Aaja Nachle

Madhuri Dixit's comeback movie, though bit loose in script and the story-line, sums up the importance of arts in our life beautifully. Aaja Nachle brings to surface how the business of expressing oneself (read performing arts) is an integral part of life.

Aaja Nachle has captured commendably well in the movie, the idea that everyone has an intrinsic desire to have that 'one moment of glory', the idea that everyone can 'show us some jalwa or the other', that dance, theater, music programs and such socio-artistic activities are essential to keep a society in tune with its innate desires to express, relate and emote to situations, that art forms can elevate a bored society stuck in the mundane business of life to new energy levels from time to time, and most importantly, the state has a role to ensure that the citizens have enough modes and means to avail entertainment at low costs.

When I first saw the promos, I thought it will be a desperate attempt of a veteran (Madhuri Dixit) to make it back. But, I just wanted to see if Madhuri Dixit has lost the grace and charm after the break. And I am really glad to say that she's still easily the best of actresses Indian Film has seen.

The plot is not new (Swades, Lagan and so on have the same type of plot), but the way story was told was really good. There were times when they dragged the scenes a bit long. But only to emphasize on different emotions.

In the End, the Laila-Majnu play was just amazing. The sets and the costumes were really good. We have to give credit to that. Although the music was not so great but was good enough to keep the audience in theatre. Kon Kona Sen Sharma was amazing. If you have to take names, then the list would not end. Everyone did their best for a movie that dared to showcase art. Two thumbs up!

BOTTOM LINE: Its a bold attempt to show the art as it should be and not attempting to appeal to the new generation. That is the best thing I loved in this movie.

2007 has been dry, but finally, we have been delivered. Aaja Nachle is full of elements Bollywood has been missing for some time and is in SORE NEED of. Namely:

1a) Dance numbers. That is to say, numbers focused on DANCING, rather than someone's flashy Western outfit, locations, batman angles, etc. 1b) LOTS OF dance numbers. I'm sick of scanty three-song phoned-in craptations. Aaja Nachle keeps the music coming all the time! That's the way it should be done.

2) Classical infusion. The end of the film is a knockout surprise in this respect. I don't want to spoil anything, but there is so much here for those who love the ancient stories as well as the new.

3) Hot dudes. OH MY GOD, Kunal Kapoor!

4) MADHURI. Looking spectacular, so charming, totally in control of her performance and giving it her all. Her hips are the world's 9th wonder.

5) Great young leading ladies i.e. Konkona Sen Sharma. She is the best actress to have come out in the last couple of years and the girl is here to stay! Sonam Kapoor? pfft! Katrina Kaif? pfft squared!

The story is simple but busy, with dramatic moments that touch deeply and comedic moments that have the audience rollicking. There isn't a single minute that drags; this film is not only well written and well acted, but well paced (a dear rarity in Bollywood). In short, it is here to bring Bollywood back to where it belongs! An unmitigated success from the inimitable Madhuri. I'm going to see it again this week, then I'm going to buy the DVD--ORIGINAL! Not that anyone needs to be reminded, but you must see this film!

A Yash Raj film scripted by Jaideep Sahni of Khosla Ka Ghosla, Bunty Aur babli and Chak DE fame, that was set to have the diva dance back into our hearts – in other words a must see film? I went with great expectations that were never met and was left with a sense of sadness for what Madhuri's comeback could have been but was not. This is the story of Ajanta, a dance/drama school with a supposedly revered teacher (?), a guy I do not know in a wandering dervish type avatar. He gathers young girls and trains them in the dancing parampara that must not die. What parampara you ask? Well – this parampara seems to be a cross between the dancing style of J Lo and Madhuri in Dil To Pagal Hai, a parampara that is very much alive and has nothing to do with our culture at all! The young Diya (Madz) runs off with a white photographer for National Geographia (sic!) and is disowned. She turns into an aerobics instructor as far as I can tell! Then the dervish dies and the small town has to be taught that parampara and Ajanta are more important than a mall on that site. And we all flock to the multiplex at the biggest mall to see this travesty! The older Diya has to return, lock horns with the Raja turned MLA (a totally wasted Akshaye Khanna), many goons (led by a bemused Kunal Kapoor), her old flame (Ranvir Shorey), her old friend (Divya Dutta) now married to her arch nemesis (a non-acting Irrfan Khan), and has to find a suitable Laila (an overacting Konkona Sen) for staging Laila Majnu Ki Daastaan on the stage of Ajanta.

What works in this film is so meager – Madhuri has a flat role with no nuances, and the bravura kathak dancer is made to tap dance! I do not think a worse role could have been written for this actress who left her mark on the 90s and then shot back to notice as Chandramukhi in Devdas. But to her credit, she is the one who manages to make the film somewhat engaging. The music is decent in parts but better outside the film. Ranvir Shorey does a good job as the jilted lover, and Divya Dutta plays her role well.

What does not work is so much – it kept me checking my watch so I could get a coffee in the intermission, and then wait for this film to end. Konkona, Irrfan, Akshaye have terrible roles with no depth whatsoever, and then do not do anything with what they do get to work with. Raghubir Yadav is okay but the guru belongs in a school for madaris! The sets are so fake and film city. The final play staged is too opulent and filmy for a small town. Do we really need to see Laila in a diaphanous white gown sleeping on a round bed shown from above? What this film needed was (a) a decent script, this was completely lacking – what a disappointing effort by Mr. Sahni (b) a decent director – this one had no clue (c) a realistic setting like that of Bunty aur Babli to make it all seem a bit real (d) someone at YRF to get a clue about what culture really means – it is not about BW dancing or tap dancing or aerobics/bollyrobics, how about some real culture for a change? But no worries – YRF will soon have to get a clue or sink; except CDI they have produced nothing but tripe in recent memory. I hope Adi Chopra wakes up before he throws away the legacy of the pere.

But the final word has to be about Madz – she still has IT, the smile, the style, the looks, the acting/dancing ability – hope she make better choices in the future.

This movie was absolutely terrific from every angle. I watched 2 times in one day which is something I rarely do, not to mention I've got a life to live. But this movie was truly fascinating. Starting from the "O Re Piya" song, I felt alive and enthusiast. Madhuri is at her best in this movie, her dancing and acting are simply amazing which proves that she had nothing to worry about in regards to the comeback. The "Lila Majnu" musical was captivating, my emotions fluctuated, I cried and laughed all the way through the scene, such a master piece I must add. The couple, Imran and Anokhi, was great; their acting was as good as it should be, you can easily get attached to them and understand what they are going through. To all who have criticized the movie, I must say, you just didn't understand its creativity – give your mind a chance to let loose. I advice all to watch it and I'm looking forward to what Madhuri has in stored for us – the fans!