The Scouting Book for Boys

Unbelievable storyline, unbelievable characterisation and poor acting (apart from the young lad who played David). There really isn't much else that can be said about this film apart from the fact that it could be deemed as good if viewers do not question any of the many discrepancies and unrealistic situations the storyline provides.

I also found it insulting to caravan folk. There wasn't one likable character amongst the people in this film, who choose to live an alternative lifestyle. Every character was flawed in some way. A negative and insulting misrepresentation of people who live on caravan parks.

I'm not comparing the movies here (haven't yet seen the either Kidulthood nor Adulthood), but saying that there is a coming of Age story here. More or less that is, because it could actually also be described as a trip into human psyche and what lies in everyone of us(?). It goes back to the saying "If you love something ..."

But what makes this exceptional, are the actors. It is rarely that you see actors that young being that good. You might have seen the boy in other English movies (he has done quite a few things), but I hadn't seen the girl before. And she is really good. Of course the story holds your attention from start to finish which is a good thing too. A dark drama that might just be your cup of tea

I remember hearing about this film when it came out, as I recall, it got a pretty good reception. On the strength of this I decided to give it a viewing. It's quite hard to put down in words the feelings that are brought forth by this British made coming of age tale of love and loss. This one can really get to you if you're in the mood for it. I thought it was very good and that the young actors involved were really excellent.

Emily and David are teenagers, they both live at a caravan park on the Norfolk (England) coast. They are like brother and sister, inseparable. One day Emily hears that she is going to have to go and live with her father. This changes everything for David, his feelings for her may run deeper than he is prepared to admit. The following day Emily disappears and David is the first one they call on to find out where she is. Of course he denies all knowledge and they focus on Steve, the security guard at the park. Little do they know that David and Emily have hatched a plan to hide her so she doesn't have to go and live with her father. Unfortunately things don't go according to plan and, as time passes, David finds out things about Emily that he wishes he didn't know. I can't tell you what it is as I don't want to spoil it for you.

There are some great songs in the soundtrack from the band 'Noah and the Whale', and a nice score by Jack C. Arnold. It's a very well made film with some really nice cinematography. I particularly liked the use of close-ups. As I said earlier, the two young actors involved are truly excellent. Holliday Grainger as Emily is every bit the young teenage tom-boy she portrays and Thomas Turgoose does an excellent job as the love-lorne David. Also, an honourable mention goes to Rafe Spall as Steve.

I really liked this film. It has a very measured style that gently takes you along the path of this bittersweet tale. It's unmistakably English and I think it works better for that, playing on your emotions right up until the rather tragic ending. It's not perfect, the pacing seems a little bit off in places and I felt that some of the characters were a little bit too larger than life, but over all, I liked it. So, if you're prepared for a bit of an emotional ride with a couple of great performances in a very well shot film, then I can definitely recommend this one to you.

My Score: 7.3/10

Director Tom Harper could have asked for no better calling card than this debut feature film. 'The Scouting Book For Boys', starring the burgeoning talent of Thomas Turgoose (known for his lead in Shane Meadows' 'This Is England'), is a dark story that follows the experiences of two friends on the cusp of adolescence, experiencing the tragedy of growing up far too fast as a result of the situation they plunge themselves into.

David (Turgoose) and Emily (played by Holly Grainger) are best friends living in the idyllic solitude of a Norfolk caravan park. Their sheltered lives are shattered when Emily is told that she will have to move away to live with her Dad, and so together the two plan to hide Emily in a nearby beach cave. The resulting police search reveals secrets about Emily that David was unprepared for; with his feelings for her growing stronger by the day, and with the real reason for her running away becoming clear, David's romantic existence unravels into a nightmare of strange, conflicting emotions.

The success of this film lies in the fact that the director and writer (Jack Thorne) have managed to capture that sense of desperate adolescent obsession. The teenage protagonists are created faithfully. There is never any inclination to patronise their confused emotions - instead, the intensity of feeling provides the main dramatic impetus, as the dynamic of a childhood relationship begins to change drastically in the face of responsibilities which they are simply not capable of dealing with.

Cinematographer Robbie Ryan in this film creates a love ballad for the Norfolk coast, drenching his shots in golden hues and hazy stretches of empty beach, superbly capturing a landscape caught halfway between land and sea. His work makes the tragic violence of the final scenes all the more unbearable, emphasising to the audience how far these teenagers have come in the course of the narrative, ripped from the dappled summers of childhood into the dank half-light of a cold cave.

The leading performances from Turgoose and Grainger carry the audience forward into the darkness of the final plot twists. Thomas Turgoose is undoubtedly an intriguing acting talent, creating in his character a restrained yet emotionally potent portrayal of adolescent love/obsession. Holly Grainger is admirable as the independent teenage girl who thinks she can take on the world and all it throws at her, unable to recognise how out of her depth she really is. The way she moves from being in complete control to utter dependence on David underlines an impressive understanding of Emily's emotional desperation.

The final turn of the plot has the potential to estrange some viewers, as the director leads his audience to the brink of emotional distress. But the layering of the film requires the charting of fallen innocence to be fully realised, and the director doesn't flinch at its execution. This is a daring introduction to the world of feature film for Tom Harper; its release marks the arrival of a significant new talent in the U.K. film industry.

James Gill --- Find more reviews at http://web.me.com/gilljames/Single_Admission

Oh, how I anticipated a familiar tale, a narrative of a rebellious teenager entwined in the threads of familial discord. The initial acts unfolded just as I expected, weaving a tapestry of teenage angst and domestic turmoil. Yet, as the story ventured into its final act, an unforeseen tempest shattered my expectations. A cautionary signpost for the faint of heart, the conclusion was an affront to the carefully cultivated groundwork. It transformed what had the promise of a respectable cinematic endeavor into an object of disdain. How could the trajectory of the plot culminate in such a gruesome and unsettling manner? The resonance of the initial acts was decimated, leaving me resentful of what should have been a tale of worth.