Donkey Punch

I can't remember the last time that a movie squandered as much goodwill in such a short space of time as this one does. The first half is genuinely terrific, as six lairy, sexed-up twenty-somethings flirt, take drugs and confabulate on a yacht anchored off the coast of an unnamed Spanish island. Its like Hollyoaks as directed by Larry Clark, and it is totally gripping.

But as soon as the titular incident occurs (and the titular incident really does occur; just in case anyone else suspected that the title was merely a jocular come-on) the plot suddenly helter skelters straight into a brick wall; turning into the kind of dated, tiresome trash that isn't only shockingly predictable, but also entirely unaware of its own predictability. The film's twists are broadly apparent a full ten minutes before they occur on screen, which makes for an experience that isn't only boring, but also deeply and repeatedly annoying.

This is one of those thrillers in which every cast member gets a turn playing the volatile psychopath, purely because the script can't get around the fact that the previous character to go loopy has just been safely locked in a cupboard.

It never once stops being faultlessly directed - debutant Oliver Blackburn coaxes some really outstanding performances from his young cast, and there are a couple of devilish moments of genuine suspense and black comedy - but these jiffys are like a tiny number of slowly deflating rubber dinghies sinking into a gigantic ocean of generic pish.

People merely looking for explicit sex will be very well served, but the violence and gore is surprisingly tame for something that's being marketed as a plasma-stained killfest.

A very brief, but nevertheless apt and effective homage to Phillip Noyce's Dead Calm aside (a film so infinitely superior that I feel guilty for even having mentioned it here) this is just a shoddy, witless bore of a film.

And it all started so well.

The content of graphic sex, sexual violence, drug taking and murder are aimed at an audience that wants to be titillated, and in this modest aim "Donkey Punch" more or less succeeds.Yet somehow Director Oliver Blackburn squanders reliable staple teen horror fare into an indigestible mess which is difficult to stomach.

Four young men and three young women, party, have sex, and then become embroiled in a deathfest when one of the girls dies during a sex act.The acting is fairly good, the characters are fine and the girls, Sian Breckin,Nichola Burley and Jaime Winston (daughter of Ray) look good and are a teenage boys dream, well "up for it".

A setting on a boat always has dramatic potential, confined space, isolation, no escape. It also has some drawbacks, physically you are limited with what you can do.This is where Blackburn errs.The first half hour of scene setting as the characters get to know each other is fine, and the sex scene is convincing. But once the bloodletting starts everything spirals out of control.The actions of the characters are inconsistent at best, and unbelievable at worst.This is no psychological thriller, if you don't know what to do - kill someone,that appears to be the maxim.Each sequence is so episodic, so stand alone, that there appears to be little link with what else is going on.By the end the dramatic tension has evaporated and you just want EVERYONE to die, but quickly.

Apparently this was shot in 24 days, which is quick. But this is no excuse for an inadequate script and screenplay.

I can't understand why such an entertaining film is getting so many negative reviews. I found Donkey punch to be a good film on so many levels. It had an original story line. Strong parts for the female actors. A nice balanced build up to a crescendo of violence. Fab music and some nice photography.

It doesn't have any big name actors or any obvious lead, but that only makes it more refreshing. I have watched this film twice and while it may not be to everyones taste it is a piece work to be proud of. All in all a great job by Oliver Blackburn and the team. I will be looking out for more of his work, for sure.

Donkey Punch is more than competently directed, almost every aspect of it is superbly executed - save for the tiny matter called screenplay. The plot is so tired words cannot begin to describe it. There is not one event that cannot be foreseen from miles ahead by anyone who has seen more than two thriller movies in recent years.

The director is obviously very talented, and even the acting is above average compared to this type of fare (I'm looking at you My Bloody Valentine 3D with your silent movie-type overacting) but the plot is such a bore and there is a distinct lack of suspense throughout that instead of generating thrills it almost put me to sleep.

Any real chance of characterization sinks as soon as the characters begin to do awfully predictable and silly things, just for the sake of packing a punch to the audience - which in turn fails because everyone can see them coming.

And to think that British public funding is going to such stinking waste of material and talent is beyond comprehension. I am all for subsidizing mainstream films but Donkey Punch is a knockoff of dozens of movies we have seen, most of them better written.

Just a touch of originality would have elevated Donkey Punch to at least an average level, as it is now it is just not worth the time and investment. On the plus side: the soundtrack is awesome.

Firstly this is not a slasher movie nor could it even loosely be described as a horror it can barely even be described as a thriller as it's largely quite boring, the sex is not explicit and the violence not extreme.

I personally didn't feel the film was misogynistic and was one area where the film did succeed by not overtly portraying the females as victims except in places to (unsuccessfully) elicit sympathy and create tension. The female characters are simply one of two opposing sides that develop as a result of the titular sexual act which accidentally results in death which is an alternative to traditional good and bad set ups (as seen in say Eden Lake). If this element had been developed and handled properly it could have lead to an interesting moral conflict instead of lazily resorting to the thriller default plot devices of anger, fear and friends turning on each other.

In addition to the script problems some judicious editing to reduce the running time to around eighty minutes (from 95) would massively help the films leaden pacing which contributes to and ultimately cripples what could have been an interesting and original drama/thriller.