The Humans

Thought it was an interesting well made movie that was just a little too much like being at my family's own insufferable gatherings to really enjoy.

Confused by everyone else's Schumer fixation. She's not even a huge part of the movie. Richard Jenkins steals the show and everyone else plays their role fine.

This movie is based upon a book and a stage play. This movie has only got one small setting: a rundown house in New York City, with broken electricity, cockroaches and extremely noisy neigbours.

And exactly this rundown house is the place where a Thanksgiving dinner is taking place with a family, of whom everybody is crumbling under emotional, financial and health problems.

This doesnt sound attractive to watch. And it definitely is not a cheery Christmas movie. But it is still a decent picture. Here is why:

The good: it's so rewarding and refreshing to see actors concentrating on plain acting. And nothing else. Just that. Long scenes, totally uninterrupted by editing. I see a family get together, who are eating and drinking and talking together. Nothing much happens. But because the acting is top notch, it is still fascinating to watch this family chemistry during a Thanksgiving dinner.

The mood of this movie is (purposely) directed in such a way that I as a viewer get the sense that this place and this family is somehow cursed or haunted in some way. There is a really dark undercurrent. It is definitely NOT horror, but there is an intense depressing, gloomy undercurrent present all the time...which makes for an uncomfortable watch.

Any bad? This is NOT the movie you wanna see at the holidays with your family. Because it's quite depressing, sad and bleak. But it is still definitely worth a watch, although it is probably only suited for the die hard arthouse movie fans, who can stumach a depressing family get together in a cockroach infested house...

Probably not the most ideal movie to watch on Thanksgiving Day as it focuses on a dysfunctional family unraveling their individual frailties during a desultory Thanksgiving dinner filled with personal confessions. It plays almost like a horror movie, but it's really an acting showcase for a strong cast including Amy Schumer in a non-comic role.

After watching the film I could tell it would not get much love on IMDb, but I personally liked it. The screenplay is very good. What I liked about it were the dynamics of the family relationships. The acting was really superb by all of the actors. It seemed like the most realistic Thanksgiving film I have ever seen. Not the idealized Norman Rockwell Thanksgiving we normally see.

The film did feel a little dark and creepy, but this isn't a horror film. It's as IMDb describes it, a family drama. So I think many people will watch it expecting horror and be turned off by it. I did love the attention to details. The old deteriorating and depressing tenement building. The banging pipes from a largely empty apartment that amplifies the sounds caused by water bubbles in the plumbing were really on point. The loud footsteps. The first couple of days in a new apartment in a large city can be frightening especially when you don't have all of your lighting in place and you are left with large empty spaces with dark shadows with strange sounds.

I am giving this film an 8 because I felt the dialog was very organic and realistic. I felt like someone inside this apartment witnessing this Thanksgiving reunion and listening to these people. It's is bleak and depressing but it was good. Another good job from A24.

Twenty years after 9/11, the USA no longer feels like the land of opportunity. Instead, it is the country where the rich get richer, and the rest of the country sinks deeper into debt. Instead of blaming the billionaires who have transferred the wealth of the middle class to themselves, or the fragility of an economy dependent on foreign oil, Americans blame each other. They argue about "wedge issues," small differences blown out of proportion by politicians who know anger will get them votes. It's easier to hate your neighbors than it is to accept than to accept that there is an eventual time for accounting for all superpowers, and that time for America is now.

In this film, three generations of family gets together in a dilapidated NYC apartment to celebrate Thanksgiving. From the first shot of the film, it's clear that the family comes together out of duty, and not because they want to be together. They can't agree on anything, except that every family member feels as if the other family members have failed him. The resentment floats in a thick miasma in an apartment that looks like nothing good has ever happened there.

With the camera as silent witness, what's haunting each family member is revealed. It's exquisitely painful filmmaking, and an incredible lesson from the "show, don't tell" school of playwriting. Every actor delivers a restrained performance so knowing that you want to hug him, but you know he will slap you.

This is what movie making should be.