Gun for Hire

"The Butcher" gets high marks for a high body count, in other words lots of bang bang, but little else. Eric Roberts is his usual dependable quirky self, and it's nice to see Robert Davi and Geoffrey Lewis getting some work. This is however a very shallow movie, with everything revolving around the ultra violent scenes. The whole film has almost zero meaning. Eric Roberts never changes his sport coat throughout the entire movie, and really the movie never changes either. It is nothing more than just another weak plotted shoot em up, with little or no character development. I say avoid unless you need to see a bunch of seldom used actors in a meaningless movie. - MERK

I gave this a solid 9 for me. I REALLY enjoyed it. I have watched it several times, I liked the story of an over the hill guy who needs a break and isn't getting it. His mobster boss considers him past it and treats him with disrespect. Then the movie takes off and is as merciless as you will get. I watched the unrated version and it was definitely extra gritty and bloody. I own both and even without the ultra violence the R vision is a good watch. Eric Roberts plays his character to a tee and we can't help but feel for him as he navigates thru the game set in play. I deliberately stayed away from spoilers since its got a few twists and turns well seeing for the first time watching the movie.

This is one of those movies where the "hero" uses one or two pistols to take out scores of bad guys shooting at him with machine guns. Yep, that's believable - not - but still kind of fun. So, 4 stars.

Eric Roberts is a mid level gangster with a gambling problem in this low budget film written and Directed by Jesse V. Johnson. Roberts is actually very compelling in the lead, as a mobster who gets set up. There are many other actors that appear in subsequent Johnson films, like David Keith. The small town feel and characters are two of the strongest elements of the film. As in all Johnson films there is action, betrayal, and violence. There are some elements that need tightening up here as it was an early Johnson film but the seeds of many stronger and later films are here. There are many elements here that show up in Johnson films later and get much more well crafted. I would add another 1/2 a star if you a fan, or aficionado, of Johnson films.

While Isaac Florentine has a death grip on the title of "best direct-to-video action director," Jesse V. Johnson is definitely a runner-up. More restrained than Florentine, Johnson displays a particular aptitude for character development and storytelling, and in no instance more so than the vehicle crafted for star Eric Roberts. While not the action-packed extravaganza that I had been hoping for, it is an excellent crime-thriller that proves the cinematic experience is possible on a small budget.

The story: Double-crossed by the underworld syndicate employing him, a washed-up debt collector (Roberts) strikes back by stealing a multimillion dollar take.

With a 113-minute runtime, THE BUTCHER is a longer-than-average low budgeteer, but makes it worth it by building up its characters and allowing the actors to amply show their acting chops. This investment, in turn, is made worth it by the seriously good cast. Cult star Eric Roberts has the same natural charisma as David Carradine or Lance Henriksen, making any scene he appears in entertaining by default. Villain Robert Davi is in a similar league and for all the seems like he was gearing up for a BOARDWALK EMPIRE audition. Also in the credits are the spectacular Irina Bjoerklund, Keith David, Geoffrey Lewis, Bokeem Woodbine, and Michael Ironside – occupying roles of varying sizes but all working towards my general impression of "Wow, I forgot that movies like this could have good acting in them!" The story they perform is a slow burner, sometimes too slow for my liking, but the atmosphere it creates along the way is excellent and its avoidance of cliché is welcome.

The one bad thing about the story is that it comes at the expense of the action, which – despite the claims of the DVD case – is not evident "from start to finish." Uncharacteristically for the director's movies, there is very little hand-to-hand content, which is disappointing considering the supporting cast's inclusion of Dominquie Vandenberg, Dan Southworth, and Jerry Trimble (who gives a surprisingly wicked dramatic performance). Its focus is on gunplay, but you'll have to wait until the second half to see anything substantial. There are three big shootouts, and while most of them lack overall creativity, each features at least a couple moments of cool absurdity. Roberts shoots through a brick wall with a shotgun to dispatch an enemy, and later grabs a decorative Browning machinegun to take on a club. The final shootout in a bar makes up for a lot with its hyper-violent choreography; it's worth waiting for.

When I think of "bad" B-movies of the pre-2000s, I think of poorly-made shlock. When I think of "bad" B-movies of the 2000s and beyond, I imagine well-made but dramatically vapid shlock. It's nice to come across a movie that makes such a point of avoiding both pitfalls, and it's good to know that there are indeed filmmakers out there who take this particular tier of filmmaking seriously. While I really wish there had been more action, THE BUTCHER is worth at least the price of a rental.