Compartiment n°6

Let's put one thing to rest. Anywhere at all where there are night trains, the sexes are mixed. Even in Muslim countries - the night sleepers in Morocco, for example, are not single sex cabins. Not knowing this is not a reason for giving low marks just because they find the situation unbelievable!

As for relationships in the film, ideas of distance and travel played a huge part. The further from Moscow, the more the lesbian lover receded and rejected. But the nearer to the petroglyphs, the deeper the bond between the ill matched compartment mates became.

However, the script didn't go overboard - there was no sentimentality in the refusal to swap addresses.

90s Russia was portrayed perfectly. Not yet a consumer society, there were hangovers from the communist times, notably in the appalling service offered on hotels and restaurants as well as the train itself.

As a speaker of (very poor) Finnish, I loved the joke about the terrible swear word in that language that framed the narrative on the train. It means a lot more than the tame subtitled translation that was offered.

I loved this film. The actors were perfect as were the locations. I personally enjoy train journeys and would now want to go on this one.

Finland's official entry to 2022's Oscars, that made it to the shortlist, is beautiful, simple and genuine. The relationship between the leads is so unique and likable. Their performances are superb and their characters are catchy too. The film also tackles interesting topics like passion, relationships and trust. It's sensational but also sometimes feels empty and flat.

A Finnish romance of sorts about a woman whose first negative impressions of her fellow train compartment passenger make way for warmer feelings as she gets to know him.

I think "Compartment No. 6" is a lot about the importance of being open to new experiences and the rashness inherent in instantly forming judgements about people. The female protagonist in this movie studies anthropology because she feels like knowing our history is important to understanding who we are now. But is it really? In a cultural and sociological sense, probably. But at the individual level, when does attachment to the past interfere with living in the present?

There's a great scene in this movie that takes place after a fellow Finn, a tall strapping guy with a guitar no less, is crooning songs to the woman as he crashes in their compartment for a bit, and she looks out the window to see the off-kilter Russian who has set her on edge standing out on the train platform punching and kicking snowballs. In that moment, we get what she's feeling, because we feel it to. Yeah, the Finnish guy is good looking and "safe," but he's also boring. The Russian guy is weird and maybe crazy, but he's different, and sometimes different is exactly what you need.

Grade: A-

Compartment Number 6 is superficially a bleak 'Russian' railRoad film largely centered on a mismatched couple thrown together in a train compartment travelling from Moscow to Murmansk. I gather it was largely filmed in Russia, Moscow, but is directed by the Finnish, Juho Kuosmanen, who had previous success in Cannes and then shared the grand Prix there in 2021 for this effort, (with "A Hero"). It is from a Finnish novel by Rosa Liksom.

I like bleak "Russian" films (They are unpredictable, often very well done and more like my impression of life -) and this didn't disappoint. Laura is an older Finnish student, having an affair with her landlady in Moscow, circa the 90's. Landlady may be over the affair and has pulled out of a planned trip the 2 were making to see petraglyphs in Murmansk (these are 1000 year + old rock carvings and sound fascinating. Go in summer and maybe by plane.) So Laura decides to go anyway. After an uncomfortable pseudo-sophisticated farewell party where the gauche Laura tries hard but flails and seems out of place with the neat pretentious guests, she joins the train heading north to Murmansk. Russian winter. To her dismay she finds sharing the cabin is a boorish, rude, heavy drinking, Russian miner Ljoha (Yuri Borisov) heading back up there to his mine. She cant get another cabin. So there they are - both in their way lacking social graces and pretty dysfunctional. And you can compare these 2, with the earlier relaxed members of society at the party.

The Acting particularly of the lead couple is excellent as is direction and the filming in and out of the train. Bleak and rough but also in some way sweet. I liked it.

Aah, the pleasures of traveling by long distance train! Admiring the scenery from the compartment window, enjoying nice meals in the restaurant car, and dozing off at night to the clickety-click sound of the wheels.

Everybody who once took a long distance sleeper knows the reality is different. Those people will enjoy this film. One of the drawbacks of international trains is the company in the compartment to which you have been assigned. Finnish student Laura has bad luck, having to share hers with a drunken Russian miner who asks without much ado if she is a prostitute.

During the long ride from Moscow to the northern city of Murmansk the two travel companions get to know each other better, and even learn to appreciate each other. This sounds a bit cheesy, but it isn't. Laura is dissapointed and lonely: her lover couldn't accompany her on the trip and reacts coolly to her phone calls. When, during a long stopover, she has to choose between the company of her rude but adventurous travel companion or no company at all, the choice is a no-brainer.

An extra attraction is that the movie takes place in the not-so distant past. It is the pre-internet era of pay phones and Walkmans. This is no major issue in the film, but it explains why Laura takes the train instead of flying.

There's a bit of 'Lost in Translation' in this film, a bit of 'Before Sunrise' and a bit of 'Ma nuit chez Maude'. Plus: it's Russia, so everything is nicely rough-edged and vodka-soaked. Na zdorovie!