After Blue (Paradis sale)

So strange that this film names a character after the musician, Kate Bush. It's hard to stay immersed in the film, when every mention of the character makes you think of the musician with the same name. It's so jarring.

This film does feel like it has been influenced to some extent by the film, Barbarella (1968). In that film, the character Durand-Durand (sic) inspired the band name of Duran Duran. So perhaps "Kate Bush" is used as the name of a character in this film, to provide some sort of symmetry?

To the extent that there is a story here ("unearthing some old Kate Bush"), perhaps the moral of the story is that all vinyl fans should play Kate Bush's A side and then turn her over and play her B side?

After Blue (Dirty Paradise) has been described as the best lesbian acid Western ever made. This is unquestionably true.

Most folks expect films to make sense and follow certain conventions. This one does not. It defies most categories---expect maybe "art house".

Watch it after consuming your substance of choice before entering this realm.

Watch it while making love to someone you may or may not love.

DON'T THINK ABOUT IT. Just relax and let the miasma wash over you.

And most of all, keep asking yourself, "Have I killed Kate Bush yet?"

In principle, I am very fond of films that don't look or behave like other films. On that basis, this film scores very highly indeed.

Lots of inventiveness in the scene-setting, lights and costumes disguise what was probably a fairly limited budget but (like the films of Anna Biller) this carries through into a singular vision. The plot could have been a bit more substantial perhaps, but the increasingly frequent mentions of "Kate Bush" (officially Katarzyna Buszowska) are very entertaining - and I wondered whether the cast had trouble keeping straight faces having to say that all the time...?

In any case, if you make it through to the end, there is some sort of resolution to the quest that had me in mind of the great "Singing Ringing Tree", in that I really didn't ask too many questions, just went along for the ride - just like I did 55 years ago with the latter...

Recommended, if you like that sort of thing.

AFTER BLUE is a French science fiction film set on a planet populated entirely by women. It seems to have been designated as some kind of visionary masterpiece by the director but instead it feels like a pretentious exercise in voyeurism. The plot revolves around the hunt for a character called Kate Bush, I kid you not, but it's all played out in such po-faced seriousness that the whole thing becomes an embarassment after about five minutes' screen time. Like a modern-day Jean Rollin, the director pads his film out with endless nudity and scenes of female bodies being entwined, but the end result is dull, superficial, and extraordinarily shallow.

In one of his films Woody Allen awoke in a panic gasping "No more Polish women!". He could have had this film - awash with strong Slavic faces - in mind, although the copious quantities of tobacco the sinister coven in wide-brimmed black hats consume betrays it's gallic origins.

It posits that time-honoured fantasy of a future in which only women survive and with the shackles of patriarchy thrown off inevitably turn upon each other.

Awash with hot girl-on-girl action, Freudian symbols like a horse draped in a veil, carnivorous caterpillars, women with hairy arms lasciviously handling guns and lines like "Would you like some purple soup?" it's all so earnest you suspect a leg-pull, and a wanted poster bearing the name 'Kate Bush' certainly indicates that someone's tongue was in their cheek.