Laaga Chunari Mein Daag - Le destin de Vibah
Original title: Laaga Chunari Mein Daag: Journey of a Woman
IMDb RATING
5.4/10
2.8K
YOUR RATING
A small town girl lands in big bad Mumbai to earn an honest living but faces a confrontation she would've never dreamt of in her wildest dreams.A small town girl lands in big bad Mumbai to earn an honest living but faces a confrontation she would've never dreamt of in her wildest dreams.A small town girl lands in big bad Mumbai to earn an honest living but faces a confrontation she would've never dreamt of in her wildest dreams.
- Awards
- 4 nominations total
Tarana Raja
- Sophiya
- (as Taraana Raja)
Shriya Sharma
- Jhinki
- (as Shreya Sharma)
Featured reviews
Writing about LCMD has been on my to-do list for quite a while and destiny chooses this day to make it happen. Laaga Chunari Mein Daag at prima-facie narrates a tale of a girl who hails from from a devout & conservative middle-class family enriched with strong values. Sadly the family is faced with financial difficulties and the girl embarks on a journey to big city for a bailout. Circumstances force the girl from the Holy city to compromise her values to make a living in the Sin City. From there its about leading a dual life of in the garb of "Dr. Jekyll/ Mr. Hyde" and a subsequent "forced" love track.
There appears to be more-than-warranted sub-plots into the story-line which spoils the narrative. The director seems to be at loss as to what he wanted to put across. Journey from Benaras to Mumbai plot is straight lift from Raj Kapoor's Ram Teri Ganga Maili. Parineeta being a period drama warranted a rich looked backed with a slow narrative for the audience to connect. However the style (slow-narrative) seems ill-suited for Laaga Chunari Mein Daag.
This movie could have been yet another feather in Rani's cap as her character is author backed and a feminist storyline. Konkana is as usual spot on. Jaya B & Anupam do their part with ease. Jr. B seems to have an extended special appearance.
There appears to be more-than-warranted sub-plots into the story-line which spoils the narrative. The director seems to be at loss as to what he wanted to put across. Journey from Benaras to Mumbai plot is straight lift from Raj Kapoor's Ram Teri Ganga Maili. Parineeta being a period drama warranted a rich looked backed with a slow narrative for the audience to connect. However the style (slow-narrative) seems ill-suited for Laaga Chunari Mein Daag.
This movie could have been yet another feather in Rani's cap as her character is author backed and a feminist storyline. Konkana is as usual spot on. Jaya B & Anupam do their part with ease. Jr. B seems to have an extended special appearance.
This is not a must watch. But definitely worth your time. I don't know why this movie was so underrated. Excellent performance from every characters. Somehow, in the early scenes of 'happy days' I felt that Konkona as 'chutki' has outclassed Rani in performance! Also the acting of (by Taraana?) as the character 'sophie' needs mention. All in all everyone performed very well. Abhishek's entry as Kunal's elder brother in the end is predictable. The thing I most like is the simple happy ending. Usually, a movie with such high voltage drama ends in a certain way but this is not.
So at least watch it for the sake of climax!
So at least watch it for the sake of climax!
This fall is supposed to be full of good and bad surprises. All the previews of this flick promised that a treat is likely to come our way. And this is exactly what has gone against this movie.The highlights of the songs weren't too misleading, as far as its catchy tunes are concerned. The plot revolves around a family settled in Benaras. Shivshanker Sahay (Anupam Kher) is a retired man lives in an ancestral house, with two daughters, and his wife, Sabitri (Jaya Bachchan). The elder daughter Vibha (Rani) is more conscious of her parents' old age, their growing anxiety for making both ends meet, and her incapacity as a woman to support her parents as a son would have done. This financial crisis pushes Vibha to fetch for work in a city of opportunities where opportunities are very hard to strike. From this point, the never-ending saga of Vibha turning into Natasha brings a very predictable twist in the story. Chutki (Konkana Sen) is one of the finest artists in Indian cinema. She has done full justice to her role as a younger daughter with little understanding of the family crisis and huge dreams for future. Though it is a very well-executed movie, with finesse of Pradeep Sarkar, and all the right ingredients for a commercial hit, it is a very predictable movie. The reason for its predictability is that the previews not only revealed the entire story, but stole all the surprising elements from it.
Aaina – remake – Laga Chunari Man Daag (LCMD) – release year 2007 30 years later, Bollywood made the same theme because they failed to drive in the message in the think-brains of we, the Indians – way back in 1977! So in LCMD- Rani (who eventually becomes a prostitute in the film) is the daughter of a retired Professor (Anupam Kher) who is not getting his pension and is shown running from pillar to post to get it. Jaya (playing Ran's mother) is somehow managing to run the household by sewing blouses & petticoats. Financial crunch drives Rani to the big city where she becomes a high class Prostitute – having the designation of 'Escort' because in big-big corporate sectors, the senior officials cannot ask like 'get me a prostitute for the night'
..etiquette does not allow – so a new name 'Escort' has been given to such sex-workers. They obviously get paid higher than the red light area sex-workers
.yea – this is a kind of injustice – absolutely the same work but payment is vastly different! So in this world, in 2007, where unemployment is rampant, Rani starts living in a plush house in Mumbai plus starts sending money to not just feed the family but also renovate the dilapidated building they lived in! People from her village (her cousin in fact) comes to know that she was actually a sex-worker and even starts blackmailing her! She then meets a filthy rich handsome hunk who starts dating her and then even marries her because rich males – mostly f**k around all kinds of females – but in Rani – he could see the subservient, submissive qualities as well (along with promising sex-postures that escorts are supposedly experts at) – after all she was from a small town and decides to marry her after all. His brother marries Rani's younger sister – who was an MBA (not an escort because she was educated
..I think this is the reason why Indian females are kept uneducated – coz if they all become literate and independent..who would do the job of sex-worker?..this is an inherent fear that sleazy debauch males have and thus do their level best to promote whoredom among women and keep it alive forever!) Take Home for commoners (thick brained esp.) after watching LCMD:
That a female can be a sex-worker – either out of choice or by force – whatever – because eventually they will find some rich & handsome idiot to marry – so why not enjoy with as many males as possible?
When males are allowed to happily hump around females – why shouldn't females do the same? Why on earth should they maintain their chastity or virginity – when some debauch, amply humped demon will ultimately marry them? A demon only deserves a witch. Ravana needs to marry Mandodari. So there.
Some males seem hardly bothered about concepts like chastity or virginity (so it seems in the film) – the fact that Abhishek (Rani's hubby in the film) happily agreed to marry the escort – knowing very well that later, when he attends the corporate meetings etc., the BEEPS will smile and even wink at his wife reminding her of the 'nude' times they had together!!(you see Abishek happened to meet Rani in one of the corporate meetings means that he will be meeting the same officers or executives – for whom Rani was present like to entertain them on bed!
Aaina - a yesteryear Bollywood film Difference between Aaina 1977 and LCMD 2007 – Not much really. Parents are dumb enough to not understand the source of money. Both the times the prostitutes got married and lived happily ever after.
Indians (maximum) went to see the conical blouse & open cleavage of Mumtaz and Rani respectively.
That a female can be a sex-worker – either out of choice or by force – whatever – because eventually they will find some rich & handsome idiot to marry – so why not enjoy with as many males as possible?
When males are allowed to happily hump around females – why shouldn't females do the same? Why on earth should they maintain their chastity or virginity – when some debauch, amply humped demon will ultimately marry them? A demon only deserves a witch. Ravana needs to marry Mandodari. So there.
Some males seem hardly bothered about concepts like chastity or virginity (so it seems in the film) – the fact that Abhishek (Rani's hubby in the film) happily agreed to marry the escort – knowing very well that later, when he attends the corporate meetings etc., the BEEPS will smile and even wink at his wife reminding her of the 'nude' times they had together!!(you see Abishek happened to meet Rani in one of the corporate meetings means that he will be meeting the same officers or executives – for whom Rani was present like to entertain them on bed!
Aaina - a yesteryear Bollywood film Difference between Aaina 1977 and LCMD 2007 – Not much really. Parents are dumb enough to not understand the source of money. Both the times the prostitutes got married and lived happily ever after.
Indians (maximum) went to see the conical blouse & open cleavage of Mumtaz and Rani respectively.
There was a song by a similar title, sung many years back by the legendary K.L. Saigal.
Based on the old format about poverty, a movie production company hires a place in the Northern Indian city of Benares, where two sisters, Natasha and Chutki live with their parents. The father, Shivshankar Sahay, is against renting out his house to the movie company but has to accept it due to financial reasons. One night, upon request from one of the female members of the company, Natasha and Chutki go and watch a dance against their parents wishes. At the end of the performance, the three visit the female dancer, who tells Natasha that she is very pretty. But soon events turn for the worse and the movie production company, who had paid the family for the use of their house for filming, decide to withdraw and demand to have their money back. In the meantime, Natasha, who has had to leave college and help at home, has to admit her father to a hospital as he suffers heart problems and has to pay for him to be admitted. She decides to go to Mumbai and get a job as an actress as the female member of the movie had promised her. But nothing works out and in order to support her family, Natasha is forced to make up her mind as what she wants to do. But events force her to turn into a high class prostitute.
This is one movie, that Rani Mukherjee, as Natasha, tries to show her versatility as an actress and has proved it. The other bit of excellent acting is by Jaya Bachchan as her mother and also Abhishek and Konkona Sen. But Hema Malini, who makes a special appearance as the dancer, is just magnificent even though she's in it as "special appearance." The movie also stars Tinu Anand as Shishankar Sahay's evil brother.
Conclusion: This is worth watching at least once.
Based on the old format about poverty, a movie production company hires a place in the Northern Indian city of Benares, where two sisters, Natasha and Chutki live with their parents. The father, Shivshankar Sahay, is against renting out his house to the movie company but has to accept it due to financial reasons. One night, upon request from one of the female members of the company, Natasha and Chutki go and watch a dance against their parents wishes. At the end of the performance, the three visit the female dancer, who tells Natasha that she is very pretty. But soon events turn for the worse and the movie production company, who had paid the family for the use of their house for filming, decide to withdraw and demand to have their money back. In the meantime, Natasha, who has had to leave college and help at home, has to admit her father to a hospital as he suffers heart problems and has to pay for him to be admitted. She decides to go to Mumbai and get a job as an actress as the female member of the movie had promised her. But nothing works out and in order to support her family, Natasha is forced to make up her mind as what she wants to do. But events force her to turn into a high class prostitute.
This is one movie, that Rani Mukherjee, as Natasha, tries to show her versatility as an actress and has proved it. The other bit of excellent acting is by Jaya Bachchan as her mother and also Abhishek and Konkona Sen. But Hema Malini, who makes a special appearance as the dancer, is just magnificent even though she's in it as "special appearance." The movie also stars Tinu Anand as Shishankar Sahay's evil brother.
Conclusion: This is worth watching at least once.
Did you know
- TriviaAbhishek Bachchan and Rani Mukerji's 7th movie together.
- ConnectionsReferences Kabhi Alvida Naa Kehna (2006)
- SoundtracksEhi Thaiyaa Motiya
Written by Swanand Kirkire
Composed by Shantanu Moitra
Performed by Rekha Bhardwaj
Courtesy of Yash Raj Music
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Journey of a Woman
- Filming locations
- Lucerne, Switzerland(Vibhavari and Rohan spend a day in Switzerland)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $675,102
- Opening weekend US & Canada
- $320,987
- Oct 14, 2007
- Gross worldwide
- $9,354,562
- Runtime
- 2h 2m(122 min)
- Color
- Sound mix
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