An NRI and his wife decide to stay in his ancestral home, paying no heed to the warnings about ghosts. Soon, inexplicable occurrences cause him to call a psychiatrist to help solve the myste... Read allAn NRI and his wife decide to stay in his ancestral home, paying no heed to the warnings about ghosts. Soon, inexplicable occurrences cause him to call a psychiatrist to help solve the mystery.An NRI and his wife decide to stay in his ancestral home, paying no heed to the warnings about ghosts. Soon, inexplicable occurrences cause him to call a psychiatrist to help solve the mystery.
- Awards
- 1 win & 13 nominations total
Rajpal Naurang Yadav
- Chhote Pandit
- (as Rajpal Yadav)
- …
Farida Dadi
- Avni's Dadi
- (uncredited)
Kaveri Jha
- Girja Upadhyay
- (uncredited)
Hema Malini
- Woman in the picture of Manjulika
- (uncredited)
Featured reviews
I have not watched the Malayalam original but I don't think I need to. If ever u need to to be proud of an Indian film in front of an American, this is what u'll need. A very intelligent mix of drama, suspense, thrill and comedy with traces of romance thrown in between.... Right from the start, the movie never sags. All the characters r well chosen & the storyline is taut. The plot is of a couple returning to the husband's native place and a haunting they encounter there. Although the plot has been explored before, the performances by actors here are commendable. The couple seems an actual couple, the father looks like a father, everything rings true and credible. Its hard to believe they r acting. The suspense unfolds gradually and is very ably switched with other elements but the interest is never let down. The crazy doctor looks like he can do nothing! But looks can be deceptive. A very well-chosen protagonist! Different, in fact from the conventional ones...Twists n turns at d right times and finally, a fitting climax....short enough to hold attention throughout. A masterpiece of effort! A bigger budget n a little better dialog delivery esp. from Akshay cud hv made d movie flawless...In the scene where Akshay explains his discovery, he seems to be struggling for words...just a bit, though!!! All in all a gr8 movie....Rating 9/10
1st of all hats off to Priyansahab for making such a movie even though it is not original script. Have I seen Kannada or Malayalam version of this movie? NO... then why should I suffer from original or remake issue? 2nd thing I appreciated most is cinematography and art direction thoroughly in every frame of the movie. 3rd thing gripping direction and very much interesting, suspense and thrilling story-line and script by Neeraj Vora. Hats off again.
I just watched it in last show yesterday and in spite of absence of Akshay Kumar for 45 mins. hardly I felt boring in few minutes but I got returns of those minutes in 2nd half which was damn damn damn interesting, gripping and psychological in last 30 mins.
In short, I loved this movie so much and it is purely an entertainer and shown us great depth of human psychology and gave a hidden message to stay away from blind faith related to ghost and witches.
I admire Bhool Bhulaiya
I just watched it in last show yesterday and in spite of absence of Akshay Kumar for 45 mins. hardly I felt boring in few minutes but I got returns of those minutes in 2nd half which was damn damn damn interesting, gripping and psychological in last 30 mins.
In short, I loved this movie so much and it is purely an entertainer and shown us great depth of human psychology and gave a hidden message to stay away from blind faith related to ghost and witches.
I admire Bhool Bhulaiya
Despite the fact that the movie was promoted as a comedy, the film is a physcological thriller with a few comic situations. Priyadarshan does a good job as a director. In comparison with his previous films, he takes a leap as a director by making a movie with a genre of its own.
In my opinion, Bhool Bhulaiyaa is way better than the original movie, Manichithrathazhu. Probably because of the technicians have improved since then.
Akshay Kumar does his usual comic act, and he's funny here as well. Shiny Ahuja hams, but is good in parts. The last 45 minutes belong to none other than, Vidya Balan. Throughout the movie she doesn't have much to do but the steals the show with her superb performance towards the climax. Ameesha Patel looks ethereal and is effective in a small yet important role. The supporting cast are first-rate, especially Paresh Rawal, Rasika Joshi and Manoj Joshi.
The songs are good; Labon Ko is easy on the ears.
All in all, Bhool Bhulaiyaa is a well-executed movie, though lengthy in parts! Time-pass!
In my opinion, Bhool Bhulaiyaa is way better than the original movie, Manichithrathazhu. Probably because of the technicians have improved since then.
Akshay Kumar does his usual comic act, and he's funny here as well. Shiny Ahuja hams, but is good in parts. The last 45 minutes belong to none other than, Vidya Balan. Throughout the movie she doesn't have much to do but the steals the show with her superb performance towards the climax. Ameesha Patel looks ethereal and is effective in a small yet important role. The supporting cast are first-rate, especially Paresh Rawal, Rasika Joshi and Manoj Joshi.
The songs are good; Labon Ko is easy on the ears.
All in all, Bhool Bhulaiyaa is a well-executed movie, though lengthy in parts! Time-pass!
Unarguably the best horror comedy ever made in India. No stree, no roohi, no go goa gone n not even its remakes in other languages can ever beat it. The only film that comes close n takes the 2nd spot is a bengali movie named bhooter bhobishyot. But its actually a satire with ghosts with no fear. So The definition of horror comedy is Bhool Bhulaiyaa
first off, i'm white - straight up Wonder Bread. my experience with Hindi films and bollywood started on march 17th, 2006 when i met my husband - he's Hindu (... well, duh, lol).
up to now, my opinion of bollywood in general has been pretty much a couple of gems in a huge pile of... well, "not gems", particularly when dealing with the old films. not much by way of dancing technique, even (sorry, don't shoot me, just my white bread opinion) the vaunted hema malini, to me, does little more than jump around shaking her anatomy and flapping her arms about. a lot of the classic songs, i can't tell one from the next because they're all sung by lata mangeshkar. while she is a fantastic singer, i really wish songwriters would have taken the opportunity to showcase her voice instead of just having her do the same 6-note riff over and over. like i said, it's only imo.
what a fantastically terrific exception is Bhool Bhulaiyaa! it's got all the best parts of the old Indian classic movies: lavish, luxurious sets and costumes; huge crowds that pop up out of nowhere for various odd and assorted reasons; extraneous music numbers (no particular reason why, but we'll both just jump on a bicycle that popped up out of nowhere and weave madly through the countryside singing); great dance numbers featuring crowds of ppl that were nowhere to be seen before and probably won't be seen in the rest of the film.
special mention: the dance scene at the court of the evil king - i can't tell you how many times i've watched that just so i could wallow in the purity of line and the sheer crispness and clarity of expression. that duo is surely a world-class dancing pair because they are SO precise and they positively reek of expertise. the term "dancing gods" keeps coming to mind.
on the other hand, while it has all the wonderful OTT-ness of a classic bollywood film of the 50s and 60s, the music has been updated - the lyrics are typically incomprehensible romantic weirdness ("i am yours, only yours, you weave through my breath" - i mean, hunh!?) but the music is modern and fresh. the characters are also a wonderful blend of high camp, high drama, and modern minimalism. i really enjoyed the scene that's reminiscent of a joke featuring a guy talking on his cell phone while a girl behind him keeps answering back thinking he's talking to her. oh - except in BB, the guy's not wearing anything and the girl is in the shower stall while he's outside.
what i really like is that the movie doesn't actually EXPLAIN anything. oh, explanations are given on all sides but what's really fantastic is how it doesn't slight the old ways and put Modern Science up on a pedestal, nor does it reject the new ways in favour of ancient tradition. you make your own determination as to the truth - no matter which way you see it, it will be correct.
thriller, psychological drama, romantic thriller, horror, comedy, comic tragedy, chick flick, action film - no matter what your buzz, you'll find it in Bhool Bhulaiyaa!
up to now, my opinion of bollywood in general has been pretty much a couple of gems in a huge pile of... well, "not gems", particularly when dealing with the old films. not much by way of dancing technique, even (sorry, don't shoot me, just my white bread opinion) the vaunted hema malini, to me, does little more than jump around shaking her anatomy and flapping her arms about. a lot of the classic songs, i can't tell one from the next because they're all sung by lata mangeshkar. while she is a fantastic singer, i really wish songwriters would have taken the opportunity to showcase her voice instead of just having her do the same 6-note riff over and over. like i said, it's only imo.
what a fantastically terrific exception is Bhool Bhulaiyaa! it's got all the best parts of the old Indian classic movies: lavish, luxurious sets and costumes; huge crowds that pop up out of nowhere for various odd and assorted reasons; extraneous music numbers (no particular reason why, but we'll both just jump on a bicycle that popped up out of nowhere and weave madly through the countryside singing); great dance numbers featuring crowds of ppl that were nowhere to be seen before and probably won't be seen in the rest of the film.
special mention: the dance scene at the court of the evil king - i can't tell you how many times i've watched that just so i could wallow in the purity of line and the sheer crispness and clarity of expression. that duo is surely a world-class dancing pair because they are SO precise and they positively reek of expertise. the term "dancing gods" keeps coming to mind.
on the other hand, while it has all the wonderful OTT-ness of a classic bollywood film of the 50s and 60s, the music has been updated - the lyrics are typically incomprehensible romantic weirdness ("i am yours, only yours, you weave through my breath" - i mean, hunh!?) but the music is modern and fresh. the characters are also a wonderful blend of high camp, high drama, and modern minimalism. i really enjoyed the scene that's reminiscent of a joke featuring a guy talking on his cell phone while a girl behind him keeps answering back thinking he's talking to her. oh - except in BB, the guy's not wearing anything and the girl is in the shower stall while he's outside.
what i really like is that the movie doesn't actually EXPLAIN anything. oh, explanations are given on all sides but what's really fantastic is how it doesn't slight the old ways and put Modern Science up on a pedestal, nor does it reject the new ways in favour of ancient tradition. you make your own determination as to the truth - no matter which way you see it, it will be correct.
thriller, psychological drama, romantic thriller, horror, comedy, comic tragedy, chick flick, action film - no matter what your buzz, you'll find it in Bhool Bhulaiyaa!
Did you know
- TriviaDespite top billing in the credits , Akshay does not enter the scene till the first hour is complete.
- GoofsDuring the scene when Aditya (Akshay Kumar) is talking to Shri Yagyaprakashji Bharti (Vikram Gokhale) in the courtyard, we can see a crew member dressed in a black tee and jeans in the background. He makes his way out of the frame, cautiously, so as to not be seen, but obviously fails to do so.
- Quotes
Shri Yagyaprakashji Bharti: [pointing at Aditya] I've seen him somewhere before.
Batukshankar Upadhyay: Then you might have seen him in a mental asylum.
- Crazy creditsMusic video of the title song plays during the end credits.
- ConnectionsFeatured in Golimar (2010)
- SoundtracksAllah Hafiz
Written by Sameer
Composed by Pritam Chakraborty
Performed by Krishnakumar Kunnath
Courtesy of Super Cassettes Industries Limited (T-Series)
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- The Maze
- Filming locations
- Chomu Palace, Jaipur, Rajasthan, India(Haveli shown in the film)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,097,797
- Opening weekend US & Canada
- $512,000
- Oct 14, 2007
- Gross worldwide
- $19,073,095
- Runtime
- 2h 39m(159 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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