Dark Floors

Lordi was a major hype and revelation in 2007 because they won the Eurovision Song Contest with a (not-so-heavy) metal song called "Hard Rock Hallelujah" and appeared on stage dressed like hideous monsters. But, let's face it, their victory most likely had very little to do with their great musical talents. The Eurovision contest gradually turned into one big political circus over the years and Lordi probably just won because their song finally brought a little change and – even more importantly - because their whole act sort of ingeniously spoofed the whole annual event. The absolute last thing Lordi's first (and hopefully last) horror film brings is change and ingenuity. "Dark Floors", based on an idea of the lead singer and starring the rest of the band in supportive roles, is a truly unimaginative and hopeless accumulation of clichés. The immense budget ("Dark Floors" supposedly is the most expensive Finnish film ever) definitely assures greatly macabre set pieces and impressive make-up art, but what's the point where there's no story that is worth telling? The film takes is set in a busy hospital where a bunch of people, among them a father and his young daughter with an unidentifiable illness, become trapped in the elevator during a power breakdown. When the doors open again, the floors are empty and it looks as if the hospital lies abandoned since many years already. Trying to reach the exit, the group stumbles upon several morbid and inexplicable obstacles, like eyeless corpses, screaming ghosts and Heavy Metal monsters emerging from the floors. The only three points I'm handing out to "Dark Floors" are exclusively intended for the scenery and the adequate tension building during the first half of the film. For as long as the sinister events don't require an explanation, the atmosphere is quite creepy, but as soon as you realize the explanation will a) be very stupid or b) never come, the wholesome just collapses like an unstable house of cards. Lordi's costumes never really were scary to begin with (except maybe to traditional Eurovision fans) and, in combination with a story more reminiscent to Asian ghost-horror, they just look downright pathetic and misfit. With all the national myths and truly unique exterior filming locations, I personally always presumed Finland – The Land of a Thousand Lakes – would be the ideal breeding ground for potentially horrific horror tales, but I guess that's another disillusion on my account.

What do you call a horror story without horror and story?

This is the most irritating thing about the film: I get the feeling the writers never really decided what's actually going on in the film! It's a different thing to know it, give hints for the audience and not completely reveal it, but here, you get the feeling the screenwriters don't know it, characters in the film do not know it and audience sees that no one knows! (Remember "Cube"? Even that film knew more about itself.)

I've consumed a lot of 80's horror / gore films and this movie certainly has its roots deep in those films. But a lot of important things are missing. We really know nothing about the characters. They keep repeating empty lines over and over again. The story isn't really developing - it never goes anywhere. B-acting is OK in this type of horror films, but there's not much to act in the script. We don't care about the characters. There's nothing to remember about them. There's not even cheesy humor or unnecessary sex. And most importantly - no thrills, no chills.

You only get some commonly used elements of the horror film genre. They show the Lordi monsters one by one but their characters don't really contribute anything for the story.

I honestly believe that this amount of story, character development and atmosphere could be achieved with minimal amount of crew and equipment. Oh yeah, film makers used to do that - and more - some 20 years ago! I felt the shared embarrassment of the audience as the film ended. Too bad really.

While in the hospital for a tomography of the brain of his autistic daughter Sarah (Skye Bennett), Ben (Noah Huntley) becomes upset when there is a power failure. He decides to leave the hospital with Sarah, while the nurse Emily (Dominique McElligott) tries to convince him to leave Sarah for further treatment. They get the elevator with three other passengers, and suddenly the elevator stops; when the door opens, people has vanished from the hospital, the environment is creepy and they are chased by devilish monsters. They find that they are trapped in the hospital, and the creatures seem to be hunting Sarah.

"Dark Floors" is a bizarre and weird trip to a disturbed mind of an autistic girl. The dark story is intriguing and has a promising beginning, but the conclusion is disappointing. The performance of Skye Bennett, the eerie atmosphere and the special effects are the plus of this movie; Emily is a nice character well performed by Dominique McElligott; however, it is impossible to feel any empathy for the lead and important character performed by Noah Huntley. My vote is five.

Title (Brazil): "Alma Diabólica" ("Devilish Soul")

I got to say that i went to see this movie with low expectations. I didn't believe that a Lordi movie could be good because i actually couldn't imagine it as a whole. Though, after i saw the movie i was amazed at how well the writers and the director pulled it off.

It is often said that horror is the most delicate type of movie because there is only a slight difference between scary and ridiculous. but this doesn't concern Dark Floors because it is not (atleast in my mind) a full blooded horror movie. The movie has many horror elements but doesn't still come off as horrorish. That doesn't make it bad it just means that you can't go in to the theater wishing that you will be scared out of your nickers.

The visual and audio feel of the movie was excellent all the way and there is nothing anyone can say about that. The plot did leave a annoying amount of plot holes and the ending didn't really clear any of them up and the viewer was just left to quess what the plot was all about. Still it didn't bother half as much as the under use of the Lordi band members. I have never liked Lordi and never listened to them but while watching this movie i became interested in the different monsters they play. Sadly, the plot did hardly nothing at all to use the unique backgrounds and looks of the different ghoul part from the different superpowers they all demonstrated. What i am saying is that i would have liked this movie to be more about the monsters than the victims... really who gave a goddamn thing for what happened to the all knowing copper or the businessman type. The only character i got even a bit curious was the weird hobo with superpowers and a weird telepathic relationship with the girl but he is never explained in any way(a big mistake).

In retrospect i think they could have done a lot more better but i also think that there is a lot of good in this film also and i hope it will be a success financially. There is just one thing Finns can't tolerate: a successful Finnish movie if it is not a drama.

A few days ago I stumbled over Dark Floors: the story is rather predictable and a little nonsensical at the same time, but the atmosphere, the visuals and the settings are done right. What surprised me - in a negative way - is the soundtrack, as the movie is a project of the Finnish heavy metal band Lordi it is really surprising that the soundtrack is a weak point of Dark Floors, many background tracks are really rather distracting, cliched and badly composed, and do not support the scenes well. Anyway, verdict: all in all okay.