L'Aigle de la Neuvième Légion

"The Eagle" is another fine film in the sword-and-sandal genre. It has great action sequences, some fine heroic traits like bravery and courage, and great performances by Channing Tatum (surprisingly), Jamie Bell, Donald Sutherland and other good supporting players. It is history and fiction, yet it is rousing in every sense.

No, it is not as excellent and violent/bloody as "Gladiator". Everyone is quick to make comparisons. But it is still very good, and for a PG-13 movie, it has quite some bloody scenes, as a very stark and bleak atmosphere throughout, with a strong sense of unpredictability running throughout the film thanks to very talented director Kevin Macdonald. This is one of the movie's strongest points, proving that simplicity is the key to making some great moments in the film. It brings you into the movie, taking you on a ride through 140 A.D. Scotland as it really should be.

My only gripe is that some of the action sequences have shaky-camera to it, making a few of the action sequences unfocused, but I think, this time, that shaky camera makes sense because it adds to the chaotic sense during that period, where no one is really sure how to battle in that situation, adding to the unpredictability. The pace is moderate, taking the time to develop Tatum and Bell's characters, and the editing is fluid, nicely putting the scenes together. Atli Ovarsson, too, knows when and where to put his music through, allowing the film's more effective moments to shine through with or without the music.

The script is not exactly new but there are some nice twists given to it. The bonding between the Roman and his Briton slave never really goes beyond that to buddy-comedy mode, but there are scenes of mutual respect shown towards each other in a very realistic fashion. Both Tatum and Bell, showing subtle but good chemistry, are great in their roles, I'm especially surprised at Tatum's good performance, as he has proved that he has the acting chops to go along with his good looks. He isn't playing the fool.

Macdonald skillfully directs the film using the traits above and more with focus and attention, using real stunt-men/extras and real locations without a hint of CGI involved, adding even more points to the raw realism of the film. Of course, seeing Macdonald's documentary background, it comes to no surprise that the film has a very realistic feel to it. The bleak atmosphere, gritty but fantastic production and costume design, beautiful cinematography (by "Slumdog Millionaire's" Anthony Dod Mantle, no doubt), and amazing music by Ovarsson (this is his first score which I actually liked) all combine together with Macdonald and cast and crew to deliver a solid, somewhat spectacular action adventure that is old- fashioned and devoid of the usual clichés (there's no generic romantic subplot, thank God!) that seem to plague this film genre lately.

Made in the hands of another, lesser director, this film will probably end up looking like "The Last Legion" or "Centurion", probably overblown and over-stylized. Not here. Kevin Macdonald knows when to put in the bloody scenes, when to put in the music, and that simplicity is best when it comes to everything. This is terrific entertainment made even better by a director who knows what he is doing, and another fine addition to the sword-and-sandal genre.

They don't make them like they use to anymore.

Overall rating: 74/100

I'll keep my review short; no verbose reviews from me. This is one of the better Roman conquest films I've seen. I look for historic, geographic and topographic accuracies and the film starts with densely wooded scenes, reflecting the fact that Britain was densely forested right up until medieval times. The scenes look fairly realistic but the main characters managing to remain cleanly shaven despite being on an arduous journey is not so accurately reflecting reality. I like the genuine use of the Gaelic language by the Celts/Scoti/Picts, a language which I learned in school, so I could follow it, and there is a scene where they drink Uisce Beatha/Uisghe Beatha - The Water of Life - Whiskey/Whisky, the beverage apparently originally brought from Ireland to Scotland by the Irish predecessors of the Scoti. In the long historic run of things, the Roman and Norman conquests of Britain set the path to the island becoming the root of the British Empire, as they introduced the urban and feudal ruling systems respectively. If Britain had not been conquested thus, history and development would have turned out very differently for Britain. This one is worth watching for history as well as for the story itself.

The Eagle is directed by Kevin Macdonald and adapted to screenplay by Jeremy Brock from the book The Eagle of the Ninth written by Rosemary Sutcliff. It stars Channing Tatum, Jamie Bell, Donald Sutherland, Tahar Rahim and Mark Strong. Music is scored by Atli Örvarsson and cinematography by Anthony Dod Mantle.

In 120 AD, The Roman Ninth Legion marched into Caledonia, they, along with their precious Golden Eagle standard, were never seen again. 20 years later and Marcus Flavius Aquila (Tatum) arrives in Britain to serve as a garrison commander. He carries a burden, though, for the Ninth Legion was led by his father. It is perhaps his destiny that he go forth into Caledonia to maybe solve the mystery and restore honour to the family name?

Better angry than dead.

A film of two different, but equally enjoyable, halves, The Eagle is a delightful throw back to the swords and shields movies of old. All things are in place for a rollicking tale of courage, friendship and honour, and the film mostly delivers on its premise. First half is all about character introduction and motives required for plotting. We get some clanking sword play and splendid synchronised army manoeuvres as a garrison defence unfolds. Great to report that CGI and digital blood are not dominating proceedings, this is very human, even if the editing is of the whippy kind. A turn of events then sees Marcus come by way of Bell's slave, incidents are defined and we then move into the second half of the picture.

Life, life, LIFE!

Here is where the film becomes a character piece as two men from different walks of life, enemies with anger and determination gnawing away at their souls, traverse the magnificent Scottish Highlands (Dod Mantle's photography is breath taking at times) to solve the mystery of The Ninth. What follows is an invigorating olde world adventure where mistrust, redemption and unknown tribes reside. Dialogue stays sharp and Macdonald never lest the pace sag. There's a pleasant adherence to period flavourings, with the Romans and their foes given an intelligent make over by the writer, while it's really refreshing to find there isn't a token female love interest jimmied into the story.

Film, perhaps inevitably given the modest budget and expectations afforded it, is far from flawless, but it's becoming increasingly difficult to understand just what the modern audience, or indeed old classics movie fans, expect of a genre film such as this? The churlish decry the casting of American Tatum in the lead, but what he lacks in actual depth of talent is more than compensated for by him knowing how to make the role of Marcus work. With impressive physicality and square jawed machismo, he cuts a splendid rugged figure, he also knows how to brood, essential for any stoic hero stung by a slur on his family name. Bell slots in nicely as the weak of body but strong of mind slave, Esca, the unrecognisable Rahim scores very well as a warrior tribesman, while the technical touches within the picture (including Örvarsson's score) are genre compliant.

Sutherland's casting is odd, and Mark Strong is badly wasted, and the ending, whilst satisfactory, is not as grandiose as it should be. The latter more galling given the one they rejected, that's available in the extras on the DVD, would have closed the film down far better. Yet this is a far better film than its box office take and internet ratings suggests it is. The days of magnificent historical epics and eye dazzling choreographed sword fights sadly look a long way off now. That doesn't mean that fans of such films have to accept any genre offering that comes their way, for example such as Neil Marshall's very uneven Centurion, but something like the smaller scale treats of The Eagle deserve our support. 7.5/10

I thoroughly enjoyed this film. The CGI effects seem to have been kept under control, and so the film turned out to be more human than animation. The combat scenes were done in the current style of quick cuts where you just get a vague idea of what is going on, rather than actually being able to follow the blows being struck.

The film seemed mostly faithful to Roman history. It gives a vivid illustration of why Hadrian's wall was built. But I am not totally sure the Roman Senate had a "branch" in Britain.

The two leads (Channing Tatum and Jamie Bell) were perfectly suited to their roles, kind of like Hercules and his sidekick from 60s historical adventure films. But minus the corny jokes. There were no banquets with production numbers. And there was no "love interest" written in. And no magical effects or mythical creatures. And it was very easy to follow. And hugely entertaining.

It's not art but it's rather good, regardless.

This is a fine as well as exciting production with enough budget , great sets and thundering battles during the Roman Empire . Ultraviolent historical/epic/action yarn with breathtaking battles including lots of blood and gore . In Roman-ruled Britain, during Antoninus Pius empire , who was emperor of Rome at the time this film is set , AD 140 ; his reign is considered one of the calmest in Rome's history , there a young Roman soldier endeavors to honor his father's memory by finding his lost legion's golden emblem . The picture deals with the destiny of a soldier Marcus Flavius Aquila (Channing Tatum) , the honour of a slave , Esca , (Jamie Bell) and the fate of an empire ; concerning historical facts about confrontation between Romans and Northern barbarians . The Roman Empire stretches from Egypt , Britain to Spain , and East as far as the Black Sea . The Year is A.D. 140 , and it has been 20 years since Rome's legendary Ninth Legion marched north into Caledonia -modern Scotland- to gain control over all of Britain . But in northern Britain , the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy : the savage and terrifying Celts and Picts who were generally thought to not have worn any clothes . Aquila (it is the Latin word for "Eagle") is the son of the Legion's General , and determined to exonerate his father as well as to retrieve the Eagle banner . But his detachment is besieged and deadly attacked . After his legion is decimated in a devastating guerrilla attack , Marcus Flavius along with a slave crossing ¨the Hadrian Wall¨ and both of whom set out in pursuit a great dream : to seek to retrieve the ¨Eagle¨ . They fight for their lives behind enemy lines . As they attempt to destroy the Celt leader and face a desperate struggle to keep alive .

Bloody version based on historical events about Roman conquests with overwhelming battles and great production values starred by Channing Tatum as the fictional Roman officer and Jamie Bell as slave , both of them are two battle-hardened warriors who try to defend themselves against a bunch of bloody barbarians led by a brutal enemy . Stunning battles scenes illuminate the full-blown feats with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there . There are great action sequences including the gory battle in woods and the final confrontation at the climax of the film . Because of budgetary consideration , cast and crew had only one night to shoot the night battle scene , which gave it the disorganized, raggedy look they wanted . The movie has great action sequences well staged with stylish and vitality , thrills , and turns out to be pretty entertaining . Although is a little revisionist about characters , history and time when is developed the action in a dirty , gritty Roman Empire during its period in Britain . Several action scenes are outstanding with spectacular battle images and thrilling fights . Unfortunately, on small house screens much of the splendor will be lost . The film is well set with nice gowns , evocative weapons , appropriate attrezzo , adequate costumes ; however , production company decided to use stirrups, despite their being anachronistic, because there would have been issues getting insurance for the lead actors, especially as Jamie Bell had never ridden before and he had to learn on set. As the movie makes a big deal out of the supposedly deathly rivalry between Romans and Celts . German archaeologists have found evidence of the 9th Legion on the banks of the Rhine River and carbon-dated them long after these events took place, suggesting that rather than being wiped out , the reason that there is no evidence of the 9th Legion being in Scotland after these battles is that they moved to Germany . The working title for the film was "Ninth Legion" , the story goes that the Ninth Legion marched to Scotland from York with 3000 men and were never seen of again. Historians dispute what actually happened to them. Some believe that they were disbanded, while others believe that they were massacred . The picture results to be a crossover among : The 13th Warrior (1999) by John McTiernan , The Last Legion (2007) by Doug Lefler and Centurion (2010) by Neil Marshall . Support casting is frankly good , such as Donald Sutherland , Dakin Matthews , Tahar Rahim , Douglas Henshall , Denis O'Hare and Mark Strong .

Impeccable and evocative cinematography by Anthony Dod Mantle . Being shot on location in Lomond, Argyll and Bute, Summer Isles, Highland, Scotland, UK and Szentendre, Pest, Budapest, Hungary . Filmmaker and his director of photography Mantle spent long time discussing the look of the film before making it , one thing they were adamant about was that it should be shot on location and nowhere near a green screen . Magnificent and stirring musical score by Atli Örvarsson . The motion picture was compellingly directed by Kevin MacDonald (State of play , The Last King of Scotland , How I Live Now ,Touching the void). Kevin shot the film in such hard conditions that some cast members suffered health problems . Rating : Good , it's a nice historical extravaganza well set in ancient Rome , done in great scale and praised for its action sequences .