Secret défense

It makes a difference to see it from the French point of view. After all, ten percent of the population of France are now refugees or descendants of refugees from Muslim North Africa. This film is about the French Secret Service, which has initials I can never remember, but you know the one. It portrays them as hyper-efficient, hyper-modern, ruthless and dedicated professionals who will, as Gérard Lanvin the lead actor puts it in the film, be 'patriots' who will 'do anything for my country'. And 'anything' really means, unfortunately, 'anything'. The film portrays in grim, horrifying, and fascinating detail the fantastic entrapments devised to recruit young agents in the fight against Muslim terrorism. The French call the Qaeda fanatics by their alternative name of 'Salafis' rather than 'Wahabbis'. The terrorists are portrayed in 'Damascus' and 'Afghanistan' (both actually filmed in Morocco) with extreme and convincing realism. The film is disturbing in many places, with one homosexual rape scene and several murders. I believe the horrifying footage of the dog in the glass cage who is killed by cyanide gas is a real Qaeda video. The set-ups carried out by the French secret service are so devious that they would make Machiavelli blush. The film does not have the Hollywood approach to violence, which always focuses on childish and adolescent fantasies of things crashing and exploding. Instead, the French, who are a far more sophisticated people, concentrate on what happens to people rather than the havoc wreaked to mere objects. In this, they are more straightforward. If a severed head has to be delivered in a cake box, it is delivered in a mundane ordinary manner, and it does not have to be delivered by a helicopter smashing into a skyscraper. Anyway, there are few skyscrapers in Paris, thank God. (Skyscrapers have no business existing anywhere other than New York and Shanghai.) The attitude towards the agent ('humint' to the Americans) is brazenly unfeeling. As Lanvin says: 'An agent is not a person, he is a tool.' Controllers are not allowed to treat their agents as human beings. The film features an astonishingly versatile performance by the young actress Vahina Giocante, who is tricked into becoming an agent, and who screams at Lanvin when she realizes what he has done to her that he is 'all alone'. He answers with resignation: 'Yes, I know.' The whole story is very bleak, that is, when it stops its restless pace of action long enough to allow anyone a moment to reflect. The film is really a most impressive achievement, exciting, well made, relentlessly entertaining, if you have the stomach for the grisly bits. The director, Philippe Haïm, who also wrote the story, appears from his name to be of North African descent, so perhaps he has a special feel for all of this. He has done a superb job of making a French 'blockbuster'

At last a GOOD French Film!! :) First, to introduce my opinion and place it in perspective, I must say that for more than two decades, I've been watching almost everything released both in the US and in Europe and the best of Asia, South America and the rest of the world. And among all topics, realistic spy/intelligence Films/Mini-Series/TV series has been in my favorites for half a decade. Thus I am a big fan of this genre and one can honestly say that my culture about it as well as about movies in general is quite large. My favorites lately being by far BBC's MI5:Spooks, I've watched all 7 seasons of it (about 100 episodes). Or for example, I'd also recommend The Company (Miniseries) or DeNiro's The Shepherd. Being French, I also watch a lot of our films and I must sadly admit that it is most often a boring torture, especially lately. But not today with Secret Defense. And I can at last happily share and say that SECRET DEFENSE is probably in the BEST entertaining spy French Films released for a long time. (I also rarely write reviews. Only mostly to praise and recommend a good film that might need attention or to sack the worst pretentious ones that attract crowds of sheep despite having been a torture to watch for me).

Why is SECRET DEFENSE so worthy of our attention? First, the storyline is properly well written, simple and plausible rather than far fetched to exaggerated improbabilities for the sole objective of cinematic roller coasting attempts too often seen in this genre. That makes it more believable and interesting. The counseling from renowned French and Oriental experts on this topic was wise, mostly followed and thus effective. There are not that many features on our former DGSE and I praise the production for not going in the James Bond direction but more in the MI5 one. Although one true fan might ask when are we at last gonna see and show how intelligence work can mostly be truly boring or spooky and inhumane? But we're getting in that direction here, right from the beginning when Lanvin introduces himself in saying that an agent must be seen as a weapon only and never as a human.

The final editing is properly paced with no unnecessary elements making the movie properly entertaining and interesting.

Then, the visual directing is OK+ with some cinematographic effects worthy of a big screen release. That is becoming rare.

The excellent beginning credits are Oscar worthy!!

Then the actors directions is not questionable. Gérard Lanvin (lead actor) is perfect as always. Second & third characters are never playing out of tune. That is remarkable in France where even lead actors can sometimes, way too often, be left directed out of tune in the final editing. That is a torture to my hear as much as a bad singer. And I'm not even mentioning second characters that often sound worst than imaginable, worst that the worst liar. Not here.

Vahina Giocante (lead actress) is also very well directed and surprising when she (quite often) manages to make us forget her exquisite beauty and discover her effective tormented face full of emotions that then becomes not only pretty but efficiently emotive, in the Charlize Theron direction. And like Charlize, she has the highly saluted courage of not fearing to not pass over the best primal parts of her, her very beautiful body in the nude and bare butt. And that makes sense to show them since the story uses her beauty as a "weapon, that only is an agent" (dixit Lanvin). A bit too rarely here but more could indeed unfortunately have affected the nature of her performance in the movie. Thanks Vahina.

Overall, All this makes SECRET DEFENSE a very honorable or good French Film, one of its best made in the last decade in the entertaining with a substance spy action genre. So watch it and prove otherwise if you don't agree.

French cinema is famous for its romantic comedies and melodramas. When French movie makers try to change the genre, it's usually resulted in a flop. Secret Defense is an example of that unsuccessful attempt to mimic an American action movie. The creators of that movie really tried to do it cool, but on every turn the movie becomes really laughable. Maybe an audience of school children can believe the plot which is absolutely primitive and false. And the actors... How could the director let Vahina Giocante be so hysterical while playing a role of a trained secret agent? Her eyes are always deceiving her, even in scenes in which there is no need to be worried. She always runs and moves chaotically, and her amateurish performance finally kills the movie, which anyway has a very weak plot. I would recommend watching that movie only on a deserted island while it's raining outside. In other circumstances do something more attractive.

Right, I think the first issue is with the editing, pace was roughly there but it just seemed to stutter in places and when most of the actors seem to have come straight out of stage school the pace really needs to be right on the button(compare and contrast with the UK TV drama, Spooks).

The story was weak and watered down, too many jumps without any suggestion, a poor script and direction also.

Thirdly the female lead, Vahina Giocante, really should have been shown the door after the first week, too much overacting for me, I've seen comedians act better. However I haven't seen any of her other stuff though so it could have been just a duff one for her.

Simon Abkarian has played measured bad guys before and did pretty well but I'm afraid that poor old Gérard Lanvin just didn't have enough script to go on, they spent too much time on the Martyr when they could have worked more on his character.

Sorry I really had high hopes for this and really wanted to like it, I even watched it twice to make sure I wasn't missing anything, but remember this is my opinion I'm sure others will love it. they tried to take the Spooks concept and do a French big budget movie, perhaps they should have got a script re-write and got Mathieu Kassovitz to direct.

This splendid film gives an insider's view into the French anti-terrorist Agency .How traineers are recruited , besides , how terrorists are created , as each is skillfully directed to their aims . Both sides are playing a deadly chess game requering guided pieces , being controlled by nasty master minds , as they are a beautiful girl named Diane : Vahina Giocante hired by the DGSF , Direction Generale de la Securite Exteriure, to be the sexy decoy , alongside a bomber suicide called Pierre : Nicolas Duvauchelle .Each is manipulated and both of whom are drawn into a long string of twisted happenings: treason , sex , killings , bombings .. from which they seem to be incapable of getaway .They are manipulated by dark forces using the most cruel of arms : human beings .

Stunning thriller full of noisy action , thrills , terrorism , intriguing set pieces , twists , turns and being fastly-paced . However , it bears remarkable resemblance to the American movie The recruit , 2003, by Roger Donaldson with Colin Farrell and Al Pacino .The film delivers a real description of the French Service Secret , whose activity was meticulously researched and efficiently shown ; alongside a parallel story concerning about the restless terrorrism run by a powerful and wealthy Middle East man called Al Barad : Simon Abkarian . It stars Gerard Lanvin who gives a very good acting as Alex , chief of counter-terrorism unit DGSF the French equivalent of the CIA and MI6 , who will stop at nothing to get his purports. Vahina Giocante plays rightly as the female secret service operative who being a failed student is recruited for extremely dangerous missions . Nicolas Duvauchelle performs Pierre as the troubled and imprisoned young who in prison is manipulated for a cause and drawn into a chain of terrible events who thinks bring him salvation .

The movie contains an atmospheric and evocative cinematography by Jerome Almeras , being shot on location in Morocco , stands-in credibility for Afghanistan , Lebanon, Irak and Syria , places where the action actually occurs . As well as a thrilling and moving musical score by Alexandre Azaria who has composed a lot of soundtracks , usually in action genre, such as Transporter 1, 2, 3, Legacy , MSI Lockout , The red inn, Asterix and Vikings , Fanfan La Tulipe .The motion picture was compellingly directed by Philippe Haim .He is a good composer , writer , producer and director . As he has written and directed some successes , such as : in TV as Fearless , Braquo , En immersion , Crossing lines , XIII series and Cinema , such as : Barracuda and The Dalton against Lucky Luke. Rating : Better than averag . The film will appeal to action fans and French cinema aficionados.