Martin Clunes plays a curator from an English museum who is being asked to return a mystical Maori relic to New Zealand. All sorts of cultural misunderstanding abound as well as an unexpecte... Read allMartin Clunes plays a curator from an English museum who is being asked to return a mystical Maori relic to New Zealand. All sorts of cultural misunderstanding abound as well as an unexpected romantic attraction.Martin Clunes plays a curator from an English museum who is being asked to return a mystical Maori relic to New Zealand. All sorts of cultural misunderstanding abound as well as an unexpected romantic attraction.
Paki Cherrington
- Uncle Hohepa
- (as Te Paki Cherrington)
- Director
- Writer
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In the tradition of comedy-dramas, where the big city boy is transformed by the charm and depth of connection experienced in a small town, this movie is delightfully and deceptively clever entertainment, that emulates Local Hero (Local Hero being a film that remains the most outstanding example the genre, but that is also one of the best movies ever made).
Character driven, strongly acted, intelligently directed and well edited, there is nothing heavy handed or over done. The humour is disarming (esp that of the Ma'ori characters similar tot hat seen more recently in Boy), and the plot unfolds easily, assuming the audience's perception.
Martin Clunies, oddly, is perfectly cast as the misfit romantic hero, delivering his lines with suitable dryness. However, the standout is the Ma-ori characters of the movie: the film is grounded in its good script and the Ma'ori cast. Just lovely.
Character driven, strongly acted, intelligently directed and well edited, there is nothing heavy handed or over done. The humour is disarming (esp that of the Ma'ori characters similar tot hat seen more recently in Boy), and the plot unfolds easily, assuming the audience's perception.
Martin Clunies, oddly, is perfectly cast as the misfit romantic hero, delivering his lines with suitable dryness. However, the standout is the Ma-ori characters of the movie: the film is grounded in its good script and the Ma'ori cast. Just lovely.
This is a delightful movie
Nice to see Martin Clunes as a less buttoned up and a less stern character.
My review of "The Man Who Lost His Head" is no doubt heavily influenced by the time I've spent in New Zealand. Although I was only there about a month total, I great to love the country, the Maori culture and the people. So, for me, this movie is a natural...for me it's an 8 or 9. But, for the average person who's never been to the country, it's still an enjoyable film despite often being formulaic and predictable.
Martin Clunes stars as Ian Bennett, a man from the British Imperial Museum* who has been sent to New Zealand to investigate whether or not to repatriate a Maori carving which some think really does belong back with its people. And, since the carving is from a Maori chief who came from a rural area outside Auckland, he goes to this part of the country and ends up living with the Maori locals. Much of what happens next is predictable (particularly the romance) but there are still some nice surprises and a nice glimpse into Maori culture. All in all, a nice slice of life movie which can be appreciated by anyone...but particularly by anyone who has seen the Maori and their land.
*The British Imperial Museum is a fictitious organization...obviously based on the British Museum. In recent years, this great museum has been under a lot of pressure to return items they essentially looted from other lands...the most famous of which are the Elgin Marbles, taken to the Uk for 'safe keeping' and never returned to Athens from where they originated.
Martin Clunes stars as Ian Bennett, a man from the British Imperial Museum* who has been sent to New Zealand to investigate whether or not to repatriate a Maori carving which some think really does belong back with its people. And, since the carving is from a Maori chief who came from a rural area outside Auckland, he goes to this part of the country and ends up living with the Maori locals. Much of what happens next is predictable (particularly the romance) but there are still some nice surprises and a nice glimpse into Maori culture. All in all, a nice slice of life movie which can be appreciated by anyone...but particularly by anyone who has seen the Maori and their land.
*The British Imperial Museum is a fictitious organization...obviously based on the British Museum. In recent years, this great museum has been under a lot of pressure to return items they essentially looted from other lands...the most famous of which are the Elgin Marbles, taken to the Uk for 'safe keeping' and never returned to Athens from where they originated.
I've said it before, I'll say it again, ITV were making some incredible dramas around this time, nice that they were generally one offs, we opposed to long serials.
Along the same lines as Heartless with Angus Deayton, it's very funny, incredibly moving and one of those stories of escapism that you will lose yourself in.
I genuinely loved it, Martin Clunes truly is at his absolute best here, charismatic, funny, somewhat lovable.
Deserves a repeat. Fabulous, 10/10.
Along the same lines as Heartless with Angus Deayton, it's very funny, incredibly moving and one of those stories of escapism that you will lose yourself in.
I genuinely loved it, Martin Clunes truly is at his absolute best here, charismatic, funny, somewhat lovable.
Deserves a repeat. Fabulous, 10/10.
Did you know
- GoofsAt approximately 13 minutes, Lollie asks her son, who is screwing something on a computer power supply, what he is doing. He replies, "Re-configuring the hard drive." Power supplies are not hard drives, and hard drives are not reconfigured mechanically (with a screwdriver) but with software.
Details
Box office
- Budget
- £2,000,000 (estimated)
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 1.78 : 1
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