Les frères Warner

Back in Hollywood's heyday - "Warner Bros." was, without question, one of Tinseltown's most prominent studios (in full operation) which, boastfully, employed some of the biggest stars during its "golden years".

This eye-opening, historically-relevant documentary certainly reveals a very vivid portrait of the 4 Warner brothers (Harry, Albert, Sam, and Jack) where intense rivalry, rifts, money, and greed drove these 4 siblings to conduct business matters in a manner that the viewer must witness for themselves to get the full picture of what really went on behind closed doors.

This 94-minute presentation was produced and directed by Jack Warner's granddaughter, Cass Warner-Sperling.

Sorry, but I just do not buy the whole Saint Harry versus Dragon Jack thrust of this documentary. There are simply too many specks of sanctimony that peek through the whitewash job on Harry Warner (like his paying off his gentile sister in law, after his brother died, so he could raise her kid Jewish) while the dirt on Jack is a bit too all pervasive, with only a grudging admission, at the film's end, that he might have been a talented producer as well as a world class vulgarian.

However, there is no denying that this doc is entertaining. Sibling rivalry is something to which the vast majority of us can relate and when it is presented, as it is here, in all its show biz luridness, with lots of stabbings in the back, mistresses, wives, aneurisms, strokes and tragic deaths, it makes for a fun hour and forty five.

Did I mention that the director is Harry's grand daughter? Give it a B minus.

Cass Warner Sperling, granddaughter of Harry Warner, took on the subject of Warner Brothers Studio and the brothers behind it and has made an excellent documentary. She goes into the history of the family, from its emigration from Russia, the kinds of jobs they could get, and the family finally entering the nickelodeon business. Sperling tells the story with a lot of warmth and a nice lack of formality.

The brothers were as different as any four people could be - the outlandish Jack, the good businessman Harry, the kind-hearted Sam, and the quiet Albert - but the main characters are Jack and Harry.

Naturally, since this is done by a family member, the emphasis is on the positive aspects of the studio - the risk-taking to get into sound, the tough social topics the studio tackled, their work against Naziism before World War II, and their wartime contributions. The difficulties with Sam Warner's widow, Lina Basquette, are soft-pedaled. It is noted that Sam's and Lina's child was taken from her and raised by the Warners. If that strikes people as odd, it's because it's not mentioned how much power and influence the family wielded against an actress. What also isn't mentioned is that the Warners had Lina blacklisted, and she never met her daughter until she reached adulthood.

Another thing left out is exactly how Sam Warner acquired Vitaphone, but it's possible that Cass Warner doesn't know the story. The anti-Semitism was rampant in Hollywood in the '20s, and in fact, Joseph Kennedy was one of the people determined to get the Jews out of the film-making business. Therefore, when Sam, who was a big redheaded guy, went to meet the Vitaphone people, he asked Lina to wear her Catholic cross. Unaware that Sam was Jewish, Warner Brothers was able to acquire Vitaphone.

No words are minced regarding Jack's ultimate betrayal of brother Harry and his whole family, a very shocking and sad page in the family scrapbook.

Some of the people interviewed include Lina Basquette, George Segal, Efrem Zimbalist, Jr., Debbie Reynolds, Roy Disney, Sherry Lansing, film historian Jeanine Basinger, Dennis Hopper, Tab Hunter, and ex-staff members at Warner Brothers - all very good and insightful.

Jack Warner used to call Raoul Walsh into his office and moan to him that he needed him to direct a film. Who's in it? Walsh would ask, and Warner would answer, "some bum." That's probably what he thought of his actors in general; unfortunately, he seemed to view his family the same way. A fascinating story and highly recommended.

Today the Warner name is just one component in a complicated corporate entanglement that the multimedia era made possible. One of the first and many things that we learn in this documentary is that the Warner Brothers film empire really started like a corner-of-the-street family affair, with the four sons of an East-European Jewish immigrant opening a cinema in Pennsylvania, with an blanket as improvised screen and borrowed chairs, with the wife of one of them playing the piano and nickel entry ticket price. Then when movies became hard to obtain the brothers decided to start making their own, and when the Edison monopoly chased them from the East Coast to California history began.

The four brothers built an empire American style, one of the most successful enterprises in one of the most successful American industry of the 20th century. Yet, their path was not smooth, their life was milestoned by happiness and tragedies as well, and they were no saints. Grand-daughter Cass Warner's film has both the qualities of bringing a lot of information backed-up by original film sequences, and of bringing a personal touch, with interviews of the members of the family, as well as important people in the industry, and film and communication experts. I appreciated the participation of descendants and representatives from the competitor studios like Disney or Paramount who did not hesitate to participate in this homage documentary. All parts are well dosed and the balanced mix takes us through six decades of movie making in parallel with the American history, actually part of the American history of the 20th century.

The documentary is informative, good, and human, and seldom falls into the trap of the blind adoration of its subject. The story of the brothers Warner and of Warner Brothers the corporation is the material for a great feature film, yet to be made in the future. With a bit of luck it will add a few Oscars near the Warner Brothers name.

Come on. It's important to keep in mind that this doc was made by Harry Warner's granddaughter, so that bias seeps through from the first minute. She has managed to make her grandfather sound the best out of the four brothers. In the beginning when she's introducing the brothers, each one has a flaw but her grandpa. Even Sam who passed away at a young age (40) gets poor treatment in this. His wife is totally disrespected in this and I bet if she said what she really thought of what his family did to her, she wouldn't be in this documentary. In Jack's intro, she low key implies through her mother that Harry thought little brother Jack was a loser with no direction. Which is ironic since Jack is the Warner anybody knows.

As Harry's granddaughter, completely whitewashing how he and his wife came to "win custody" of Sam and Lita Warner's daughter tells you everything you need to know. He did it because Sam's wife was not Jewish, she was Catholic. The documentary never makes you aware of this. I can't believe this documentary goes so far to include Sam's daughter saying she had a better life than she would have and then another line with the mother saying she was young at the time. Everything you can read about the situation seems to indicate that she was harassed and bullied into giving up her child by the domineering Harry (who also hated Jack's second wife) so that left a bad taste in my mouth. Not that I expected a report on the family drama, but even a Google search of them will reveal what Cass W tries to sanitize about Saint Harry. There's a whole segment on his courage about calling out the N azis. He was Anti-Hitler but was bigoted towards Catholics in his own family. Mmkay. It would be like leaving Marilyn Monroe out of a profile of JFK that calls him a devoted family man. It just rings hollow and false. Also if you listen, her mother never mentions Sam's daughter even though they were raised as siblings. There's no family photo shown with her included so you kind of just get the sense that it was about control and not what was best for the child. This documentary reminds me of the the book and movie about The Temptations spearheaded by Otis Williams. Everything wrong was David, Eddie, and Paul. Otis never ever made a mistake. This has the same vibe.

Another critique I have is this documentary is not organized very well. It jumps back and forth between the family and the studio but not in a cohesive way all the time. I did skip through at least twice. What Cass Warner adds in the narration you have to take with a grain of salt bc...grandpa. You're actually learning more from the film historians and the interspersed actors and executives who definitely understand the business better than her. And who knew and worked with Jack. He was responsible for so many classics.

She never explores why Jack Warner went behind his brothers' backs with the deal to sell and then rebuy the company. Surely that didn't occur in a vacuum? Surely someone was alive around the time of this doc to share some insight? No internal papers? There's also so little on Albert. I believe his grandson was interviewed, but he didn't seem as if he knew much more than he maybe heard from his father.

It was gross and appalling to hear Cass say that had Jack come to Harry's funeral, he would not have been in the car crash that landed him in a coma. Disgusting. I had to rewind it to make sure I heard correctly. Who says that? Not to mention she never ever approaches her grandfather with any criticism much less saying garbage like this about anything he'd done. Maybe Jack stabbing him in the back was karma for what he did to Sam's wife? She honestly sounds like she's taking jabs at Jack for her grandfather. It's petty.

The only worthwhile parts of this are the video clips and audio of the brothers. I'm in my 30s and while I love classic movies, my introduction to the "WB" was Looney Tunes on Nickelodeon and Tiny Toons after school. It was cool finding out (years ago at this point) that they were real. I enjoyed seeing the footage of them all. And to see films that TCM doesn't air often or at all. Other the original footage, the only thing interesting to me about Cass is her son is married to an actress who was in one of my favorite tv shows growing up.

It's WB month for their 100th anniversary on TCM and I've been enjoying the films being shown. While current WB is a mess (and ironically not a family business anymore), I only checked out this documentary believing it would be something better.