Louxor

Nice cinematography, simple script and huge hidden feelings. Love The vintage of everything in Luxor . Like that chemistry between Hannah and Sultan and let's talk about dancing scene absolutely reversing how much this girl suffering and liked to be itself. Great film to be watched.

As being an Egyptian, I was curious to see this film, since it's very rare to see a foreign movie that depicts Middle East, without the usual stereotype of Arabs being terrorists or still riding camels!!! Sadly this film missed a great opportunity, to use the majestic and historical setting of Luxor to convey any meaningful story of any kind. I don't know what the filmmaker Zeina Durra had in mind when she wanted to make this film, but this is really very pointless and forgettable. Despite the beautiful scenery of Pharaonic monuments and the breathtaking nile view, there is no story. The lead actress Andrea Riseborough walks around in oversized cloth through Luxor and running into an old flame, and that's it. Also her recent films this year (The Grudge, Possessor) she's been doing the same vague and depressed person who feels lifeless and cold. Karim Saleh was okay, but since there is no story and meaningful script, his character doesn't have much to go with. All the situations taking place don't serve any purpose, and are unrelated to anything else. But I do have to say, that the director conveyed a true picture of Luxor, without any exaggeration or fake elements, except for some notes, like when the two lead characters sometimes walk into a temple, and it's like they're completely alone, usually there have to be other tourists walking around. Also when Sultan's character was talking to his Egyptian coworker, why does she speak to him in English!!! I wish this film was worthy of the place it was shot in, but sadly it failed in achieving any meaningful thing, except showing the beauty of Luxor to those who aren't familiar with it.

Did they misspell Andrea's name on the soundtrack cover?

Hana is a doctor working in conflict zones. She comes to Luxor as a place that can restore and invigorate the soul. She's been there in her youth, and a chance meeting with her old flame makes her question her life choices and the possible future paths. This film is like a slow contemplative walk among the Egyptian pyramids and ruins, with Hana as a silent guide. There aren't many surprises and there aren't any ready-made answers, but I enjoyed the gentle humour and the pastel tones of this very cinematic piece. I could relate to Hana's questioning her mid-life satisfaction and searching for a way out of a hectic pace of life.

Set in the ancient Egyptian city, Luxor is almost portrayed as a silent documentary. Director Zeina Durra constantly has the camera leading or following. Down tight Egyptian streets. Through majestic ruins. Ahead of Hana, who is endlessly wandering; her thoughts leagues before her. Luxor is a contemplative movie, and Durra's slow pacing accentuates that study.

To the movie's benefit, Durra beautifully displays the archeological wonders of the city. From the Temples of Karnak and Luxor itself, to the Winter Palace hotel, Durra showcases a part of the world that thanks to COVID and the outgoing Presidency's relationship with Arab affairs, remains an unvisited destination to many Americans. However, even Rick Steve's tourism videos jump to a snappier beat.

Hana is a British aid worker returning to Luxor on holiday. Scarred from scenes of an unmentioned battlefront, Hana wanders the quiet city alone until she runs into Sultan, an archaeologist and former lover. Sultan is totally Indiana Jones looking to rekindle that affair with the feisty Marion. Hana would rather play the hard-to-get Willie and has no time for love, Dr. Jones. She is shellshock and is hoping the mystery of the ancient world resets her ability to again see hope.

Luxor is 90 minutes of Hana walking, wondering, wanting. Durra slowly provides details to Hana's life, but those little points become lost in the stagnant plot while the biggest mystery remains unanswered. If Hana so desperately wishes to move beyond her former life, why return to the city where she knows her former boyfriend works? Lots of wonderful ruins in Ireland that are aching to be visited.

Luxor is not meant to be a riotous rom com, but perhaps it should have been. The slow, piercing character study of a film is a worthy genre, yet Hana's story has no true resolution. Her solemn attitude is frustrating as she cannot decipher the beauty that is all around her. What could have been a majestic tragedy is instead as dry and dusty as a desert road.