I'm your woman

I laughed when I saw Michael Mann thanked in the end credits. Aspects of the this film reminded me of Thief (1981), Michael Mann's first film starring James Caan and Tuesday Weld. I am guessing that Brosnahan's character continues where Tuesday left off in the film when she was sent off with a guard and a bag of money by Frank, who had a whole syndicate after him. Same situation, Frank met Jessie who could not have children and because the former had a criminal record, they could not adopt either. A child was delivered from a syndicate connection. Thus, a pretty hefty nod to an earlier film classic (and one of my all-time favorites). I think Frank would have been nicer and more competent than Eddie in this film. Same with Jessie and Jean, as in Jessie from Thief would be more competent than Jean, but maybe the former might not have the courage to use a gun, as jean does. Speaking of which, is 'I'm you're Woman' any good? Yeah, it's alright. Not great but not bad either. Sorta dark, not-so-feel-good trying to be a feel-good, but plot sort of T-bones all that. I was chuckling throughout, but I like dark humor. Not bad, it's okay. As for those who complain about the crying kid, eventually he does stop and the story picks up.

I saw this movie on Amazon Prime just the other night and it surprised me very positively, I think Julia Hart directed a very different 70's noir than usual, it starts as a family drama and then becomes a full-fledged thriller, with some even very intense and raw moments. The film takes its time, Hart expands the times, but despite this, the film is never boring and keeps interest alive. Special mention for the talented Rachel Brosnahan who offers a truly remarkable performance.

Love Rachel Brosnahan and couldn't wait to see this. I don't need lots of action to find a movie satisfying but this one was just too slow, ponderous, and unnecessarily long, for my taste, though it did pick up toward the end. Guess I will just stick to Mrs. Maisel for my Rachel Brosnahan fix.

No idea where this movie was going from it's placid opening and then it takes off with a female twist on the usual crime gone wrong movie and keeps on hurtling to the end. Standout performances from the leads and great art direction.

I loved this film. Amazed to see so many bad reviews, likely due to a Michael Mann audience not knowing what to make of Kelly Reichardt stylings. Excellent period design, cinematography, and superb performance by Brosnahan, with a subtle script, heavy on interiority, that allows most of the action to enter without much explanation.

I loved the way it left so much of the chaos and violence off stage, and brought just enough in to validate the terror of the characters, and the way it managed to play on some strong ant-racist and feminist themes without ever commenting on them. If you're looking for Heat, walk on by, if you're patient and motherhood thrills you, you might love this as well.