IMDb RATING
6.9/10
7.5K
YOUR RATING
His own body turned into a living work of art and promptly exhibited in a museum, Sam, a Syrian refugee, will soon realize to have sold away more than just his skin.His own body turned into a living work of art and promptly exhibited in a museum, Sam, a Syrian refugee, will soon realize to have sold away more than just his skin.His own body turned into a living work of art and promptly exhibited in a museum, Sam, a Syrian refugee, will soon realize to have sold away more than just his skin.
- Nominated for 1 Oscar
- 9 wins & 12 nominations total
Koen De Bouw
- Jeffrey Godefroi
- (as Koen de Bouw)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
YES! "The Man Who Sold His Skin" left me with so many answers to gut hunches I had about the businness of art and how it steals peoples souls. This is a story driven movie, simple filming some amazing shots and locations, economic dialogue that required some of the most intense acting from Yahya Mahani. This brothers abilty to show emotion was so thorough that I actually felt what he was going through. Such a powerful perfomance that I had to come on here and tell people of this movie. I have never seen or heard a story like this. A must see for REAL movie fans who need more then watching blind entertainment. I found this while searching tattoos.
I hadn't realised that was by a Tunisian director. She did a good job to get Syrians to play nearly all of the principal parts. It really irritates me when the accents don't match the supposed country when I watch an Arabic-language film and I always wonder why so many films make do with impersonations. I used to live in Syria, so it is even worse when the actors are playing (and failing) the various Syrian accents.
I was also pleased to see that there was very little propaganda against His Excellency Bashar al-Assad, the elected President of Syria. He was referred to as a dictator at one point; I wish the translation on the subtitles had said "Autarch" which might have been better. However, despite the freedoms experienced by Syrians before the attack on her, the results of the scene in the train during the marriage proposal and its subsequent sequels are wearily familiar as were the family connections used as a solution.
Life as a refugee was shown unflinchingly. I have had experience of some of the tricks and strategies used by migrants to stay alive - I live in a different Arab country now and see sub-Saharan immigrants at exhibitions where food will be served so they can get a meal for free just as Sam and his friends do in the film.
It's at one of these exhibitions that Sam's life changes. He makes a pact that will allow him to follow his love to Europe to fulfil a promise and a dream. He has contracted out his body.
Not everything goes smoothly, of course. There wouldn't have been a film if it had. That the hour and forty four minutes flew past is a testament to the power of the storyline and plot development. The last two twists in the final minutes of the film had me in the depths of despair; I'd seen the first one coming. What else would DAESH had done? There's another development after that which resolves the film completely.
I had had this waiting to be watched for a month or so. Last night was an ideal time to watch; I was relaxed and ready for it. I recommend the film.
I was also pleased to see that there was very little propaganda against His Excellency Bashar al-Assad, the elected President of Syria. He was referred to as a dictator at one point; I wish the translation on the subtitles had said "Autarch" which might have been better. However, despite the freedoms experienced by Syrians before the attack on her, the results of the scene in the train during the marriage proposal and its subsequent sequels are wearily familiar as were the family connections used as a solution.
Life as a refugee was shown unflinchingly. I have had experience of some of the tricks and strategies used by migrants to stay alive - I live in a different Arab country now and see sub-Saharan immigrants at exhibitions where food will be served so they can get a meal for free just as Sam and his friends do in the film.
It's at one of these exhibitions that Sam's life changes. He makes a pact that will allow him to follow his love to Europe to fulfil a promise and a dream. He has contracted out his body.
Not everything goes smoothly, of course. There wouldn't have been a film if it had. That the hour and forty four minutes flew past is a testament to the power of the storyline and plot development. The last two twists in the final minutes of the film had me in the depths of despair; I'd seen the first one coming. What else would DAESH had done? There's another development after that which resolves the film completely.
I had had this waiting to be watched for a month or so. Last night was an ideal time to watch; I was relaxed and ready for it. I recommend the film.
A desperate man on the run from Syria, sells his back as a canvas for an eccentric artist. He sits as a display for audiences at galleries and museums. His girlfriend Has moved to Belgium with her new husband. He is well paid but has doubts about his choice. The story uses a real life situation where a man sold his skin to an artist. The movie was nominated for an Oscar and I rank it just below A Better Life in the foreign film category.
The Man Who Sold His Skin is a pretty good movie. And it's one about art that to an extent shares my feelings and opinions of it. Meaning, that I was naturally inclined to like it as soon as I understood what was going on... And I did.
But the movie comes with its own collection of flaws that are a little too big to miss. The greatest complaint I have is that the movie overall seemed aimless. Aimless in that there was no one destination the writers felt comfortable diving deep into. Rather, the movie keeps itself safe on the surface; often finding itself at the door of a sophisticated and thought provoking conflict, but hesitates entering or engaging with those questions. Another minor complaint is the ending; which after all what the movie has been about, felt a little too cheesy.
Overall, I like what the movie is about, and I'm glad I watched it. The complaints I have are not too great to prevent one from enjoying the movie.
But the movie comes with its own collection of flaws that are a little too big to miss. The greatest complaint I have is that the movie overall seemed aimless. Aimless in that there was no one destination the writers felt comfortable diving deep into. Rather, the movie keeps itself safe on the surface; often finding itself at the door of a sophisticated and thought provoking conflict, but hesitates entering or engaging with those questions. Another minor complaint is the ending; which after all what the movie has been about, felt a little too cheesy.
Overall, I like what the movie is about, and I'm glad I watched it. The complaints I have are not too great to prevent one from enjoying the movie.
"The Man Who Sold His Skin" is a visually stunning and thought-provoking film that delves into the themes of identity, personal sacrifice, and the commodification of human life. Through its exploration of the contemporary art world, it raises thought-provoking questions about the boundaries between art and exploitation. With exceptional performances, particularly from Yahya Mahayni as the protagonist, and exquisite cinematography that captures the juxtaposition of beauty and brutality, this film leaves a lasting impact on viewers. It is a captivating and memorable cinematic experience that skillfully combines social commentary, romance, and dark humor to create a unique and thought-provoking narrative. As the story unfolds, the film prompts reflection on the power dynamics at play in society and the sacrifices individuals make for personal freedom. "The Man Who Sold His Skin" is a true standout in its ability to engage, provoke, and resonate long after the credits roll.
Did you know
- TriviaWhile director Kaouther Ben Hania was visiting the Louvre Museum in Paris in 2012, there was a retrospective of Belgian artist Wim Delvoye. There she saw, in Napoleon III's apartments, Delvoye's Tim (2006 - 08), in which the artist had tattooed the back of Tim Steiner, who was sitting on an armchair with his shirt off displaying Delvoye's design. The piece was sold to a German art collector and Tim is contractually obliged to spend a certain amount of time, topless and sitting still, in a gallery every year. Wim Delvoye appears in the movie as the insurance guy.
- GoofsWhen Sam Ali changes his seat at the train at 05:55, the place of the man in the back seat changes each time the camera switches between Sam and Abeer.
- ConnectionsFeatured in La 93e cérémonie des Oscars (2021)
- SoundtracksFiliae maestae Jerusalem, RV 638: I, 'Filiae maestae Jerusalem'
Music by Antonio Vivaldi (uncredited)
Conducted and Performed by Philippe Jaroussky (Audio) (p)
Performed by Ensemble Artaserse (uncredited)
2014 Erato/Warner Classics, Warner Music UK Ltd.
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- The Man Who Sold His Skin
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €2,230,000 (estimated)
- Gross worldwide
- $227,290
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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