La malédiction des sables

I'm rating this movie based on the average tripe that shows up on Scifi, often unfit for the name of the channel. Having said that, this is still an enjoyable escape for an afternoon or evening.

The plot is quite original, and it's a shame it wasn't used in a major feature production. Still, the plot was fast-moving and not too hole-y. And while it was a budget production, the effects were very serviceable and did not detract from the film. The second-to-final fight scene, in particular, sums that up. It has to be seen to be believed.

Having two leads from the Firefly cast didn't hurt, either. So it was a real surprise to find it getting 3.7 on IMDb. I think a bit of it has to do with a question posted on the message board here: what's an Egyptian God, "a false god", doing with the Ten Commandments?

If you're not a fundamentalist like that, I think you can enjoy this film.

In 1923 Cecil B. DeMille filmed "The Ten Commandments". The filming location was Nipomo Dunes on the California coast, San Luis Obispo County. Near Pismo Beach the home of the Pismo clam.

There he buried the film set after making the picture. Some modern-day archaeologists dig it back up only to find that is not all they dug up.

Rats, no flame throwers but at lease White Phosphorus grenades will work just as well. I got a chance to use a couple of those critters during a military practice.

This film has a Hallmark feel to it and does not take too much time to make CGI look real.

With all the negatives it is still fun to pass the time with if you like all the sci-fi quickie movies where evil pops up mostly in desert scenes.

Worse than the rating it has been given. This is a typical SciFi movie nowadays: bad to awful acting, a script that is poorly written, and shoddy direction. From the opening scene where DeMille is burying his set to the end, this movie is terrible. In the beginning scenes this movie has Moses (which was Charlton Heston in the DeMille film), Pharoah (Yul Brynner) and Nefretiri (Anne Baxtor) overlooking a boy burying a box in the sand. The characters that were to represent the three aforementioned icons were awful and had to resemblance to the people they were to "supposedly" be. The fact that this is in the desert away from civilization is hilarious when someone is hurt and they are all yelling for an ambulance. The screenwriter obviously is oblivious to the fact that there are no ambulances in the middle of the desert. I was sorely disappointed that Morena Baccarin decided to do a film of such low quality.

I'm at this very moment debating whether I should even finish watching this "poppycock" of a movie. They had a pretty interesting idea, with the buried movie set, and that was it. So far this incomprehensible mess has no real story. There is the buried set, some wolf headed monster running amok, an amulet, and a bunch of bad actors attacked by the wolf masked whatever it is. What I would have missed, had I had the good sense to eject this nonsense is a dune buggy chase, some really bad C.G.I., some incredibly stupid dialog, more bad C.G.I., and the hero fighting paper cut outs. Other than the original idea, this film has absolutely zero redeeming qualities. My mistake for continuing to watch. - MERK

Ancient Egyptian mythology, archaeologists, Iraq War Veterans, various weapons, and dune buggies. Sounds like a recipe for a cool Indiana Jones movie, right? Negative. 15 minutes in, I was wondering how I was going to make it through the rest of this movie. First off, the monster was ridiculous, but not even in a campy, funny way. The script was unnatural, cliché, and generally awful. The story/plot, or what tried to pass for one, was terrible, with no real set up for the puzzle that ultimately needed to be solved to beat the monster. While this movie tried to be exciting by employing military weapons and characters, the stunts and fight scenes involving them were simple and fake-looking. Further, the movie tried to seem knowledgeable about the military by having Webster indignantly explain to Baccarin the difference between a "jarhead" and a "soldier," but in the same breath, the former logistics soldier referred to himself as a "grunt," which is not an Army-specific term, but instead refers to infantrymen, which he was not. The only bright spots in this film were the dune buggy stunts, the Ancient Egypt scene in the beginning, a small cameo by Richard Kind, and a funny- while-convincing performance by Charles Lister as weirdo Vet-turned-gun- runner Buford. You could watch this for free at IMDb through Hulu, but I think it's better suited for tying down your worst enemy Clockwork- Orange-style and making him/her watch it.