IMDb RATING
5.5/10
3.9K
YOUR RATING
A drifter (Shea Whigham) kills a traveling preacher and takes his place at a small-town church, but the police chief (Michael Shannon) suspects foul play.A drifter (Shea Whigham) kills a traveling preacher and takes his place at a small-town church, but the police chief (Michael Shannon) suspects foul play.A drifter (Shea Whigham) kills a traveling preacher and takes his place at a small-town church, but the police chief (Michael Shannon) suspects foul play.
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- Writers
- Stars
Gordon Dexheimer
- District Attorney
- (uncredited)
Adam Tierney
- Man in Cafe
- (uncredited)
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No idea why this film has got so many bad reviews! Thoroughly enjoyed this film from beginning to end. As a fan of Michael Shannon I was not disappointed, and Shea Whigham was just as good as co-lead. Nicely shot, well acted film. It is slow paced , but that doesn't mean that there wasn't anything happening. It was a nice slice of life kind of film. Totally baffled at the negative remarks!
Shea Whigham and Michael Shannon are at their world class best. In particular Whigham playing the conflicted criminal who assumes the identity of the cleric he murders. The story itself is a slow burner with some holes but the performance of the leads are captivating.
The story is engaging because you see how one person's mistake affects the lives of others. The morality and also the irony in the story are remarkable, making the film thought provoking.
I haven't read the other reviews. I guess they're not great. But there's a lot going on in this movie that's probably lost on most.
I found it to be a powerful character study where each actor faces a moral dilemma. It moves along the line slowly, thoughtfully, deliberately.
The notions of ontology, of faith, of redemption, and of truth are just a few of the concepts pulled into the story.
I get it's not for everyone, but there's a lot to find if you look for it.
I found it to be a powerful character study where each actor faces a moral dilemma. It moves along the line slowly, thoughtfully, deliberately.
The notions of ontology, of faith, of redemption, and of truth are just a few of the concepts pulled into the story.
I get it's not for everyone, but there's a lot to find if you look for it.
A while ago I was real happy to find out that She Whigham will have a leading role, something he truly deserves and rarely gets, and this time in a small town crime neo-noir, no less. And Michael Shannon co-leading? Now that's a recipe I could get excited for. I'm happy to report that the performances are the absolute standout factor of "The Quarry". The rest? Certainly effortful, genre-fitting and ambitious, but ultimately confused.
"The Quarry" is a an existentialist tale of guilt, wrapped up in all the known elements of a neo-noir, begging to be a Coen Brothers movie, but lighting a fuse too long for it only fizzle out at the end. However, it goes great before it gets worse. In the first half we meet Shea Whigham's drifter with heavy emotional burden on his shoulders who assumes the identity of a travelling preacher and takes his place at a small town's church. The character is in search of hope while being caught in continuous conflict with himself, full of heartbreak, and is one of the consistently effective elements of "The Quarry", showcasing a tremendous, authentic and felt-through performance by Shea Whigham. Michael Shannon plays the town's Chief, suspecting a foul play in the mystery of the town's new reverend, and is also the other most stable foundation of "The Quarry". The rest of the cast plays along equally well, in togetherness creating a decent portrait of a small town community. Problem is, the slow-burning story that's seemingly building up an exciting showdown, starts getting more and more tiring around the middle of it & in the end we get led to a much expected albeit decent conclusion, clothed up in all that's underwhelming. In other words, the filmmaker's intentions are not quite clear, and the movie, as elegant as it is, ends up being a pale imitation of many better movies. A commendable aspect of "The Quarry" is its design - it's photographed quite beautifully and is never really boring visually, while also being accompanied by Heather McIntosh's subtly and silently threatening original score.
"The Quarry" has such terrific performances and good aesthetical design that it's actually such a shame that story wound up as confused and unpolished as it did. I liked it, but it could've been so much better. Unrelated to my complaints, but it's funny how they sell it on the poster - "From a write of Narcos: Mexico". Well, he wrote a single episode. Despite all, the summary of this neo-noir, in my opinion, lands a mark above average, and might just contain of the best acting performances of Shea Whigham's career. My rating: 6/10.
"The Quarry" is a an existentialist tale of guilt, wrapped up in all the known elements of a neo-noir, begging to be a Coen Brothers movie, but lighting a fuse too long for it only fizzle out at the end. However, it goes great before it gets worse. In the first half we meet Shea Whigham's drifter with heavy emotional burden on his shoulders who assumes the identity of a travelling preacher and takes his place at a small town's church. The character is in search of hope while being caught in continuous conflict with himself, full of heartbreak, and is one of the consistently effective elements of "The Quarry", showcasing a tremendous, authentic and felt-through performance by Shea Whigham. Michael Shannon plays the town's Chief, suspecting a foul play in the mystery of the town's new reverend, and is also the other most stable foundation of "The Quarry". The rest of the cast plays along equally well, in togetherness creating a decent portrait of a small town community. Problem is, the slow-burning story that's seemingly building up an exciting showdown, starts getting more and more tiring around the middle of it & in the end we get led to a much expected albeit decent conclusion, clothed up in all that's underwhelming. In other words, the filmmaker's intentions are not quite clear, and the movie, as elegant as it is, ends up being a pale imitation of many better movies. A commendable aspect of "The Quarry" is its design - it's photographed quite beautifully and is never really boring visually, while also being accompanied by Heather McIntosh's subtly and silently threatening original score.
"The Quarry" has such terrific performances and good aesthetical design that it's actually such a shame that story wound up as confused and unpolished as it did. I liked it, but it could've been so much better. Unrelated to my complaints, but it's funny how they sell it on the poster - "From a write of Narcos: Mexico". Well, he wrote a single episode. Despite all, the summary of this neo-noir, in my opinion, lands a mark above average, and might just contain of the best acting performances of Shea Whigham's career. My rating: 6/10.
Did you know
- TriviaRemake of the 1998 movie directed by Marion Hansel.
- GoofsNear the end of the movie, Valentin escapes from the courtroom and runs into the night. Everyone that walks out, including the drifter. In the next and final scene, they both wake up in a rowboat with absolutely zero explanation given as to how they got together and got there.
- Quotes
Chief Moore: My daddy used to say, you wanna catch a killer, you go to the funeral. Look for anyone there who shouldn't be, that's your man. Nobody here today though, except Jonas. Hey Jonas, you kill this guy?
- ConnectionsVersion of La faille (1998)
- How long is The Quarry?Powered by Alexa
Details
Box office
- Gross worldwide
- $3,661
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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