La Nonne : La Malédiction de Sainte-Lucie

I think I need to shift my perspective on what The Nun movies are supposed to be. The Conjuring films are great, full of scares, great writing. Annabelle is also pretty freaky. The Nun... feels more like Indiana Jones or a Disneyworld ride. Made-for-amusement-park action, props, and themes. Each time I go in expecting to be freaked out by "the greatest evil in the Conjuring Universe" just to walk away feeling like I went through a haunted house at Six Flags. The Nun II was not scary, barely interesting, and quite honestly boring at times. Conjuring Universe I love you, but let's send the Nun back to hell for good.

The Nun II takes its time building the narrative and delving into character development. Unfortunately, the Christian relic's relevance and backstory, especially concerning Sister Irene, remain underexplored. While the film is well-crafted and directed, the resolution of the mystery and subsequent events feel somewhat rushed compared to the extensive setup.

Taissa Farmiga delivers a solid performance, but one craves more depth in her character beyond the initial portrayal. Jonas Bloquet's likable character arc from the previous installment is a highlight. However, Bonnie Aarons as the titular character lacks the expected menace and terror, except for a memorable encounter with Maurice's young friend, Sophie.

The Nun II boasts occasional atmospheric brilliance but falls short of consistently delivering in the vast Conjuring universe. Its low scare factor, uneven pacing, and reliance on horror cliches hold it back from reaching its full potential. While it somewhat redeems its predecessor, it still doesn't meet overall expectations.

My dedication to the horror genre leads me to seeing a lot of films at the cinema that I fully expect to be rubbish. Like the Nun II, which I had very little real interest in watching since I couldn't remember much about the first one, other than the fact that I didn't like it. And for a long time, the film is just as bland and generic as I had imagined it would be, director Michael Chaves taking matters far too seriously, with a dreary pace, gloomy cinematography and all of the religious horror clichés he can cram in.

Then, just as I was about to give up all hope of being entertained, Chaves seems to remember that, hey, horror films can be fun! After the introduction of a demonic goat (Satan himself?), the film really picks up, with action, excitement, and a few well-crafted scares (I think I actually jumped a couple of times, but that was probably down to the extremely loud noises that accompany the jumpy bits). If only there had been some of this liveliness during the earlier parts of the film - The Nun II could have been really good instead of just okay.

My rating: 6/10.

Demons thrive in abbeys and churches, tarnishing their supposed sanctity. These modern holy places are far from what they seem. Even the senior priests, who should embody righteousness, exude an unsettling aura of soullessness and relentless rigidity. It's as if they harbour cryptic similarities and questionable motives. The subsequent demise of the young protagonists fails to deliver the anticipated dread, leaving one unimpressed. Despite the stellar performance of the actress portraying the demon nun, her appearance lacks the desired impact. The entire narrative unfolds predictably, with conflicts following a formulaic pattern. Watching this fabricated tale requires great effort, a luxury I simply cannot afford. 😒😒😒

Given that The Nun (2018) was nothing more than a polished-looking series of loud noises and nonsensical happenings, I was not looking forward to the sequel.

And even though The Nun II has its share of cheap scares and a few unintentionally funny moments, I was shocked by how much better it is than the first film.

Flashes of greatness are seen here-more often than not it's directed with considerable skill and far more restraint than the first movie was. It's quieter and more patient at first, fleshing out its characters before things get insane in the third act.

As for these character dynamics, they're actually interesting this time around. The dialogue is sometimes cheesy, but there's a sincerity to the humans in this story that gives a gripping quality to the film's perilous moments.

There's certainly quite a bit of bad to be found here, but I actually liked more of this than I didn't. Hopefully these movies will get back to being good.