Absurdistan

The Title says it all: ABSURDISTAN.

An International/Russian film that has its ups and downs, so to speak! And the emphasis here is really on "INTERNATIONAL"! German Director/Co-Writer: Veit Helmer; Azerbaijani Co-Writer: Zaza Buadze; Female Lead: Kristyna Malerova-No INFO on her nationality, but surname appears to be Czech; German Male Lead: Max Mauff; The rest of the cast hails from at least a dozen different European and Westeren Asian countries! This explains why so few cast members were given dialog...Most of them either don't speak Russian, or speak it with a very discernible accent!

ABSURDISTAN is a very visual experience. IMDb talks about how the 40 year old Helmer loved silent films in his university film studies. Perhaps this is why the word "Slapstick" is bantered about a lot referring to this film. Slapstick is very over-the-top. Absurdistan's style is much too "Tableauesque" (Coining term via poetic license!) to be labeled slapstick. But whatever you want to call it: It works... Most of the time!

FANTASY is another term people seem insistent upon using to explain segments of the film. I'd say there are a few mildly surreal/absurd moments, but nothing beyond that. ABSURDISTAN really doesn't remind me of any other film, except perhaps 1960's Never on Sunday. There is one brief moment of nudity. AYA, the female lead, can't sleep owing to the heat, and climbs up on the roof, removing her pajamas. Temelko spots her and chases her around for a moment, but that's about it. There is a little simulated sex done with clothes-on, but aimed much more at comedy than at any type of arousal.

Oddly, I perceive ABSURDISTAN as a perfect extended family get-together flick, provided everyone is over 14 or 15! It's very easy to imagine a large Eastern-European family getting together and having an exceptionally enjoyable time watching this! If anybody tries my suggestion, let me know how it works out, please!.... ENJOY/DISFRUTELA!

Any comments, questions or observations, in English or Español, are most welcome!

This is a quirky comedy on similar lines with movies like Amelie and like Amelie has a strong visual style with minimum dialog. Personally I really like this kind of movies, which surprise you and delight you at every turn without any Hollywood clichés. The movie just keeps on moving from one absurd situation to other.

The female lead Kristyna Malérová is definitely easy on the eyes and has done a great job. As the movie has much less dialog as compared to a normal film, it requires the actors to convey a lot with their body and facial expressions, and the actors don't disappoint.

If you like quirky comedies like Amelie, give this one a go.

Actually, because the movie was shot in Azerbaijan, I was intrigued. I came across a different movie, it wasn't what I expected. It had a different theme. Not bad.

Reportedly based on a true story (though with quite a bit of legendary embellishment, one assumes, at least in its more fantastical elements), "Absurdistan" takes place in a remote village where the women wage a full-fledged battle-of-the-sexes, agreeing to withhold their conjugal duties until the men in the community repair the pipe that for decades has brought water to the town. The story also features Tamelko (Max Mauff) and Aya (Kristyna Malerova) as two teenagers whose own plans to finally consummate their relationship must now be put on hold.

Homespun in appearance and humanistic in tone, "Absurdistan" (a German film done in Russian) is highly reminiscent of those quirky Czech comedies that enjoyed such popularity here in the States back in the 1960s. The scenes set in the past have been deliberately designed to look like aging home movies - grainy, washed-out, and scratchy - while those set in the present are crisp, clean and bursting with color.

The movie blends small town humor with touches of magic realism and the occasional flight of fancy. There are times, admittedly, when the movie gets a little too silly and cutesy for its own good, but, on the positive side, it never takes itself too seriously or condescends to its characters. The mood is upbeat and the details charming in what amounts to a modern-day (but not TOO modern-day) version of "Lysistrata."

Veit Helmer's "Absurdistan" is a satire on the temptation to shirk one's responsibility. It's set in a village in the Caucasus ignored by all the surrounding governments. The men are so obsessed with proving their manliness that they've ignored the aging pipe that provides the village with its water. So, the women use their own power to force some change.

One trick that the movie uses is to never identify the country in which the story takes place. They speak Russian, but it could just as easily be Georgia, Armenia or Azerbaijan (or even Chechnya). The point is that this village is one of the world's forgotten places. The people rely exclusively on each other and their know-how. It's inevitable that the two young protagonists get caught up in the village's traditions and lackadaisical attitude towards a glaring problem. For all that we know, there could be places like this in the US or Canada.

I recommend the movie.