A man must cross post-world war III terrain and the new martial-law to save his missing wife.A man must cross post-world war III terrain and the new martial-law to save his missing wife.A man must cross post-world war III terrain and the new martial-law to save his missing wife.
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As my summary states, the beginning of this film creates a lot of expectation. OK, I am a fan of nuclear holocausts and post-apocalypse (or, well, used to be, since the latest releases -the book of eli, the road, deadland...- have been quite disappointing). This said, a quarter of an hour into the movie I found myself looking through the window instead of at the screen. The search of the man's woman becomes tedious, slow, boring and lacking action or direction. I like the Asian looking character who befriends him, although his weird attitude doesn't really save the film. Then I decided to watch it at double or triple the speed since I had a bad feeling of wasting my time. I set the speed back to normal towards the end, however the "climax" was nothing of sorts and the overall feeling when the end credits started to roll was that of what have I done with my life for the past hour. Considerable attempt that stayed in failure.
Alright so while it is lacking in some things we've grown accustomed to in a story as expansive as Post-apacolyptic worlds, ie., BIG CGI, extravagant fight scenes, etc., I do think they had a pretty decent story going, if not the budget. I thought the acting was pretty good for the most part. Probably most impressive was the cinematography, some beautifully panned scenes. I would definitely agree with one of the other reviewers and say this is more of a sci-fi drama than action flic. A lot of the scenes were meant to take you into a post apacolyptic world full of despair and angst, this however feels a bit staged since many of the people interacting in the film are in good shape, clean/new clothes, etc. All in all, not a terrible movie for a rainy day and some popcorn on your couch.
This film appears to use professional camera equipment, but that's where the similarities to a real movie end. I picked this up at the video store because the cover showed a post apocalyptic background and described itself as such. You expect Mad Max even if it's just a poor low budget version. The reality when you watch it is that it is a bunch of guys in camouflage fatigues running around in the woods. The plot is goofy and overly moral-agenda ridden, the dialogue consists of things nobody would say, and the actors' experience couldn't consist of more than a few commercials or a late night soft-core porn. This movie would remind me of a soft-core porn (in which the plot is superfluous) except that is cleans up everything but the implied violence, which the camera mostly cuts away.
Where will you be
what will you do
and how will you protect your loved one's in a post-apocalyptic world? The sci-fi action/thriller DEADLAND plunges you into a world of martial law, and takes you along the journey of Sean (Gary Weeks) a survivor of World War III's nuclear strikes on the U.S. A pandemic reigns as many survivors were infected by a fatal nuclear plague and separated into different concentration camps by Officers of the New Provinces. The quest starts when the protagonist finds evidence that his missing wife (Emily-Grace Murray) may still be alive in the new United Provinces. His determination to find her is equal to his personal war against the cruel Officers of the New Provinces. Jax (Brian Tee) an unexpected ally brings a bit of humor to the realistic struggles in the action filled drama. DEADLAND visually demonstrates our fear as well as our hope in a post-apocalyptic world.
Director Damon O'Steen, and writer/producer Gary Weeks, present a fantastic post-apocalyptic thriller considering their budget. All aspects of the film were impressive with excellent cinematography, moving score, superb acting, and great direction. You will not be disappointed in this indie film that visually portrays a depressing yet hopeful future. I found this gem at the Derby City Film Festival February 2010 and loved it! -3rd Dog Script aka Betsy Malone © 2010
Director Damon O'Steen, and writer/producer Gary Weeks, present a fantastic post-apocalyptic thriller considering their budget. All aspects of the film were impressive with excellent cinematography, moving score, superb acting, and great direction. You will not be disappointed in this indie film that visually portrays a depressing yet hopeful future. I found this gem at the Derby City Film Festival February 2010 and loved it! -3rd Dog Script aka Betsy Malone © 2010
1moux
Most of the action of the film takes place 5 years after apocalypse in the forest. The main character who before the apocalypse was a cubicle worker survives 5 years in the forest and looks like just left the gym after heaving his hair trimmed. Neither his body or spirit are affected by the catastrophe. So maybe he is a superhero? Surprisingly all of the people are like that. As a result we have a fully nourished individuals chasing each other in the forest. Pretty much happy time? No, because there are a bad guys, paramilitary groups who supposedly rule the area, rape the women, take prisoners and have the cruel labor camps. Again the women kept by a the militants and gang raped multiple times look in the film like they just left the shopping mall on Saturday afternoon. The whole scenery as well as the plot make the film into something in between of Christian preachy film (with obvious not complicated characters) and porn (where people seem to be detached from the background they are put on). What could save the film? Probably more acting. It would be nice to watch a person trying to survive in the forest instead of a dude who just went for a walk to the park. Also women should have feelings, if not crying then with the mask of angry lesbian... anything.
Did you know
- TriviaWilliam Katt only worked one day on this film.
- ConnectionsReferences Le Magicien d'Oz (1939)
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