Henry Poole

Definitely on my list of "must-see-once" films. Its a low-budget film, but makes up for it with acting, directing, story and in the musical score. Overall, its a beautiful composition and keeps one riveted, although lacking in frills. I disagree with some of the discussion that its an impossible situation, as I have seen a lot in life and to me its a composition of many different elements, even if rare or unnoticed. So much in life we never hear about. There are many outright miracles, even in our modern life and you will see them if you are fortunate enough. This film really shows the contrasting belief systems between those who simply can't believe in such things and those who perhaps, see miracles everywhere.

At first, when my mom rented this, I was upset at the lack of appeal to me. But, being an aspiring director, I agreed to watch it.

I'm glad I did. This movie delivers something to keep the mind thinking in not a puzzling, but creative way. The story is very inspirational and the music goes well with the message being delivered.

I totally agree with the previous commenter on that this film is something to be seen especially if you are interested in becoming a film maker.

You don't need blood, violence, language, and screaming to make something people will remember.

This is my first review on IMDb as well and I want people to experience this great movie!

...and as such it doesn't do much for me. It uses the old and tried recipe of the trial of faith story, where the nasty atheist and hater of all thing living is brought to love life and thus save himself. If only real life would work like that.

I can just imagine some poor sap, dying of a terminal disease, watching this movie and laughing his behind off while crying at the same time. This kind of a film is what romantic movies are for real life love: a fairy tale, a beautiful lie that makes one (not terminally ill) feel better about oneself.

The acting was top notch, I liked all that character interpretations, the soundtrack was full of Dylan and U2 (can't have faith without good music, after all) and, even if somewhat boring, it was a decent film.

However, for me personally, it was annoying as hell. Having identified myself with the main character, I kept shouting at poor Luke Wilson: "Use some paint!", "call the police!", "break the damn wall!". If neighbours in the US are like that, no wonder some people become serial killers :)

Bottom line: if you have faith, watch this movie. Faith that it would do something for you, I mean.

My first reaction to this movie (which I had never heard of before viewing) was one of satisfaction; it wasn't a bad movie but neither an instant classic. I was pleasantly surprised. It was definitely better than average, the sort of movie you are glad you rented out on DVD on a quiet night in. Despite it's over all sad demeanour.

However, what I did not expect was the 'after thought' it left me with. Dealing with life, death and everything between, I started to ponder the movie on a different level. Unlike many other movies it was not forgotten and has some imagery that remains long after the movie has finished.

To me this movie, while somewhat invisible when compared to others, is a little under-rated and deserves a wider audience than the one it is destine for.

Saw this tonight at Sundance and was torn between two notions: Notion 1: This is a classic Sundance movie. Starring Luke Wilson (now tell me that doesn't just ooze Sundanceness! Dialogue driven. No special effects. Low budget.

Notion 2: This is a real departure for Sundance. Gee, it seems to be religious, albeit in a weird sort of way. There are all these undertones of faith and hope and the priest doesn't come across as an idiot. When was the last time you saw that at Sundance? And I guess I agree with both. Henry Poole (Luke Wilson) is depressed, and for good reason. So he buys a house to get away. But a perceived image of Christ in a stain on the side of his house soon attracts the attention of a neighbor, who quickly invades his life. And then there's his other neighbor, a cute little girl with an even cuter (and divorced) mom (Rhada Mitchell) and he can't seem to get any peace, although that's probably good for him.

This is a very deliberately-paced drama with an occasional laugh and more than a little tension. Wilson seems to enjoy his role, and the quiet, loner type fits well within his standard range. Mitchell (Melinda and Melinda, Mozart and the Whale) is wonderful and lovely, as always, and George Lopez takes a little role as a Catholic priest. But veteran Mexican actress Adriana Barraza steals the show as the deeply religious and well-intentioned neighbor, Esperanza (meaning "hope" in Spanish, which is only slightly more subtle than the grocery checkout girl whose name is Patience, or the Rhada Mitchell character named Dawn).

If you don't mind slow movies, Henry Poole will reward you with a story that celebrates simple virtues, and suggests that there is plenty of room in this world for kindness and charity and faith and hope. Not bad for Sundance.

Sundance Moment: This looks like the first thing screenwriter Albert Torres has done in movies, and he seemed thrilled to be at Sundance. And while Luke Wilson was very quiet, George Lopez was a clown. Lopez said he and Wilson became friends on the shoot and recently joined with Samuel L. Jackson to win a pro-am golf tournament.