Madame Tutli-Putli

I can't say this was not challenging for me, visually speaking, because it was. This is the work of really competent people, in every technical aspect. I specially enjoyed the placement of real filmed eyes over the built puppets. It added a lot to the hole mood. The sets are really fantastic, check all the different packages, clothes, accessories, and all the things stuffed in the train. Check how the characters were developed, how their expressions are really intentional. And than check the editing, with special note to the way sound effects (and music) are mixed with the image composition. This is really good work. But it didn't stay with me, because it failed into challenging my imagination as it challenged my visual understanding of the scenes, sets, characters and pacing. In the end, this left nothing inside, it didn't give me much to dream or even think about, even though it was clearly aimed at provoking those feelings. It even allowed my imagination to mentally review and re enjoy other films i had just seen, and when this happens to me, it usually happens because the images in front of me fail to capture my attention. Of course this may be a matter of personal choices, or finding in the images displayed elements to which one personally relates. I didn't relate to what i've seen.

My evaluation: 2/5 it may work for you, it didn't for me.

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This is one of the most visually striking short films I have ever seen. In fact, I was stunned by the animation style that I immediately checked around the internet to try to determine HOW they did this film. One claimed they were puppets with real sets but I couldn't get much more about it--and I really hope they release a film showing how they made it. The film is so unique, so beautiful and such an artistic triumph that you really cannot appreciate the look of the film until you see it for yourself. In light of this, I am not at all surprised that it's been nominated for an Academy Award--we'll just have to wait and see if it wins.

As for the story, it's best described as confusing and practically insignificant. It's as if the film is an artist's pallet and you watch and absorb the film--meaning and significance are really up to the beholder. Other than it's obvious Madame Tutli-Pulti has gotten on a very strange and surrealistic train, I really am not sure what it was all about and that, for once, is okay with me. You just have to see it to believe it.

UPDATE---This is the day before the Oscars are announced for 2008 and I just got back from a special screening by our local film society of all five films nominated in the category of Best Animated Short Film. This film was among the five and I was surprised that my reaction to the film differed, somewhat, the second time. First, on a big screen, Madame and the other characters were significantly uglier and creepier, though the sets and effects were still amazing. Second, the story was still weird and incomprehensible! I predict that although this film is very different and likable, it probably won't win the Oscar as "Même les pigeons vont au paradis" and "Moya lyubov" were among the nominees and seemed like better films.

ANOTHER UPDATE--2/24/08--The Oscar was just announced and the winner in this category was PETER & THE WOLF.

With a name like Tutli-Putli, one can expect many things. But one will not expect the marvelous short film Lavis and Szczerbowski will present you. Though the name sounds kinda ridiculous (and is reminiscent of oddly creepy characters from children's tales), it's actually a Hindu word referencing "puppet" and "delicate women". Bet you didn't expect that.

Madame Tutli-Putli is a 17-minute, stop-motion animation short. Now, I'm a big fan of stop-motion already, but the work of both directors takes this particular field in cinema way beyond.

Looking at the credits, you'll see that both directors did a lot of the work themselves. From script to art direction to animation to sculpting, it's all very much their own blood, sweat and tears. Typical for such films (where directors are playing a key role in most aspects of the production), Madame Tutli-Putli has a very characteristic and detailed feel to it.

The most striking element of the film are the visuals, which are beyond impressive. The combination of agile camera work with the animation of the puppets is simply nutters. A lot of effort was spent on getting the lighting just right, the puppets look gorgeous and the setting just oozes detail. The visual impression reminded me of the work of Pitoff and Caro, set in a universe that could've easily been that of Les Triplettes de Belleville.

The animation itself is quite slick and solid, without losing the stop-motion feel. Another eerie detail are the eyes of the puppets, which were filmed in real life, then superposed on the puppets. They've tried a similar technique with mouths before, but never to good effect. With the eyes it works miraculously, giving the puppets that little extra bit of humanity.

Apart from the stunning visuals, the film boasts a marvelous score, starting off rather jazzy and ending in more ethereal sounds as the film progresses. It's nice to see that the same level of detail went into creating and timing the soundtrack, something which is often overlooked.

The film is short, making the story rather confusing the first time around. There is no dialog and little time to grasp the realm of Madame Tutli-Putli. The whole story develops inside the train and transcends normal storytelling by the end of the film. Personally, I liked the feel of the ending, although I haven't been able to make much sense of it so far.

If I had to name one downside, it would be the length of the film. I realize the amount of work that goes into creating a short like this is tremendous, but in the end it does feel rather short and I wouldn't have minded to sit through another solid 40 minutes of Madame Tutli-Putli.

This short is a marvel in the realm of stop-motion film. A true milestone project that will hopefully keep the genre alive. Sadly, it's another short film and no full length feature, but hopefully this film might give Lavis and Szczerbowski the funding to create a feature film in the near future. Definitely recommended, 4.5*/5*

Madame Tutli-Putli is, quite simply, the greatest stop-motion short film I have ever seen, and I have seen quite a few. If you thought all that stop-motion films could be are comedic romps without any emotional weight, Madame Tutli-Putli proves you wrong. But the film also does not fall into the trap of becoming a self-indulgent showpiece, which, with so many years of work the filmmakers put into this, might as well have happened.

Additional props must go to the music score, which fits the film's mood perfectly and greatly enhances the spectrum of emotions the viewer will experience while watching Madame Tutli-Putli.

Touching and poignant, this is 2007's best short film.

This was an astounding, haunting little film. The protagonist has this eerie Buster Keaton look about her and the subtlety and realism of her expressions is extraordinary. It's like no stop motion animation I've ever seen. The protagonist is this small, put upon woman who embarks on a train journey with what appear to be all her worldly possessions. She speaks not a word the entire time, but her gestures and her giant silent film star eyes are incredibly evocative as she faces small insults and later very real threats on her journey. Try to catch a screening of this amazing tiny gem if you can, or order it via Netflix. It's absolutely worth it.