Bull

Confused as to why some would think this film contained animal cruelty...!!! Maybe I'm not that tuned into "first world sensitivities and problems".

Strong relational film with convincing characters. Harsh depiction of working class American lifestyle - perhaps that's the focus if you do have societal concerns, one should give focus to.

Steady slow burner that will resonate.

Some say this film is slow, I say it takes the time to envelope you in the characters and environment. It gives you the space to understand the players and develop your own opinion of them as it goes. Each character is very distinct except Crystal, who is developing and burgeoning. She knows her world is limited but also knows she needs to do something to make a life for herself. It reminds me a little of Winter's Bone, although the lead actor isn't quite as impressive as Jennifer Lawrence, she does hold you engaged as her story plays out. You can't help but feel sympathy for her but also recognise her stoic resolve. It's a matter of fact film with a positive view of the world. I loved it.

"Relationships are kind of like riding a bull. You hang on for dear life and sometimes you get a little buck here and there but you get back on." Katy Perry

With all the buzz about realty, it's a joy to see real "reality" in a heartening independent film about rural rodeo and rural poverty in Texas without feeling the least bit cheated that you wasted your streaming cash or that you didn't get a full measure of the toughness of riding bulls and the challenge of surviving outside the fences. As if riding a bull were not the most dangerous game in town! Surviving life is.

Fifteen-year old Kris (Amber Havard-a newbie with loads of understated talent) is a sweetheart of a daughter, whose mom is in prison. She's quiet but wanting to learn, especially from 40-something wrangler-neighbor Abe (Rob Morgan), a seasoned Black cowboy who saves riders from bulls in the ring after the cowboys fall: "How do you know when a rider's about to fall off," asks Kris. "When his head hits the ground," responds Abe. Now that's reality.

Although the speeches are short and the action except for the bulls is minimal, a casual feeling pervades of experiencing another kind of world, i.e., poverty and the rodeo, as well as a worthy teen making some bad decisions but riding toward good ones. That she may someday ride a bull or bucking bronco may be inevitable-she's that smart, determined, and able.

Meanwhile enjoy being with her in her low-key world, where even poverty can't put a good girl down. It's a world writer-director Annie Silverstein and writer-husband Johnny McAllister give us in quiet, honest tones (the sound track's country tunes are perfect). Immersing us in other worlds is what movies do. These days streaming VOD like this is a gift and a virus-balm for us extraverts and for exploring introverts.

Reality check: After being caught early on with friends invading Abe's home, Kris implores the cops: "Can't you just take me to juvie?"

It appears that a few "critics" are bothered by the fact that this isn't a fast paced action thriller directed by Michael Bay. "What! No transforming aliens looking to protect Shia from Megatron?" If you're a 15 yr old looking for an alien invasion flick, go elsewhere. If you're a mature adult who appreciates a good story, keep reading.

The plot evolves at just the right tempo to keep you engaged but not so much that you lose sight of the character development unfolding from the opening credits. Crystal's milieu makes it easy to sympathize with her character but it's done so naturally rather than the more contrived methods you might be used to in larger commercially produced films. The ending seems non-traditional and pedestrian but only to those who are used to a cowboy riding off into the sunset. This movie is authentic, raw, and original, and I would watch again.

Bull is the debut feature film of Annie Silverstein. She has come a long way from being a youth program coordinator to a Cannes Film Festival nominee. In 2014, she presented her short film Skunk in Cannes. The director has now returned with the premiere of her new movie in the Un Certain Regard section of the Cannes Film Festival.

In the movie Bull, Annie Silverstein once again shows us provincial America where everything is too straightforward, too obvious and too cruel. The film is set on the outskirts of Houston, in a small town with its weirdos and losers. The town itself conforms to all our stereotypes, as we see dilapidated ranchos, outdated entertainment and people who can't give up their habits.

The given film is not about overwhelming victories or frantic attempts to reach ambitious goals. It is about the world where there are no prospects, but people are stubbornly trying to find them.

Kris, a teenager whose mother serves her sentence in prison, does not have any future expectations. She lives with a sick, authoritative grandmother, a little sister and a dog that strangles chickens in the neighborhood.

The girl is not like her peers, her thoughts are too mature. Even when she tries to blend in, it turns out to be a disaster, as she becomes the person she does not want to be.

She has no life she could dream of. Kris sees no way out of her mother's confinement and her own helplessness. At the age of 14 she strives to be better and older looking for the opportunities to earn money to provide for herself.

And the girl does grow older, but performing the deeds she is ashamed of, doing something that makes her get out of her comfort zone.

On the other hand, we see Abe, a former rodeo cowboy. He cannot quit his job, as it is a job of his life; even after giving up his career he keeps distracting bulls from other cowboys. He is the man who the life of a jockey depends on after an angry bull has flung its rider off.

Bull or horse rodeos are common pastime in the east of the United States. Entrance fee to such events ranges from $ 5 to $ 20 and the events themselves attract crowds of people. Modern animal rights activists have many arguments against holding the rodeos. Yet, what else can you do to enjoy yourself in a small town where the only thing you look out for is the lives of others? How can you stop participating in rodeos if they mean the world to you, they have become your universe? As soon as you go beyond it, you will die. Therefore, it is much easier to endure financial hardship, suffer from pain and fatigue than change something.

Abe's body resembles the body of a martyr. The way he treats it reminds us of unconscious self-torture. He does not seem to have enough willpower or motivation to start all over again.

At first glance, it may appear that the characters of the film are held hostage by the situation. In order to get out of the gulf of doubts, they have to make the right choice answering a number of questions - what, when, why... do we have to do anything at all?

All throughout the film, every single choice the characters make changes them dramatically. What is better - to get into a juvenile colony or apologize? Win your love back or persist in self-destruction?

Kris and Abe, seemingly incompatible people (at first sight), are drawn to each other like magnets. In the films, as well as in real life, it is not infrequent to encounter plots which revolve around people who find each other, 'break' each other and then 'mend'. The story which unfolds in Bull is a vivid example. In the beginning, you would not dare to say that these two can have something in common; you would not consider them to be capable of teaching each other, giving and receiving something in return.

Unexpectedly, though, the main heroes realize that there is somebody they can count on. The care they take of each other is manifested either in loyal support or complete inaction - unassuming and silent, but at the same time firm in spite of the mistakes and insults which were made either by themselves or others.

The characters bombard others with their problems, hurt everybody around while trying to assert themselves. Being indifferent, they rarely think about the people who surround them. Under such circumstances true friends are found and great trust is gained.

Despite the disappointment (be it with life, with yourself or each other), Kris and Abe have found people who do care. For them rodeo is not just about money. It is the desire to start everything from scratch or support the existing tradition. It turns into the confrontation, the struggle against the circumstances and themselves.

There are no goodies or baddies in the given movie. As a result, we do not feel too much sympathy for the heroes. The setting of the film does not allow us to forget that we are told the story of people who could live at any time and in any society. They are lonely, lost and rejected by others. Some might even call them narrow-minded. Still, together they are able to build a real life. The sense of unity empowers them so that they can sail against the wind.

They learn not to rush to battle, but play a waiting game. In life, as in bull rodeo, you have to take a break once in a while. After fate has taken its hand in your life rewarding you with numerous bruises, it thinks it has won as you are too weak to fight. Yet, the very moment it loses vigilance, we know who the game will be finally won by.

After all, everyone deserves a little happiness.