A fading Hollywood star looks back at the days of his youth as he returns home from his best friend's funeral.A fading Hollywood star looks back at the days of his youth as he returns home from his best friend's funeral.A fading Hollywood star looks back at the days of his youth as he returns home from his best friend's funeral.
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This flick is starting to hit the US cable movie channels. I had never heard of it. I came away moved and impressed by this Daniel Craig project. "Shake your hair girl with your ponytail. Takes me right back..." OTHER: I found myself getting the female actors mixed up, but that's really my only problem with it. They look alike. The SA location fooled me completely and looked great. A refreshing change from the usual gritty rowhouse environment in which many British movies of this type are set. The film "Wish You Were Here" pushes similar buttons as this flick. Loved Ruth's 1970's wardrobe and the arcade that was apparently the center of life for these teens back in the day.
Loved the director's economy of actors. Most others would have had that arcade FILLED with extras cluttering up the scene. But in a memory, are there any extras?
Loved the director's economy of actors. Most others would have had that arcade FILLED with extras cluttering up the scene. But in a memory, are there any extras?
This film was right up my street. I would recommend it to anyone who is happy and indeed eager to become emotionally involved in a story. I have to say that the lip sync sequence was outstanding and it stayed in my head for days afterwards. I was thinking about the film for days after I'd seen it. There was something incredible for me in the way the whole film was shot but especially the flashbacks to the seaside - it awoke something for me from that era that I had forgotten about from my childhood and I found it strangely comforting. Not that I grew up near the sea but it struck a chord deep inside. How great to be able to capture something so brilliantly and bring it to life for others. I am envious of Baillie WALSH for this but thank God for him also. I look forward to seeing what else can be done.
Daniel CRAIG was stunning in the role, and brought it to life by showing us something we haven't seen in him too often - the sadder/nastier character - although his physique was maybe a little too perfect to make the decadent, fast living, hedonistic junkie completely believable - although I will forgive him for this! Harry EDEN who played the young Joe showed us all the awkwardness of youth and adolescence along with the desperation to grow up and all it's pitfalls. He was stunning on screen and oozed fragility. I would have liked to see the link showing how young Joe became an actor but understand there is a limit to how long a film can reasonably be.
Similarly to NOTES ON A SCANDAL and THE MOTHER - this for me was the kind of film that I could enjoy over and over and each time still feel that I am a seeing something I shouldn't - like a secret - and watching every delicious moment without being noticed myself.
Daniel CRAIG was stunning in the role, and brought it to life by showing us something we haven't seen in him too often - the sadder/nastier character - although his physique was maybe a little too perfect to make the decadent, fast living, hedonistic junkie completely believable - although I will forgive him for this! Harry EDEN who played the young Joe showed us all the awkwardness of youth and adolescence along with the desperation to grow up and all it's pitfalls. He was stunning on screen and oozed fragility. I would have liked to see the link showing how young Joe became an actor but understand there is a limit to how long a film can reasonably be.
Similarly to NOTES ON A SCANDAL and THE MOTHER - this for me was the kind of film that I could enjoy over and over and each time still feel that I am a seeing something I shouldn't - like a secret - and watching every delicious moment without being noticed myself.
I really loved this movie! It makes you to think and talk about it after you have seen it. Sometimes when you are so high in your life you're living,nothing is important more than yourself until something personally hits you This film tells you that you have to go down rock bottom to stop and realize your past and your mistakes you have done. And this one film tells you everything you need to know about mistakes when we are still innocent and young and in the same time even when you are young you still feel guilt of what happens around you. But it is never too late and i think everyone deserves a second chance. It took me 3 months when i decided to rent it and i said to give it a go and i really enjoyed watching it. Very Good Drama!!
There's a saying I heard a long time ago... "The person that's got everything has nothing" and this movie kind of explains one way of looking at it (in my opinion).
In a materialistic influenced world we live in it can be easy to fall into how believing happiness and wellbeing comes only from having all the things wealth can bring i.e. the clean cut minimalist house walking out onto the white sand overlooking a beautiful serene sea, a selection of gleaming new sports cars, the tailored clothes etc etc. But I guess for some people who have reached this place/goal in their life have focused on the goal so much that they've forgotten where they've come from and what they may have been running from.
Now what this gem of a movie does is carefully and meticulously unravel the story of a troubled man in this very situation, dealing with the daemons of his past, the spontaneous difficult decisions he had to make as a boy which has carved this stone cold embodiment of a man on the edge of existence.
Now I'm not going to break down and dissect this film and give a whole rundown on how and why I think this is a great movie but I will say this. The story of a nasty main character (amazing job from both Daniel Craig and Harry Eden) and showing the world that he lives in and lived in by slowly letting the viewer past his metaphorical protective wall while allowing the viewer to piece together how and why he is the way he is, is presented exquisitely.
I don't want to give anything away on the plot and story but I have to say there where two parts that absolutely blew me away and I'll just give you a vague hint. One involving a shot of artwork with intention of displaying a contrast of relation between the background and foreground giving an artistic viewpoint on the real subject matter (works on so many levels) and the other being a close up shot which encapsulated a lot of emotion and made my heart just drop.
all in all the whole production was done well, especially the editing (even though it's obviously apparent they had some great content to work with) and did, for me, what all great stories do, kept me entertained through demanding my full attention and rewarding that attention in the form of an emotional roller-coaster.
Last note: please try not to second guess while trying to predict what's coming next and how it ends. Just enjoy the story that is being told because it's been executed very well.
PS: I would have given this a 10 but wanted other readers to take this review seriously as I do love the art of storytelling, especially a good movie and it's unfortunate that there's too many marketing teams pushing up star ratings here on IMDb.
Thanks for reading my first review and I hope you enjoy "Flashbacks of a Fool" as much as I did.
In a materialistic influenced world we live in it can be easy to fall into how believing happiness and wellbeing comes only from having all the things wealth can bring i.e. the clean cut minimalist house walking out onto the white sand overlooking a beautiful serene sea, a selection of gleaming new sports cars, the tailored clothes etc etc. But I guess for some people who have reached this place/goal in their life have focused on the goal so much that they've forgotten where they've come from and what they may have been running from.
Now what this gem of a movie does is carefully and meticulously unravel the story of a troubled man in this very situation, dealing with the daemons of his past, the spontaneous difficult decisions he had to make as a boy which has carved this stone cold embodiment of a man on the edge of existence.
Now I'm not going to break down and dissect this film and give a whole rundown on how and why I think this is a great movie but I will say this. The story of a nasty main character (amazing job from both Daniel Craig and Harry Eden) and showing the world that he lives in and lived in by slowly letting the viewer past his metaphorical protective wall while allowing the viewer to piece together how and why he is the way he is, is presented exquisitely.
I don't want to give anything away on the plot and story but I have to say there where two parts that absolutely blew me away and I'll just give you a vague hint. One involving a shot of artwork with intention of displaying a contrast of relation between the background and foreground giving an artistic viewpoint on the real subject matter (works on so many levels) and the other being a close up shot which encapsulated a lot of emotion and made my heart just drop.
all in all the whole production was done well, especially the editing (even though it's obviously apparent they had some great content to work with) and did, for me, what all great stories do, kept me entertained through demanding my full attention and rewarding that attention in the form of an emotional roller-coaster.
Last note: please try not to second guess while trying to predict what's coming next and how it ends. Just enjoy the story that is being told because it's been executed very well.
PS: I would have given this a 10 but wanted other readers to take this review seriously as I do love the art of storytelling, especially a good movie and it's unfortunate that there's too many marketing teams pushing up star ratings here on IMDb.
Thanks for reading my first review and I hope you enjoy "Flashbacks of a Fool" as much as I did.
Although Flashbacks of a Fool is Daniel Craig's pet project he's the film's executive producer as well as its star it actually contains surprisingly little of the blonde hunk (though for the ladies out there, you do, admittedly, get to see his bum).
Craig plays Joe Scott, a movie star who has plenty of money and sexual satisfaction in his life, one which - when he is not indulging in coke-addled rumpy pumpy at least - is mostly spent looking out to the sea from his minimalist cliff-top pad.
Yet he has no real friends and seemingly no real future "there's no role for you ANYWHERE," his agent tells Joe, a moment after he has seen his client throw his prized mobile phone out of a restaurant window.
As Joe begins to wonder what has happened to his life, we are taken back to his adolescent days of first love on the quiet English seaside, to discover what this Brit has in fact been trying to hide from with a life of debauchery and excess in LA.
Even a fan of this film should be able see why some might find it slow and slightly dull, as it does rely on the viewer sharing in a sense of glory in the mystical power of great records, the tragic romance of nostalgia and regret, and the theme of washed-up stardom.
Perhaps that provides limited scope for the film to garner a wide audience, but for those who can find true enjoyment from subtle portrayals of youth and humanity as much as from the more obvious merits of rapid plot progression that will matter little. The direction is superb, the script never feels rushed, and the wistful tone of someone looking back to their yesterdays to get on with their today is rare in its realisation of artistic vision.
There's no big finale, but that's not to say that the conclusion is anything less than perfect in its mood and its timing. A literate film that is there to relish on a quiet afternoon, Flashbacks of a Fool feels more typical of a book by Ian McEwan (though thankfully it bears little in common to the cinematic version of Atonement) than a film starring the current Bond. It could also have you listening to Roxy Music for the rest of your weekend, even if you've never before had the urge to sing along to Bryan Ferry in the bath - a pleasing added bonus.
There is nothing foolish about this film watch it accordingly.
Craig plays Joe Scott, a movie star who has plenty of money and sexual satisfaction in his life, one which - when he is not indulging in coke-addled rumpy pumpy at least - is mostly spent looking out to the sea from his minimalist cliff-top pad.
Yet he has no real friends and seemingly no real future "there's no role for you ANYWHERE," his agent tells Joe, a moment after he has seen his client throw his prized mobile phone out of a restaurant window.
As Joe begins to wonder what has happened to his life, we are taken back to his adolescent days of first love on the quiet English seaside, to discover what this Brit has in fact been trying to hide from with a life of debauchery and excess in LA.
Even a fan of this film should be able see why some might find it slow and slightly dull, as it does rely on the viewer sharing in a sense of glory in the mystical power of great records, the tragic romance of nostalgia and regret, and the theme of washed-up stardom.
Perhaps that provides limited scope for the film to garner a wide audience, but for those who can find true enjoyment from subtle portrayals of youth and humanity as much as from the more obvious merits of rapid plot progression that will matter little. The direction is superb, the script never feels rushed, and the wistful tone of someone looking back to their yesterdays to get on with their today is rare in its realisation of artistic vision.
There's no big finale, but that's not to say that the conclusion is anything less than perfect in its mood and its timing. A literate film that is there to relish on a quiet afternoon, Flashbacks of a Fool feels more typical of a book by Ian McEwan (though thankfully it bears little in common to the cinematic version of Atonement) than a film starring the current Bond. It could also have you listening to Roxy Music for the rest of your weekend, even if you've never before had the urge to sing along to Bryan Ferry in the bath - a pleasing added bonus.
There is nothing foolish about this film watch it accordingly.
Did you know
- TriviaFeature film debut of Felicity Jones.
- GoofsNone of the cars that were supposed to be in California, had a front California License Plate. They only had rear California plates. California is a front and rear plate State.
- Quotes
Adult Joe Scot: When I was a child I used to think that being brave meant that you had to take ownership. That to have a dream and to move forward in life you needed courage. But the only thing you need courage for is for standing still.
- ConnectionsReferenced in Friday Night with Jonathan Ross: Episode #13.11 (2007)
- SoundtracksFils de...
Performed by Scott Walker
Words by Jacques Brel
Music by Gérard Jouannest
Courtesy of Mercury Records Ltd.
Under license from Universal Music Operations
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Спогади невдахи
- Filming locations
- South Africa(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,664
- Opening weekend US & Canada
- $1,020
- Oct 19, 2008
- Gross worldwide
- $1,117,269
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 2.35 : 1
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