In a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit commu... Read allIn a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit community.In a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit community.
- Awards
- 1 win & 14 nominations total
Wendy Dynan-Gleeson
- Factory Worker 2
- (as Wendy Dynan Gleeson)
Featured reviews
I suppose, correct is the honest definition of this film. A film about two worlds, so differrent and, in some measure, painful familiar.
A provocative subject explored in honest terms.
And beautiful work of Emily Watson, proposing a powerful, moving portrait of Aileen, a Paul Mescal interesting for the manner to be out the images created in Normal People and Aftersun, the seductive effort of Aisling Franciosi to explore, in subtle - precise manner, the universe of Sarah - the scene of Sarah front to her door , with so powerful Rennaisence touch is just magnificent -.
In short, one of familiar stories near us. A son and his abusive gesture , blamed by laws. A mother front to the option to help him , including for status of prodigal son. Beautiful images, correct exploration of dilemma and the perfect , in this case, for this subject, slow rhytm. And the fair end.
In many senses, a question - film to the audience. Great acting, nice music and a simple way to build the subjective truth, in many cases- situations, the only significant one.
In short, fair work. Emilz Watson.
A provocative subject explored in honest terms.
And beautiful work of Emily Watson, proposing a powerful, moving portrait of Aileen, a Paul Mescal interesting for the manner to be out the images created in Normal People and Aftersun, the seductive effort of Aisling Franciosi to explore, in subtle - precise manner, the universe of Sarah - the scene of Sarah front to her door , with so powerful Rennaisence touch is just magnificent -.
In short, one of familiar stories near us. A son and his abusive gesture , blamed by laws. A mother front to the option to help him , including for status of prodigal son. Beautiful images, correct exploration of dilemma and the perfect , in this case, for this subject, slow rhytm. And the fair end.
In many senses, a question - film to the audience. Great acting, nice music and a simple way to build the subjective truth, in many cases- situations, the only significant one.
In short, fair work. Emilz Watson.
Emily Watson should be your sole reason to see this movie. You feel her in every moment she's on screen
A masterclass in acting.
Paul mescal once again gives a brooding performance as her angry/repressed son.
The movie presents the idea of choices one makes when faced with a difficult scenario.
Do you put on a mask and protect a loved one, Even though your instincts say otherwise?
Or do you finally accept their true nature and do what is right or in her case, What's necessary, when they are immune to consequences.
It's a slow burn. I feel it could've been stronger in the script department and more depth on character motivations, perhaps a bit more detail on what may or may not have happened. The way Last Duel handled that subject matter.
The dad son conflict is sort of there. A fight happens and then oh well next.
Wonderfully dark and moody though . Good for a rainy afternoon/evening.
Paul mescal once again gives a brooding performance as her angry/repressed son.
The movie presents the idea of choices one makes when faced with a difficult scenario.
Do you put on a mask and protect a loved one, Even though your instincts say otherwise?
Or do you finally accept their true nature and do what is right or in her case, What's necessary, when they are immune to consequences.
It's a slow burn. I feel it could've been stronger in the script department and more depth on character motivations, perhaps a bit more detail on what may or may not have happened. The way Last Duel handled that subject matter.
The dad son conflict is sort of there. A fight happens and then oh well next.
Wonderfully dark and moody though . Good for a rainy afternoon/evening.
The movie "God's Creatures" is an intense, heavy-duty drama about a mother's protective relationship with her son. To what extent can a mother's love for her offspring be acceptable and understood?
Emily Watson's performance as the mother Aileen O'Hara is simply brilliant, once again she lets us delve into the insecurity, regret, love, and ambiguity of a mother torn apart between being a mother and a woman. Emily Watson gives herself fully, just like she did in "Breaking the Waves".
Despite having this theme of guilt and shame, the movie has a somewhat excessive conclusion, especially because its plot is related to a form of unconditional love between mother and son.
Emily Watson's performance as the mother Aileen O'Hara is simply brilliant, once again she lets us delve into the insecurity, regret, love, and ambiguity of a mother torn apart between being a mother and a woman. Emily Watson gives herself fully, just like she did in "Breaking the Waves".
Despite having this theme of guilt and shame, the movie has a somewhat excessive conclusion, especially because its plot is related to a form of unconditional love between mother and son.
In dark, slow-burn Irish drama "God's Creatures" Paul Mescal returns from years in Australia to his fishing village home & family inc overjoyed ma Emily Watson (always solid), stoic da Declan Conlon & feisty sis Toni O'Rourke. But when Mescal's one-time gf Aisling Franciosi (good) accuses him of rape, and Watson lies to provide an alibi to get him off, a shadow falls over them all. Written (by Shane Crowley) & directed (by Saela Davis & Anna Rose Holmer) in deliberately & appropriately moody style it's evocative work, portraying a community & values seemingly of a different time & place to our own. While no adrenaline pumper, it's fine drama for those in the mood.
This is one of those stories that is simple, but executed brilliantly. A crisis of identity and of faith as the patriarchy dominates an allegation of sexual assault in a small fishing village. Examining the individual responses of the villagers, creating in-group out-groups that soon meet a flashpoint, yet trundle toward people wanting to normalize and go back to normal. And willfully forget the damage done and ongoing.
I think it's sad/hilarious that so many reviews call it shallow simply because they're triggered the dude is being maligned. It's a story. And it's not his story, nor does it need to be because it's not operating at the concrete level, for the most part.
Emily Watson kills it in this, as does the up-and-comer from the Normal People adaptation. Smart script, not too long, great shots, fantastic soundtrack. Starting my 2023 watch season out right. Excellent stuff.
I think it's sad/hilarious that so many reviews call it shallow simply because they're triggered the dude is being maligned. It's a story. And it's not his story, nor does it need to be because it's not operating at the concrete level, for the most part.
Emily Watson kills it in this, as does the up-and-comer from the Normal People adaptation. Smart script, not too long, great shots, fantastic soundtrack. Starting my 2023 watch season out right. Excellent stuff.
Did you know
- TriviaThe filming locations include Cladnageragh, Teelin, Kilcar, Killybegs, & Glencolumcille - all towns and villages in Co. Donegal, Ireland.
- How long is God's Creatures?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Tanrının Yarattıkları
- Filming locations
- Donegal, Ireland(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $45,849
- Gross worldwide
- $297,597
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 2.39 : 1
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