Donkey Punch

I can't remember the last time that a movie squandered as much goodwill in such a short space of time as this one does. The first half is genuinely terrific, as six lairy, sexed-up twenty-somethings flirt, take drugs and confabulate on a yacht anchored off the coast of an unnamed Spanish island. Its like Hollyoaks as directed by Larry Clark, and it is totally gripping.

But as soon as the titular incident occurs (and the titular incident really does occur; just in case anyone else suspected that the title was merely a jocular come-on) the plot suddenly helter skelters straight into a brick wall; turning into the kind of dated, tiresome trash that isn't only shockingly predictable, but also entirely unaware of its own predictability. The film's twists are broadly apparent a full ten minutes before they occur on screen, which makes for an experience that isn't only boring, but also deeply and repeatedly annoying.

This is one of those thrillers in which every cast member gets a turn playing the volatile psychopath, purely because the script can't get around the fact that the previous character to go loopy has just been safely locked in a cupboard.

It never once stops being faultlessly directed - debutant Oliver Blackburn coaxes some really outstanding performances from his young cast, and there are a couple of devilish moments of genuine suspense and black comedy - but these jiffys are like a tiny number of slowly deflating rubber dinghies sinking into a gigantic ocean of generic pish.

People merely looking for explicit sex will be very well served, but the violence and gore is surprisingly tame for something that's being marketed as a plasma-stained killfest.

A very brief, but nevertheless apt and effective homage to Phillip Noyce's Dead Calm aside (a film so infinitely superior that I feel guilty for even having mentioned it here) this is just a shoddy, witless bore of a film.

And it all started so well.

The girlfriends Lisa (Sian Breckin), Kim (Jaime Winstone) and Tammi (Nichola Burley) travel from Leeds to Mallorca, Spain, to spend a couple of days together having good-time on the beach. They meet Marcus (Jay Taylor), Bluey (Tom Burke) and Josh (Julian Morris) in a bar where they steal a bottle of champagne for fun. The young men tell that they are the crew of a motor pleasure yacht and they invite the girls to visit the vessel, where they introduce the chief-engineer Sean (Robert Boulter). The seven youngsters use ecstasy and smoke the powerful Russian Ice; Bluey talks about kinky sex including Donkey Punch and Dirty Sanchez; and they decide to navigate to the Mediterranean deep sea to see the sunset. The easy Lisa has sex with Bluey first and then anal sex with Josh; Vic has sex with Marcus and Tammi stays on the main deck talking to Sean. When Josh decides to practice Donkey Punch on Lisa, he accidentally kills the girl, in the beginning of a nightmarish gore night.

"Donkey Punch" begins erotic, with three sexy actresses very exposed, and ends gore after a weird accident. The title refers to a fictitious and mortal practice of anal sex, when the penetrated partner is punched on the head or neck to tight the anal passage and increase the orgasm of the partner. The greatest surprise in the story is that none of the partners use condom, i.e., all of them has unprotected sex. "Donkey Punch" will never be nominated to any Award, but it is entertaining and I liked it. My vote is seven.

Title (Brazil): "Prazeres Mortais" ("Deadly Pleasures")

Firstly this is not a slasher movie nor could it even loosely be described as a horror it can barely even be described as a thriller as it's largely quite boring, the sex is not explicit and the violence not extreme.

I personally didn't feel the film was misogynistic and was one area where the film did succeed by not overtly portraying the females as victims except in places to (unsuccessfully) elicit sympathy and create tension. The female characters are simply one of two opposing sides that develop as a result of the titular sexual act which accidentally results in death which is an alternative to traditional good and bad set ups (as seen in say Eden Lake). If this element had been developed and handled properly it could have lead to an interesting moral conflict instead of lazily resorting to the thriller default plot devices of anger, fear and friends turning on each other.

In addition to the script problems some judicious editing to reduce the running time to around eighty minutes (from 95) would massively help the films leaden pacing which contributes to and ultimately cripples what could have been an interesting and original drama/thriller.

The content of graphic sex, sexual violence, drug taking and murder are aimed at an audience that wants to be titillated, and in this modest aim "Donkey Punch" more or less succeeds.Yet somehow Director Oliver Blackburn squanders reliable staple teen horror fare into an indigestible mess which is difficult to stomach.

Four young men and three young women, party, have sex, and then become embroiled in a deathfest when one of the girls dies during a sex act.The acting is fairly good, the characters are fine and the girls, Sian Breckin,Nichola Burley and Jaime Winston (daughter of Ray) look good and are a teenage boys dream, well "up for it".

A setting on a boat always has dramatic potential, confined space, isolation, no escape. It also has some drawbacks, physically you are limited with what you can do.This is where Blackburn errs.The first half hour of scene setting as the characters get to know each other is fine, and the sex scene is convincing. But once the bloodletting starts everything spirals out of control.The actions of the characters are inconsistent at best, and unbelievable at worst.This is no psychological thriller, if you don't know what to do - kill someone,that appears to be the maxim.Each sequence is so episodic, so stand alone, that there appears to be little link with what else is going on.By the end the dramatic tension has evaporated and you just want EVERYONE to die, but quickly.

Apparently this was shot in 24 days, which is quick. But this is no excuse for an inadequate script and screenplay.

This film has gotten some pretty low scores here on IMDB, and to be frank, I can definitely understand why this is the case. That said, I didn't think it was so bad and it passed the time well enough. It's just fairly shallow and stupid.

Truth is though that I can't totally resist a story about a party going terribly wrong, and I guess this is basically what we have here. It's pretty much an exploitation homage, and after the eponymous "donkey punch" episode, it goes exactly as you think it will. The characters, even the girls, are pretty thinly sketched and it's hard to imagine them doing anything outside of the story they are in, but nevertheless, the acting seems solid all across the board and everyone in the production did a commendable job. Still, the film doesn't exactly have any dialogue triumphs, and its climax (ha hah) is in fact the wild intercutting of the sex that rises to a fever pitch and then goes horribly awry. It was pretty hot stuff, and then turned to a genuine "oh crap!" moment, and I appreciated that.

Unfortunately what followed didn't give me anything that I didn't learn from 1970s exploitation movies, and those are a hard act to follow. I understand Dead Calm was an inspiration or at least an influence, but i still haven't seen that one. it's probably better than this was. The film didn't piss me off exactly but it didn't leave me with much feeling of any kind, either, and that's bad. The second half is supposed to be tense and psychologically frought, but it's oddly lifeless. It's all a bit vapid and everyone is pretty and stupid. There's a death that reminded me a little of I Spit on Your Grave. Some of the music was fun. Where'd those young boys get that yacht anyway? if they ever said, I missed it; this is not the sort of movie you'll remember a word from, either.