Jesus Revolution

Even if religion isn't an important part of your life this movie is spectacular in many ways. It begins with two different storylines which connect together seamlessly. The aspect of it that it excels in the most is that it shows how groups of people who appear to be pushing in two different directions can both be genuinely searching for the same goals and the good life. The movie examines the pitfalls of nihilism and absolute relativism but also how being closed minded to possibilities and ideas can be limiting. All of these themes are displayed without the movie trying to force upon its audience any particular set of religious beliefs.

Not only does the story have good pacing, it has just the right amount of humour, and the camera shots of the California coast are nostalgic and stunning. The acting is also quite good with Kelsey Grammer and Jonathan Roumie both delivering exceptional performances . The love story also feels reasonably organic and the soundtrack on its own is 10/10.

The only downside to it for me was that some scenes needed a bit more variety in their presentation. The latter half of the film seemed mostly filled with what I would call epic speech making and not so much natural dialogue. For those like myself who were fully engaged in the story this probably wouldn't be an issue, but for those not particularly enjoying themselves it could come across as rather corny and artificial.

Overall, I am a huge fan of this movie. I think it has a wonderful message of hope and love while also encouraging order and structure. I'd recommend it to anyone looking for a feel good movie that sends you away feeling optimistic.

This is a great movie; I enjoyed it very much.

Being a movie nut and all, I have to say that that the production quality was top notch. I saw no glaring continuity problems, the camera work was well done and the "designs" were fabulous (costume, scene, etc.). I also think the script was terrific. As one other reviewer noted, the scripts and acting in some "Christian" films showing at regular cinemas in recent years has been a bit rough. Not in this movie; it's all great.

I was there. In the years 1971 to about 1973, I sat in the front pew (if there were space for me) in that church in Riverside, CA (aka All Saint's Episcopal Church) within 20 feet of Greg Laurie (sometimes being amazing at the length of his beard). I had some of those tracts he designed and I listened to Love Song and many of the other popular bands of the day. I went down with a bunch of kids from the Redlands/Yucaipa of So. CA; we went to our own church services, at various churches, in the morning then we would jump in several cars (yes, one was a VW van) and drive to Riverside for the evening service at All Saint's Episcopal Church with Greg (and the bands, of course). The song book we used (illustrated by Greg), the tracts, the cassette and 8-track tapes for sale, were all Calvary Chapel and Maranatha! Branded. It was a heady time and deserves a place in American religious history.

I thought all of the acting was great. I especially loved Kelsey Grammar in the role of Chuck Smith. When, I heard he was going to play Chuck, I let out a loud YES! Of approval. He was an excellent choice. I simply thought that, yes, he could do it. He could pull off Chuck Smith.

As the movie began with a very accurate presentation of the time, I expected the movie to continue that way so I was disappointed at parts in the middle and end that seemed to take "artistic" license with some of the events, people and locations.

The movie avoided some tough stuff; which was probably the right thing to do, maybe leaving it for a future movie or book. I'll avoid specifics not to spoil things for those who have not yet seen the movie but trust me, there was some tough stuff to the movement too.

I loved this movie. It took me back. And it adds to the record and the significance of the Jesus Movement in American religious history.

I was pleasantly surprised by this film; it was a Faith-based Christian film that didn't feel like it was trying to get me to drink the Kool-Aid (and I say this as a devout Christian myself). And although the Christian Faith is central to the film's plot, you absolutely do not need to be a Christian to enjoy it. The movie centers more on how we all are imperfect - broken - and it's up to us to believe in Jesus or not. Great quote from the film: "Don't be so arrogant that you think God can't work through your mistakes." That, in a nutshell, is the core meaning of this movie; it's not so much about who Jesus is, but rather, who people are (or can be) with Jesus.

Great trip to the movies 2/2023. Kelsey Grammer and Jonathan Roomie provide the foundation for this very well done film on the Jesus movement. It shows that Christians are not perfect and that life is rough, but that there is an answer to the questions of life.

There is a balance of character development when Greg and Cathe become prominent in the telling of the early days of the "Jesus Revolution".

It is beautifullybfilmed and the soundtrack had some iconic 60s songs that supported the themes being developed -- desperation and the search for truth even when life gets messy.

There is so much in this film that those who seek truth will find it.

Like much of the Christian drama genre, Jesus Revolution suffers from lots of stilted, VERY on-the-nose dialogue that prioritises getting the message across over sounding natural.

But unlike most of the Christian drama genre, the film is shockingly well-focused, prioritising it's characters and their stories just as much as it's religious messages that do admittedly preach to the choir.

There's a lot of care put into this movie; it's shot and acted with plenty of artistic prowess, and the story is refreshing in how it is purely centred around its flawed human characters as they work on their broken lives, bad habits, and strained relationships.

The familial element of religion is what helps them find the purpose they're looking for, and it's refreshing to see a Christian film that really tries to tell a compelling story about fleshed-out characters rather than just peddle a message without a beating heart and visible soul.

Although the film is too long-burdened by repetitive scenes that don't add anything new to the story-and the dialogue is often clunky and unintentionally silly, I was impressed with how much this does right when it comes to filmmaking and storytelling. It's infinitely better than most in this subgenre.