L'Aigle de la Neuvième Légion

I went into this movie not knowing what to expect, and in the end I was rather pleased with it. Beautiful cinematography, great fight scenes, an interesting story . . . The movie also pays incredible attention to detail and is not afraid of a little dirt; one small thing that stood out to me is when they're eating dinner at the uncle's house, and it's kind of dark in there. Movies are always trying to convince us that a few candles light a house just as well as modern electric lights, but this one reminds us that no, they're candles. It's little things like that I found compelling: the characters acquire dirt and grime as they travel, the costumes and buildings are quite detailed, the Britons up in the north speak Gaelic and nothing but Gaelic. Often in movies with foreign languages, the characters will speak that foreign language for a few lines then switch into English. But the Britons keep up their Gaelic, and they speak it smoothly and fluently, too.

I really liked Channing Tatum and Jamie Bell, too. Tatum seems to be trying to speak very properly and it's rather odd, but he's good as a stoic young man who wants to be honorable and is tired of spending his entire life being chastised for a mistake that he did not make. Jamie Bell is rather fantastic as the slave who has every reason to hate Rome except for his growing respect for his Roman master; he's unpredictable and tortured and terribly interesting to watch.

It's not a perfect movie--sometimes I wasn't sure that it knew what message it was trying to convey--but generally I liked it. I will probably purchase it when it comes out.

This is a fine as well as exciting production with enough budget , great sets and thundering battles during the Roman Empire . Ultraviolent historical/epic/action yarn with breathtaking battles including lots of blood and gore . In Roman-ruled Britain, during Antoninus Pius empire , who was emperor of Rome at the time this film is set , AD 140 ; his reign is considered one of the calmest in Rome's history , there a young Roman soldier endeavors to honor his father's memory by finding his lost legion's golden emblem . The picture deals with the destiny of a soldier Marcus Flavius Aquila (Channing Tatum) , the honour of a slave , Esca , (Jamie Bell) and the fate of an empire ; concerning historical facts about confrontation between Romans and Northern barbarians . The Roman Empire stretches from Egypt , Britain to Spain , and East as far as the Black Sea . The Year is A.D. 140 , and it has been 20 years since Rome's legendary Ninth Legion marched north into Caledonia -modern Scotland- to gain control over all of Britain . But in northern Britain , the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy : the savage and terrifying Celts and Picts who were generally thought to not have worn any clothes . Aquila (it is the Latin word for "Eagle") is the son of the Legion's General , and determined to exonerate his father as well as to retrieve the Eagle banner . But his detachment is besieged and deadly attacked . After his legion is decimated in a devastating guerrilla attack , Marcus Flavius along with a slave crossing ¨the Hadrian Wall¨ and both of whom set out in pursuit a great dream : to seek to retrieve the ¨Eagle¨ . They fight for their lives behind enemy lines . As they attempt to destroy the Celt leader and face a desperate struggle to keep alive .

Bloody version based on historical events about Roman conquests with overwhelming battles and great production values starred by Channing Tatum as the fictional Roman officer and Jamie Bell as slave , both of them are two battle-hardened warriors who try to defend themselves against a bunch of bloody barbarians led by a brutal enemy . Stunning battles scenes illuminate the full-blown feats with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there . There are great action sequences including the gory battle in woods and the final confrontation at the climax of the film . Because of budgetary consideration , cast and crew had only one night to shoot the night battle scene , which gave it the disorganized, raggedy look they wanted . The movie has great action sequences well staged with stylish and vitality , thrills , and turns out to be pretty entertaining . Although is a little revisionist about characters , history and time when is developed the action in a dirty , gritty Roman Empire during its period in Britain . Several action scenes are outstanding with spectacular battle images and thrilling fights . Unfortunately, on small house screens much of the splendor will be lost . The film is well set with nice gowns , evocative weapons , appropriate attrezzo , adequate costumes ; however , production company decided to use stirrups, despite their being anachronistic, because there would have been issues getting insurance for the lead actors, especially as Jamie Bell had never ridden before and he had to learn on set. As the movie makes a big deal out of the supposedly deathly rivalry between Romans and Celts . German archaeologists have found evidence of the 9th Legion on the banks of the Rhine River and carbon-dated them long after these events took place, suggesting that rather than being wiped out , the reason that there is no evidence of the 9th Legion being in Scotland after these battles is that they moved to Germany . The working title for the film was "Ninth Legion" , the story goes that the Ninth Legion marched to Scotland from York with 3000 men and were never seen of again. Historians dispute what actually happened to them. Some believe that they were disbanded, while others believe that they were massacred . The picture results to be a crossover among : The 13th Warrior (1999) by John McTiernan , The Last Legion (2007) by Doug Lefler and Centurion (2010) by Neil Marshall . Support casting is frankly good , such as Donald Sutherland , Dakin Matthews , Tahar Rahim , Douglas Henshall , Denis O'Hare and Mark Strong .

Impeccable and evocative cinematography by Anthony Dod Mantle . Being shot on location in Lomond, Argyll and Bute, Summer Isles, Highland, Scotland, UK and Szentendre, Pest, Budapest, Hungary . Filmmaker and his director of photography Mantle spent long time discussing the look of the film before making it , one thing they were adamant about was that it should be shot on location and nowhere near a green screen . Magnificent and stirring musical score by Atli Örvarsson . The motion picture was compellingly directed by Kevin MacDonald (State of play , The Last King of Scotland , How I Live Now ,Touching the void). Kevin shot the film in such hard conditions that some cast members suffered health problems . Rating : Good , it's a nice historical extravaganza well set in ancient Rome , done in great scale and praised for its action sequences .

The movie has a fairly good opening in my opinion, a rather dull middle and a predictable ending.

The problem with it for me is the same problem I'm seeing with a lot of the new action films. The cameras stays very tight, action is all blurred and close up, so you can't see what's going on. The sound track is all keyed up so you won't be concentrating on the errors in the action. (Which you can't really see anyway) Golly, give me the days of good stuntmen back again.

I liked the opening half hour or so, but the middle is so much like a North American Indian film you lose all sense of the time period. I agree with the former reviewers comments, Gee, if the Britains lived like this why bother with them.

I prefer the mini-series "Rome" to this any day.

The theater chains are also destroying the movie going experience as I have to agonize over 15 minutes of commercials before the main feature starts.

Now I'm not great at working out whether this was historically accurate or not so that's not going to be affect the way I rate this movie. I'm just going to assume that all was well unless someone cares to correct me in my ignorance? Except for the fact that thumbs up in a gladiatorial ring means kill (simulates thrusting the sword up into the body) and thumbs down means live... can't let that one slide, ever! As for whether this was based on a true story or not, I will leave that to the real journalists.

The Eagle is set in Roman occupied Britain in 140AD 20 years after the mysterious disappearance of the whole Ninth Legion in the glens and mountains of Scotland. It follows a Roman centurion, Marcus Aquila (Channing Tatum) and early on we are introduced to the fact that Marucs's father was standard bearer of the eagle for the Ninth Legion and that, when they along with the eagle, disappeared in the Scottish highlands disrepute was brought to the family of Aquila. Longing to be close to where his father disappeared and to restore his family honour, Marcus hot off the training camp for Roman centurions has requested that his first post be at the edge of the known world near Hadrian's wall, far from the choice any sane man would pick.

Eventually we are introduced to Esca (Jamie Bell) who is indebted to Marcus after having had his life saved by him and becomes his slave as penance. Together they set off to try and recover the lost eagle which forms an intriguing relationship development between the two characters as Esca is forced to obey his Roman master despite his hatred for who he is and what he stands for. This pairing results in an unpredictable plot with Esca's true intentions well hidden throughout.

The main crux of the story seems to be twofold with the development of this relationship between the two men and the desire shown by Marcus to restore the honour of his father and seek closure through the recovery of the eagle. Tatum shines in his part and you can sense the driving passion he has for his cause whilst Bell conveys his internal struggle over his split loyalties well. Other notable acting merit goes to Donald Sutherland for his bit part as the uncle of Marcus.

As a whole the battles portrayed are well choreographed and the cameras thrust you up close and personal with the warriors whilst they fight. In what seems to be a developing trend, the cameras are shaky and unsteady giving that sense you are actually there. The director Macdonald intentionally kept CGI to a minimum and it has paid off with the movie seemingly more realistic for it. The gore is not excessive and allows for the actual fighting to take centre stage rather than how red they can turn the battlefield which I liked.

The Scottish tribes play their part as a conceivable enemy during the film and speak in the native Gaelic tongue which is a nice touch that is less seen now as directors tend to swap to English after a brief dialogue to make it easier on the audience. It was also nice to see that the tribes that crossed paths with our main protagonists each had a different personality and feel about them rather than all being clumped together as Celts and getting portrayed as one generic group.

This movie although set in Roman times is less about the history and bureaucracy of Rome and more about the journey that two men take. It's a solid movie with good acting and fighting scenes but it starts to lag slightly in the middle. I wouldn't go out of my way to watch it if there were other choices available but you could do a lot worse.

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The Eagle is directed by Kevin Macdonald and adapted to screenplay by Jeremy Brock from the book The Eagle of the Ninth written by Rosemary Sutcliff. It stars Channing Tatum, Jamie Bell, Donald Sutherland, Tahar Rahim and Mark Strong. Music is scored by Atli Örvarsson and cinematography by Anthony Dod Mantle.

In 120 AD, The Roman Ninth Legion marched into Caledonia, they, along with their precious Golden Eagle standard, were never seen again. 20 years later and Marcus Flavius Aquila (Tatum) arrives in Britain to serve as a garrison commander. He carries a burden, though, for the Ninth Legion was led by his father. It is perhaps his destiny that he go forth into Caledonia to maybe solve the mystery and restore honour to the family name?

Better angry than dead.

A film of two different, but equally enjoyable, halves, The Eagle is a delightful throw back to the swords and shields movies of old. All things are in place for a rollicking tale of courage, friendship and honour, and the film mostly delivers on its premise. First half is all about character introduction and motives required for plotting. We get some clanking sword play and splendid synchronised army manoeuvres as a garrison defence unfolds. Great to report that CGI and digital blood are not dominating proceedings, this is very human, even if the editing is of the whippy kind. A turn of events then sees Marcus come by way of Bell's slave, incidents are defined and we then move into the second half of the picture.

Life, life, LIFE!

Here is where the film becomes a character piece as two men from different walks of life, enemies with anger and determination gnawing away at their souls, traverse the magnificent Scottish Highlands (Dod Mantle's photography is breath taking at times) to solve the mystery of The Ninth. What follows is an invigorating olde world adventure where mistrust, redemption and unknown tribes reside. Dialogue stays sharp and Macdonald never lest the pace sag. There's a pleasant adherence to period flavourings, with the Romans and their foes given an intelligent make over by the writer, while it's really refreshing to find there isn't a token female love interest jimmied into the story.

Film, perhaps inevitably given the modest budget and expectations afforded it, is far from flawless, but it's becoming increasingly difficult to understand just what the modern audience, or indeed old classics movie fans, expect of a genre film such as this? The churlish decry the casting of American Tatum in the lead, but what he lacks in actual depth of talent is more than compensated for by him knowing how to make the role of Marcus work. With impressive physicality and square jawed machismo, he cuts a splendid rugged figure, he also knows how to brood, essential for any stoic hero stung by a slur on his family name. Bell slots in nicely as the weak of body but strong of mind slave, Esca, the unrecognisable Rahim scores very well as a warrior tribesman, while the technical touches within the picture (including Örvarsson's score) are genre compliant.

Sutherland's casting is odd, and Mark Strong is badly wasted, and the ending, whilst satisfactory, is not as grandiose as it should be. The latter more galling given the one they rejected, that's available in the extras on the DVD, would have closed the film down far better. Yet this is a far better film than its box office take and internet ratings suggests it is. The days of magnificent historical epics and eye dazzling choreographed sword fights sadly look a long way off now. That doesn't mean that fans of such films have to accept any genre offering that comes their way, for example such as Neil Marshall's very uneven Centurion, but something like the smaller scale treats of The Eagle deserve our support. 7.5/10