Nineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of ter... Read allNineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.Nineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.
- Director
- Writers
- Stars
- Won 2 Oscars
- 35 wins & 65 nominations total
- White Rabbit
- (voice)
- Cheshire Cat
- (voice)
- Blue Caterpillar
- (voice)
- Dormouse
- (voice)
- March Hare
- (voice)
- Bayard
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Best, Stefan
The Alice stories are special, special absolutely and special to me.
For many people, the stories are simply amusing nonsense for children, something to be fuzzily remembered in the same way as, say, Peter Pan or a Grimm's tale. But it is anything but. Carroll advanced our ability to speak to ourselves when he polished the story and sent it to us.
One can hardly expect someone like Burton, or anyone making a big budget Disney- distributed project to understand the material. But if you cannot understand the soul of what you are working with, you cannot leverage or extend it. You will need to count on your own talents instead. But Burton's strength is simple: the imposition of disordered fantasy on relatively ordered reality. He has exhausted this and was finished as an artist long ago.
By any measure other than color intensity, this is a failure as a movie. When Depp isn't given a complex structure to support, he can at least be amusing. Here, we have not even that.
What is normally considered nonsense sequences in the books are anything but. Dodgson was the foremost theory of logic in Europe at the time. Based in Oxford, he created the story for the child of the Dean, the creator of the then great Greek lexicon. Dodgson/Carroll was a master of the inadequacies of logic within the medium of everyday language.
All the "nonsense" sections are really a catalog of all the strange ways in which logic breaks when it encounters the way we linguistically form thoughts. Many of these parody assumptions Dean Liddell made in his understanding of Greek, mistakes that have saddled us with flawed scholarship on Aristotle and his logic. They are great, great fun: puzzles that even a 6 year old can laugh about.
This is where playful narrative originates. Only Shakespeare, Joyce and Lennon-NcCartney have had similar influence on our everyday thought. Karl Rove, for example, stands on the shoulders of Charles Dodgson's trickery.
None of this is conveyed. None, even though the Marx brothers made this safe territory for film humor.
Even the overall structure of the Alice stories is cool. Dodgson was not a pedophile, nor a drug addict, but he was something more dangerous to his soul. He was a charter member of Oxford's Psychical Society and a student of the inventor of mystical tarot, the self-named Court de Gebelin. The structure of the Alice stories, based on this, is our first structurally folded literature.
His ordination ruined by his guilt about this, he spent the remainder of his life writing a C S Lewis-like Christian allegory, Sylvie and Bruno to make amends. It was every bit as tepid and worthless as this. Every bit as wrong, as offensive to reality.
The movie also mixes in Jabberwocky. That was a poem written years earlier as a teen, to amuse his crotchety parson father, someone obsessed with the perversion of noble Saxon words by effete French. The poem is about the battle between true (Saxon) language and logical language.
(This comment is on the two-dimensional exhibition. I decided that the effects would be beowulf-like and cheaply distracting. I think I was right.)
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Moving rendering of Lewis Carroll classic with gimmick of blending live action and computer generator puppets and 3D animation . Riveting for its casting , but overall , roller-coaster spectacle. Most of the charm and wit remains from original story in this particular version . It results to be an amusing of somewhat aloof , storytelling of children classic with a magnificent three-dimensional visual effects team at its best bring to life the following : the Cheshire cat , Blue caterpillar, the Queen of hearts, March Hare , Tweedledum and many others. Breathtaking array of technical effects with impressive set pieces illuminate the Alice's full-blown adventures. The amazing plot is pure entertainment and with interesting screenplay based on characters created by Lewis Carroll , though here Alice acts as a heroine who combats dragons , monsters and of course the evil Queen of Hearts . Episodic characters as Mad Hatter and Queen of Hearts are given major boost by strong personalities from Johnny Depp and Helena Bonham Carter . Spectacular final battle full of action , groundbreaking frames and fabulous fights . Overwhelming production design , though full of digital effects with impressive scenes and portentous images . Stirring musical score fitting perfectly to story by Danny Elfman and colorful cinematography by Dariusz Wolski . The motion picture lavishly financed by veteran producer Daryl F. Zanuck is originally directed by Tim Burton in his exceptional style. Rating : 6,5 acceptable rendition .
Other take on based on this vintage tale are the following : 1933 by Norman Z McLeod with Gary Cooper , Edward Everett Horton and Jack Oakie ; 1950 by Dallas Bower with Carol Marsh , Pamela Brown and Felix Aylmer ; 1951 by Walt Disney directed by Clyde Geronimi, Hamilton Luke with voices of Sterling Holloway , Ed Wynn and Richard Haydn ; 1972 by William Sterling with Fiona Fullerton, Peter Sellers , Dudley Moore and Michael Crawford and TV version with Tina Majorino and Woopy Goldberg .
If you've seen anything at all on this movie, then the strengths are obvious. It's Disney, it's CGI loaded, it's in 3D. Everything visual is well appointed with lavish detail. It makes me wonder if director Tim Burton is better suited as a set designer since he is always given projects for his vision. I recall a time where his vision wasn't hampered by the concepts of others, at time when his films were so wholly original that nothing else compared, and sadly he's been stuck in a limbo of "revisions" for a decade.
For a girl who can't remember anything, Alice is never surprised. She sees giant creatures, she shrinks, flies on a hat, all without a yelp. The first person to blame would be Burton, since Wasikowska lacks leading experience. Still I wonder what's going through her head when she decided to play Alice as oppressively jaded. Outside the last ten minutes, she's the antithesis of Dorothy. Having a protagonist who's so down trodden in a beautiful world is counterintuitive.
Johnny Depp. You pay the man and he'll do his thing. I can't tell you that his character, The Mad Hatter, is an original. I'm sure it's a combination of other Depp figurines. With the Hatter he has carte blanche to do anything, anything at all, and somehow be considered in character. It doesn't matter that he's periodically possessed by a Scotsman—he's in character and he's Johnny Depp so it must be fantastic, right? More amusing are Helena Bonham Carter and Crispin Glover, the latter of whom you wouldn't recognize.
The White Queen (Anne Hathaway) was in position to be the most complex element of the film. I suppose her role is to assume power in the event that her sister is dethroned. For a character who talks a big game of peace, she sure does mix together an abhorrent potion to return Alice to normal size. Despite repeatedly saying she represents good, I didn't see any evidence. Toes would have been crushed I'm sure, but the vibe from Anne's portrayal suggested that she wanted to be the calculating nemesis.
I can't tell you how stupid this movie made me feel. For some reason it figured a major plot point would be found in determining the identity of Alice. If you are seated in the theatre watching a film called Alice in Wonderland you will not be surprised to find that the lead character of Alice is indeed the very same mentioned in the title. Why we spend most of the film getting to this conclusion feels like an attempt to recreate Hook.
By the end you realize that Alice is the problem with Wonderland. In the 13 years she's been gone, her friends seem to be in good health despite the Red Queen reigning over the land. Why are they looking for her now? The Red Queen was in power this whole time and they seem to be in good shape, but when Alice gets there the queen challenges them. I suppose she's just as upset to have such a lifeless young girl in her land. I for one am disenchanted.
Did you know
- TriviaJohnny Depp, who says that he likes "an obstacle" while filming, admitted that he found the process of filming in front of a greenscreen "exhausting", and that he felt "befuddled by the end of the day".
- GoofsWhile looking at the scroll, the Red Queen says she would recognize Alice anywhere by looking at her hair. Yet when Alice is in her castle under the name Um, why doesn't the Queen realize it's her? It is entirely within the Queen's character to claim she would recognize Alice, and then later not actually do so. She also believes that all of her court members have overly large features when the rest of the characters know they are fakes. There are multiple evidences throughout the movie that the Queen is easily deceived.
- Quotes
The Mad Hatter: Have I gone mad?
[Alice checks Hatter's temperature]
Alice Kingsley: I'm afraid so. You're entirely bonkers. But I'll tell you a secret. All the best people are.
- Crazy creditsThe ending credits have flowers going from dead to blooming, a sun rising and setting, and vines moving around.
- Alternate versionsAlso released in a 3D version.
- ConnectionsFeatured in The Rotten Tomatoes Show: The Ugly Truth/G-Force/Orphan (2009)
- SoundtracksAlice
Written by Avril Lavigne
Produced by Butch Walker
Mixed by Deryck Whibley
Performed by Avril Lavigne
Courtesy of RCA/JIVE, a Label Group of Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Alicia en el país de las maravillas
- Filming locations
- Antony House, Torpoint, Cornwall, England, UK(Ascot Manor)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $334,191,110
- Opening weekend US & Canada
- $116,101,023
- Mar 7, 2010
- Gross worldwide
- $1,025,468,216
- Runtime1 hour 48 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1