His Most Pivotal Roles
Ayushmann Khurrana on His Most Pivotal Roles
Ayushmann Khurrana revisits his 10-year-long journey in the Indian film industry and breaks down his most iconic characters in movies like Vicky Donor, Andhadhun, and Chandigarh Kare Aashiqui.
Did you know
- TriviaAyushmann worked with Nina Gupta and Gajraj Rao in Badhaai Ho (2018).
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- Release date
- Country of origin
- Official site
- Language
- Also known as
- Жениться нужно осторожно
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $6,574,905
- Runtime
- 1h 57m(117 min)
- Color
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