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7.3/10
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Former law-school classmates reunite in court when they take on rival clients.Former law-school classmates reunite in court when they take on rival clients.Former law-school classmates reunite in court when they take on rival clients.
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I can understand why most people didn't connect, which resulted in the series being canceled. The idea of a law series that centers on "average" defendants (poor people who are stuck in the system by a combination of circumstances and poor choices, and sometimes only the first) is not something we are accustomed. We want to see either the bad guys being chased by the good guys or saintly lawyers and defendants who are unquestionably innocent (like in "To Kill a Mockingbird"). But crime and punishment in real life are far more complex, and that is why the day-to-day of public defenders is a premise that makes such good drama.
(Not that the series is ultra-realistic in every sense; most of the relationships among the characters are less than believable, very made for TV, but they had to be there if the series had any chance of success.)
The bottom line is that there is something remarkably true in the stories of Raising the Bar, something that no other cop or law show ever came close to achieving. The situations of the defendants came straight from David Feige's experience as a PD in the Bronx, and not from stock characters and plots, which puts the human element far higher.
It is impossible not to compare it to Law & Order, the only other series to have 50% of its cast made of public prosecutors. Bar doesn't have the excitement of its competitor, but it is far, far superior in terms of human content. Whenever any of the L&Os versions tries to give us some moral complexity and tackle social issues, it feels spoon-fed and artificial, like a plug for a political agenda. After all, it is basically a show about catching the bad guys and finding the truth, not one about ambiguity - actually, the LESS moral dilemmas you see in L&O, the better the episode.
The same does not happen with Raising the Bar. The focus is on the work of Public Defenders - one of the most unjustly maligned professions in the world - and their clients. The moral complexity springs from the premise, it is not inserted in the story. It is there because the situations regular people face when charged with a crime are complex, and "guilty" x "not guilty" are two terms not always easy to apply. After watching and thinking about it, you imagine yourself as a policeman, prosecutor or judge, and you wonder if you can arrest/prosecute/sentence a person for any crime without any doubts whatsoever regarding what is done. Society suffers less crime if more people who break the law are imprisoned, that's true. But does it have less victims? Hard to say.
There are other shows out there that have more thrill, but none in the legal genre that are that compelling. I hope more people, like another commenter and myself, find this great series on Netflix.
Great job, Feige & company.
(Not that the series is ultra-realistic in every sense; most of the relationships among the characters are less than believable, very made for TV, but they had to be there if the series had any chance of success.)
The bottom line is that there is something remarkably true in the stories of Raising the Bar, something that no other cop or law show ever came close to achieving. The situations of the defendants came straight from David Feige's experience as a PD in the Bronx, and not from stock characters and plots, which puts the human element far higher.
It is impossible not to compare it to Law & Order, the only other series to have 50% of its cast made of public prosecutors. Bar doesn't have the excitement of its competitor, but it is far, far superior in terms of human content. Whenever any of the L&Os versions tries to give us some moral complexity and tackle social issues, it feels spoon-fed and artificial, like a plug for a political agenda. After all, it is basically a show about catching the bad guys and finding the truth, not one about ambiguity - actually, the LESS moral dilemmas you see in L&O, the better the episode.
The same does not happen with Raising the Bar. The focus is on the work of Public Defenders - one of the most unjustly maligned professions in the world - and their clients. The moral complexity springs from the premise, it is not inserted in the story. It is there because the situations regular people face when charged with a crime are complex, and "guilty" x "not guilty" are two terms not always easy to apply. After watching and thinking about it, you imagine yourself as a policeman, prosecutor or judge, and you wonder if you can arrest/prosecute/sentence a person for any crime without any doubts whatsoever regarding what is done. Society suffers less crime if more people who break the law are imprisoned, that's true. But does it have less victims? Hard to say.
There are other shows out there that have more thrill, but none in the legal genre that are that compelling. I hope more people, like another commenter and myself, find this great series on Netflix.
Great job, Feige & company.
The mostly young cast of Raising The Bar and the performances they give will probably interest more young people into going into the law than any other show since Perry Mason. It's also a lot more realistic than Perry Mason.
The real test for this show and perhaps it's a bit unfair to compare it with Steven Bochco's last big NYPD Blue in terms of staying power, is to see if the premise carries it beyond the attractive cast. It certainly sustains Law And Order despite cast changes that have completely eliminated the original members now. That's what happened with NYPD Blue, but they did have Dennis Franz to anchor that show.
Bochco got his cast from a variety of sources from daytime and nighttime television, in some cases the players have experience in both. There are role models aplenty here.
My favorite is Mark-Paul Gosselaar who shed the Zack Morris image in NYPD Blue has now gone on to a different idealistic character in the person of Legal Aid lawyer Jerry Kellerman. There was an episode where his supervisor at the panel criticized him for being unable to watch an injustice being persecuted. Now that's someone I can always admire. Gosselaar as Kellerman is charming, mature, and idealistic and looking a whole lot better since he shed the long hair from the first season.
For those who like hard as nails prosecutors, Currie Graham also from NYPD Blue is supervising bureau chief assistant district attorney Nick Baldo. Hard to believe that Jack McCoy and Baldo work for the same office. They think they're doing society a service, but it's also a numbers game with them, to rack up a collection of scalps so to speak. Baldo shows why the Kellermans of the world are really needed.
And you have to love Mary Jane Kaczmarek as the tough female judge who's succeeded in what was a male dominated profession. Remember it was only 28 years ago a woman finally made it to the Supreme Court. She's had to be tough to survive. It's also twisted her somewhat, in many ways she's the most complex character on the show.
Shows that have as long a run as NYPD Blue are few and far between, but I'm hoping this one has a real long 7 to 8 year run. The scripts are literate and factual and the players make you care about their characters. What's not to like?
The real test for this show and perhaps it's a bit unfair to compare it with Steven Bochco's last big NYPD Blue in terms of staying power, is to see if the premise carries it beyond the attractive cast. It certainly sustains Law And Order despite cast changes that have completely eliminated the original members now. That's what happened with NYPD Blue, but they did have Dennis Franz to anchor that show.
Bochco got his cast from a variety of sources from daytime and nighttime television, in some cases the players have experience in both. There are role models aplenty here.
My favorite is Mark-Paul Gosselaar who shed the Zack Morris image in NYPD Blue has now gone on to a different idealistic character in the person of Legal Aid lawyer Jerry Kellerman. There was an episode where his supervisor at the panel criticized him for being unable to watch an injustice being persecuted. Now that's someone I can always admire. Gosselaar as Kellerman is charming, mature, and idealistic and looking a whole lot better since he shed the long hair from the first season.
For those who like hard as nails prosecutors, Currie Graham also from NYPD Blue is supervising bureau chief assistant district attorney Nick Baldo. Hard to believe that Jack McCoy and Baldo work for the same office. They think they're doing society a service, but it's also a numbers game with them, to rack up a collection of scalps so to speak. Baldo shows why the Kellermans of the world are really needed.
And you have to love Mary Jane Kaczmarek as the tough female judge who's succeeded in what was a male dominated profession. Remember it was only 28 years ago a woman finally made it to the Supreme Court. She's had to be tough to survive. It's also twisted her somewhat, in many ways she's the most complex character on the show.
Shows that have as long a run as NYPD Blue are few and far between, but I'm hoping this one has a real long 7 to 8 year run. The scripts are literate and factual and the players make you care about their characters. What's not to like?
I just discovered this show and cannot believe it was canceled. It was fantastic.
Just another reason why I don't bother with television anymore. (I stumbled across this gem on Netflix, after the fact.) The execs that make the decisions about what stays and what goes are so out of touch their audience.
I just discovered this show and cannot believe it was canceled. It was fantastic.
Just another reason why I don't bother with television anymore. (I stumbled across this gem on Netflix, after the fact.) The execs that make the decisions about what stays and what goes are so out of touch their audience.
Just another reason why I don't bother with television anymore. (I stumbled across this gem on Netflix, after the fact.) The execs that make the decisions about what stays and what goes are so out of touch their audience.
I just discovered this show and cannot believe it was canceled. It was fantastic.
Just another reason why I don't bother with television anymore. (I stumbled across this gem on Netflix, after the fact.) The execs that make the decisions about what stays and what goes are so out of touch their audience.
10betwana
What a shame that Raising the Bar was canceled after the second season! It is by the far the most nuanced, well-written legal show I've ever seen. Most shows in its genre pander to the fantasy that the world is divided into good and evil, where the bad guys are cunning and unremorseful and the good guys are always law enforcement. Raising the Bar is one of the few shows that show the defense side, but it doesn't do that at the expense of the prosecution side. Even the show's initial villains are rehabilitated as complicated, nuanced characters. As a lawyer, I can vouch for how close the show gets to reality (except for how attractive and well-dressed the characters are, of course!) it is also incredibly entertaining without sacrificing its complexity. I can't say enough good things about this show - I actually shelled out money to buy the DVDs, which I almost never do. Highly recommend!
This was the best legal show that Hollywood ever produced, what real courtroom fighting is all about, it was closest to reality that TV show can be.
You wont find black & white picture of the life in and around the court in this one, where good guys, relying on "the Law", tough but impartial and objective judge and honest infallible jurors always win, instead you will be hit with reality and dirty nature of the courtroom, procedures, and petty little personal agendas and vanity. You wont see "the Law" as ultimate, unmistakable, perfect, God given, instead you will be presented with sort of law-market where lawyers on the both side of aisle sell and buy, you wont meet knights in shiny armors on "peoples" side, nor on the side of defense, especially not on the bench, but marketeers and traders in a dirty trade we call Law - so, forget the fantasies like Law & Order (although another first grade show), The Practice, LA Law, especially Boston Legal or Fairly Legal, not to mention Ally McBull(sh.t), etc.
Stories are mostly simple every day life stories, real and very interesting, the plot solid, acting mostly solid....
It's a shame it was canceled ! To me it's a complete mystery why viewers actually rejected it, something so different that breaks every cliché ?! Unbelievable .... 10 of 10
You wont find black & white picture of the life in and around the court in this one, where good guys, relying on "the Law", tough but impartial and objective judge and honest infallible jurors always win, instead you will be hit with reality and dirty nature of the courtroom, procedures, and petty little personal agendas and vanity. You wont see "the Law" as ultimate, unmistakable, perfect, God given, instead you will be presented with sort of law-market where lawyers on the both side of aisle sell and buy, you wont meet knights in shiny armors on "peoples" side, nor on the side of defense, especially not on the bench, but marketeers and traders in a dirty trade we call Law - so, forget the fantasies like Law & Order (although another first grade show), The Practice, LA Law, especially Boston Legal or Fairly Legal, not to mention Ally McBull(sh.t), etc.
Stories are mostly simple every day life stories, real and very interesting, the plot solid, acting mostly solid....
It's a shame it was canceled ! To me it's a complete mystery why viewers actually rejected it, something so different that breaks every cliché ?! Unbelievable .... 10 of 10
Did you know
- TriviaMark-Paul Gosselaar and Natalia Cigliuti got their start from two different Saved By the Bell series.
- ConnectionsReferenced in Jeopardy!: Million Dollar Celebrity Invitational Quarterfinal 3 (2009)
- How many seasons does Raising the Bar have?Powered by Alexa
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By what name was Raising the bar: Justice à Manhattan (2008) officially released in India in English?
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