Incitement

Greetings again from the darkness. Since November 4, 1995, the day that Yigal Amir shot and killed Israel Prime Minister Yitzhak Rabin, speculation has existed that there could have been peace in the Middle East - if only the assassination had not occurred. The film opens on the first Oslo Peace Accord in 1994. Why was there a segment of the population concerned about possible peace? They were angry at the idea of surrendering their "promised land" to Palestinians and the Chairman of the PLO, Yasser Arafat.

Writer-director Yaron Zilberman and co-writers Yair Hizmi and Ron Leshem aren't focused on what an end to the hostilities might look like today. Instead they offer up a psychological study of Yigal Amir (played by a forceful Yehuda Nahari Halevi) and what drove him to take the fateful action that changed the course of history. The film is presented as a slow-build thriller, and it mainly takes us through Yigal's transformation from activist to assassin ... a giant and significant step.

Yigal is a Law student at Bar-Ilan, and the college campus is filled with protests and tables dispensing information on all sides. Soon enough, Yigal is seeking counsel from rabbis who seem to be on board with revenge. When someone becomes obsessed, it's not uncommon for them to 'hear what they want to hear.' Yigal sees Rabin fitting into the Jewish law of "pursuer/Rodif and Informer", and he believes himself to be guided by Talmud and rabbis. The film is not about Yigal's glory, but rather WHY he did it.

Alternatingly charming and frightening, intelligent and foolish, Yigal organizes a rebel movement for what he sees as a coming war. To him, there is no line between religion and politics. With archival footage of Netanyahu speaking out against Rabin and the peace project, it just pushes Yigal that much closer to action. There are three women who cross paths with Yigal and have varying impacts on him. His mother convinces him he is due for greatness (again, he interprets in his own way); Nava (Daniela Kertesz) is attracted to him, but can't come to grips with his beliefs; and Margalit (Sivan Mast), who respects Yigal and understands how to lead him deeper down his chosen path.

There is a terrific scene between Yigal and his father, where the parent is emphasizing to the son he knows he's losing that only the hand of God should determine Rabin's fate ... not an idealistic young man. The Oslo II accord from 1995 leads Yigal to conclude that Rabin is a traitor, and that it's God's will for Yigal to "let him go out like a tyrant." This is all chilling to watch, and it helps us comprehend the vicious cycle of violence that plagues the Middle East. The film was Israel's official submission for Academy Award consideration.

The world got shocked on the 4th of November, 1995, when Israeli PM Yitzhak Rabin got assassinated.* While Rabin did not set out to change the foundation of Israel's relations with the Palestinians, he nonetheless wanted to grant them some autonomy. This enraged Israel's far-right religious community, who saw him as a traitor. His assassin, Yigal Amir, came from this community.

Yaron Zilberman's "Yamim noraim" ("Incitement" in English) focuses on Amir and his radicalization. Israel's submission to the 92nd Academy Awards for Best Foreign Language Film depicts the religious establishment as the ones who drove Amir to murder Rabin, even if they didn't tell him to do so. They put up posters of Rabin depicting him as Israel's enemy. Either way, these are some scary individuals; it's almost as if they inspired the Taliban. We saw similar depictions of Obama from the far right (many of them evangelical Christians) in the US. Regardless of the religion, fundamentalists are no one to trust.

Overall, this is a fine movie. In keeping the focus on Yigal Amir, it shows his evolution from typical Orthodox person to full-on fanatic. Frightening stuff. Definitely see it.

*I was approximately the same age at that time that my parents were when JFK got assassinated. As Mark Twain put it, history doesn't always repeat itself, but sometimes it rhymes.

Set in early 90's, director Yaron Zilberman's sophomore feature film follows a young university student who becomes a radical leader determined to exterminate the enemy among his Jewish community, as he engages on a political war against Israel's Prime Minister, Yitzhak Rabin. Rising star Yehuda Nahari Halevi gives a breakthrough performance as the villain protagonist, building up his character with incredible skills: he must fulfill his duties with family, friends and girlfriend, all while trying to organize a fully-armed, rebel movement. Israel's official entry for the 2020 0scars, and named Best Film by the Israeli Film Academy, it captures the anxiety and tension of the crime with extreme brilliance and fast paced action, while connecting the crime to relevant romantic and familiar insights. Zilberman conceives a suspenseful, detailed and observational psychological thriller depicting a man's journey from a regular activist guy to a notorious murderer.

I thought this movie was excellently well acted and directed. It was seemed very close to the truth about this disturbed individual and the events that caused him to act as he did. Having lived through this period in Israel, I came out of the theater very disturbed and upset. An important movie which the powers at the top tried to prevent larger circulation.

I live in Israel. This is a very accurate representation of what happened, but even if it didn't, it would still be good. The movie is well done, with claustrophobic, stressful cinematography, that makes the viewer dread the entire film. The score is also pretty good, and the actors are giving a great performance. The character of Igal amir is flashed out, and we see his transformation, and how he is pushed to his limits by the radical groups in Israel. I would say that it does drag at times, but overall it's a great movie.