IMDb RATING
6.4/10
5.8K
YOUR RATING
This is what every parent fears: their child not coming home on time. When 15-year-old student Rachel Barber doesn't climb off the tram, her parents, Elizabeth and Mike, bolt into action.This is what every parent fears: their child not coming home on time. When 15-year-old student Rachel Barber doesn't climb off the tram, her parents, Elizabeth and Mike, bolt into action.This is what every parent fears: their child not coming home on time. When 15-year-old student Rachel Barber doesn't climb off the tram, her parents, Elizabeth and Mike, bolt into action.
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Featured reviews
Anyone whose child has gone missing, even momentarily, will connect with the earliest moments of this version of true events, but, perhaps only those for whom the loss remains unresolved for any serious length of time will know how close to their reality this film touches. It is almost relentlessly tough to watch because there is no place for pressure to be relieved, however briefly, by a joke, a glimmer of hope, a slither of a flaw to make us remember we are watching a dramatised version of events. I even find it tough to judge the quality of the acting because too often this film seems so vividly, so uncomfortably, and so chillingly real. I am, if truth be told, just in awe of all the performances I have witnessed and I still have to pinch myself to remember it was "just a film". Is that a compliment?
I felt tears on my cheeks three times during this film, not because I was sad, but because my being had to have an outlet and I couldn't laugh or smile. The emptiness, pointlessness, coldness, loneliness of a missing loved one is so bitingly portrayed and yet saying "okay that's enough, I have got your point" is as futile as the parents of Rachel Barber shouting "Rachel come home" on every street corner they could.
I remember Hitchcock being heavily criticised by some in the industry for a seven minute killing sequence in "Torn Curtain" when that was easier to justify because it was a work of fiction and a thriller rather than "a week or so in the real life of a family". And so I had mixed feelings about "I Am You" when I reflected on some of the things I had seen, including the closing statements popular with "factual" drama.
I am left with these mixed feelings ranging from the reality of the acting to the old adage that imagination is always more powerful than a picture, from the top to the bottom of the things I should feel. And ultimately I cannot give this film a points score because it doesn't feel like it entered the cinematic league stakes. It is a film and if you see it you will feel what it does to you rather than want to talk about to friends. And that IS tough.
I felt tears on my cheeks three times during this film, not because I was sad, but because my being had to have an outlet and I couldn't laugh or smile. The emptiness, pointlessness, coldness, loneliness of a missing loved one is so bitingly portrayed and yet saying "okay that's enough, I have got your point" is as futile as the parents of Rachel Barber shouting "Rachel come home" on every street corner they could.
I remember Hitchcock being heavily criticised by some in the industry for a seven minute killing sequence in "Torn Curtain" when that was easier to justify because it was a work of fiction and a thriller rather than "a week or so in the real life of a family". And so I had mixed feelings about "I Am You" when I reflected on some of the things I had seen, including the closing statements popular with "factual" drama.
I am left with these mixed feelings ranging from the reality of the acting to the old adage that imagination is always more powerful than a picture, from the top to the bottom of the things I should feel. And ultimately I cannot give this film a points score because it doesn't feel like it entered the cinematic league stakes. It is a film and if you see it you will feel what it does to you rather than want to talk about to friends. And that IS tough.
Based on a true story of a 15 year old Rachel Barber's abduction in Australia, In Her Skin is disturbing to say the least. The movie chronicles the real events that happened before, after, and during this tragic abduction and the many different lives it touched.
Rachel Barber goes missing and everyone that knew her knew something was amiss but the Barber family was forced to wait 48 hours before the police would get involved. As her parents frantically look for her and blanket the neighborhood with pictures, we get to see glimpses of her past and the pasts of many people involved in this case .It soon unfolds and the truth is revealed in this psychological thriller that keeps you on the edge of your seat.
Guy Pearce and Miranda Otto translate incredible emotion and anger as Rachel's parents but for me the standout here was Ruth Bradley as Caroline Reid. Sam Neill also played an overwhelmed, distant parent of Caroline very well as this movie moves swiftly and smoothly through the horrifying truth of this well directed and acted film.
I watched this film on demand and was impressed with the overall production. In Her Skin reminded me a lot of The Lovely Bones, which I also enjoyed, that starred Mark Wahlberg. This movie is definitely worth a watch in my opinion
Rachel Barber goes missing and everyone that knew her knew something was amiss but the Barber family was forced to wait 48 hours before the police would get involved. As her parents frantically look for her and blanket the neighborhood with pictures, we get to see glimpses of her past and the pasts of many people involved in this case .It soon unfolds and the truth is revealed in this psychological thriller that keeps you on the edge of your seat.
Guy Pearce and Miranda Otto translate incredible emotion and anger as Rachel's parents but for me the standout here was Ruth Bradley as Caroline Reid. Sam Neill also played an overwhelmed, distant parent of Caroline very well as this movie moves swiftly and smoothly through the horrifying truth of this well directed and acted film.
I watched this film on demand and was impressed with the overall production. In Her Skin reminded me a lot of The Lovely Bones, which I also enjoyed, that starred Mark Wahlberg. This movie is definitely worth a watch in my opinion
I absolutely loved this film. I was totally gripped start to finish.
The mix of surreal camera work and character chapters made the horrific subject matter all then more intense and difficult to deal with, as it should be. The story itself suited the surreal elements that reflected the characters states of mind. All of these mixed elements create a bizarre world inside a real one, which enables the viewer to, to some extent, empathize and imagine the kind of horrors that the people these characters are based on must gone through.
Ruth Bradley, who plays Caroline is absolutely astonishing. She switches between creating terror or sympathy and is nothing short of completely convincing.
The mix of surreal camera work and character chapters made the horrific subject matter all then more intense and difficult to deal with, as it should be. The story itself suited the surreal elements that reflected the characters states of mind. All of these mixed elements create a bizarre world inside a real one, which enables the viewer to, to some extent, empathize and imagine the kind of horrors that the people these characters are based on must gone through.
Ruth Bradley, who plays Caroline is absolutely astonishing. She switches between creating terror or sympathy and is nothing short of completely convincing.
The title it played in Germany at the Fantasy Filmfest. A very strange little movie, that is very dark and will very likely appall a lot of people (if they don't know what they're in for especially), because of it's theme, but also because of it's graphic nature (at times, not that often, but still quite disturbing).
The actors involved in here are all good, Guy Pearce giving a better performance (there must be a better script at hand I reckon) than in "Don't be afraid of the Dark". One of our lead actresses has to go to really tough places and she manages to do so very convincingly. Not for everyone and I'm not sure "enjoy" would be the right word to use after watching it, but this is a really good work of art!
The actors involved in here are all good, Guy Pearce giving a better performance (there must be a better script at hand I reckon) than in "Don't be afraid of the Dark". One of our lead actresses has to go to really tough places and she manages to do so very convincingly. Not for everyone and I'm not sure "enjoy" would be the right word to use after watching it, but this is a really good work of art!
8OJT
A film with many names. "I am you" originally, turned to "In her skin" and in other countries the rather over used and not very original "Missing".
Already in the opening scene you realize this is film which will be pleasant on your eyes. A great opening scene! Beautifully shot, great camera movements, and great setting of emotional feelings, as well as colors and sounds. This is a film which is eye candy, though it's a bleak true story.
The film starts with a young daughter, Rachel, going missing on her way from dance practice. The parents know that this is serious, but as always, the police doesn't. Then we tend to another story, about Caroline, which has a mental illness, which affects not only the near family.
The film's problem is that the stories are starting over and over in the beginning and takes away the tension. This doesn't help the story telling. Too bad, because there's such an amount of talent here. I think a more traditional storyline would have done different. Without this, the film would have gotten a better score. Still a great story, but the jumping doesn't allow a proper story building for this to become a classic.
The mother of Caroline and her crying didn't convince me, but the cast is doing a great job. Amazing acting. A-class. Ruth Bradley is amazing in her role as Caroline.
The film reminded me of "Black swan" in more than one way. Both the mental illness, the ballet dancing and the overall quality. Well picked score, heavy on emotion. A great Film, and one if the better Australian films I've seen.
Already in the opening scene you realize this is film which will be pleasant on your eyes. A great opening scene! Beautifully shot, great camera movements, and great setting of emotional feelings, as well as colors and sounds. This is a film which is eye candy, though it's a bleak true story.
The film starts with a young daughter, Rachel, going missing on her way from dance practice. The parents know that this is serious, but as always, the police doesn't. Then we tend to another story, about Caroline, which has a mental illness, which affects not only the near family.
The film's problem is that the stories are starting over and over in the beginning and takes away the tension. This doesn't help the story telling. Too bad, because there's such an amount of talent here. I think a more traditional storyline would have done different. Without this, the film would have gotten a better score. Still a great story, but the jumping doesn't allow a proper story building for this to become a classic.
The mother of Caroline and her crying didn't convince me, but the cast is doing a great job. Amazing acting. A-class. Ruth Bradley is amazing in her role as Caroline.
The film reminded me of "Black swan" in more than one way. Both the mental illness, the ballet dancing and the overall quality. Well picked score, heavy on emotion. A great Film, and one if the better Australian films I've seen.
Did you know
- TriviaThe film was re-cut by the international distributor, Reliant Pictures International, without informing the filmmakers. The film's producers objected to this because it broke contractual obligations to the Barbers. Also, since the story is true, the re-cut was defamatory.
- GoofsThe movie never shows how Caroline got Rachel's body to the Kilmore farm. Caroline kept Rachel's body in her apartment for two days, then wrapped it in two rugs and took it by taxi to her father's Kilmore farm. Caroline told the taxi driver that she was moving a statue. She then buried Rachel's body in a shallow grave.
Details
- Runtime1 hour 47 minutes
- Color
- Aspect ratio
- 2.35 : 1
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