La malédiction des sables

In 1923 Cecil B. DeMille filmed "The Ten Commandments". The filming location was Nipomo Dunes on the California coast, San Luis Obispo County. Near Pismo Beach the home of the Pismo clam.

There he buried the film set after making the picture. Some modern-day archaeologists dig it back up only to find that is not all they dug up.

Rats, no flame throwers but at lease White Phosphorus grenades will work just as well. I got a chance to use a couple of those critters during a military practice.

This film has a Hallmark feel to it and does not take too much time to make CGI look real.

With all the negatives it is still fun to pass the time with if you like all the sci-fi quickie movies where evil pops up mostly in desert scenes.

Which is actually one of those "Leper with the most fingers" distinctions.

The plot is kind of straightforward. We discover that an ancient evil was entrapped in an artifact. That artifact was moved to the United States by Cecil B. Demille, who used it in his first version of the Ten Commandments, then inexplicably buried the sets in the middle of the desert.

Flash to the present day, where a married couple of archaeologists played by Firefly veterans Adam Baldwin and Morena Baccarin, uncover the city, with the help of an Iraq War vet and his grandfather. What follows are the typical made for TV kills of ancillary characters, a dune buggy chase and some bad CGI.

Still, I'm recommending this film on the basis of the characterizations by Baldwin and Baccarin.

Ancient Egyptian mythology, archaeologists, Iraq War Veterans, various weapons, and dune buggies. Sounds like a recipe for a cool Indiana Jones movie, right? Negative. 15 minutes in, I was wondering how I was going to make it through the rest of this movie. First off, the monster was ridiculous, but not even in a campy, funny way. The script was unnatural, cliché, and generally awful. The story/plot, or what tried to pass for one, was terrible, with no real set up for the puzzle that ultimately needed to be solved to beat the monster. While this movie tried to be exciting by employing military weapons and characters, the stunts and fight scenes involving them were simple and fake-looking. Further, the movie tried to seem knowledgeable about the military by having Webster indignantly explain to Baccarin the difference between a "jarhead" and a "soldier," but in the same breath, the former logistics soldier referred to himself as a "grunt," which is not an Army-specific term, but instead refers to infantrymen, which he was not. The only bright spots in this film were the dune buggy stunts, the Ancient Egypt scene in the beginning, a small cameo by Richard Kind, and a funny- while-convincing performance by Charles Lister as weirdo Vet-turned-gun- runner Buford. You could watch this for free at IMDb through Hulu, but I think it's better suited for tying down your worst enemy Clockwork- Orange-style and making him/her watch it.

I found "Sands of Oblivion" to be passable entertainment, which I kept watching for the joy of seeing Jayne and Inara together again. The evil entity was pretty lame....what was its goals? Take over the world, or just kill people because he/it was angry about something? The efforts of the hero and heroine were all aimed at saving themselves, which didn't seem to be worth documenting.

I liked the hero, Jayne and Inara did well, the special effects were OK, there was good comic relief with the Buford character, and a really good shock early on in the show. I didn't miss the two hours I spent on this show. For those reasons, I give it a six out of ten.

Over the years I've seen some pretty decent story ideas that the SciFi Channel has used as a basis for original films. They've usually gone to the bad because the money and/or skill needed to make them A quality entertainment just wasn't there.

THE SANDS OF OBLIVION gives them the chance to mess up not a good idea but a potentially awesome one that could have been as exciting as THE MUMMY or RAIDERS OF THE LOST ARK. Unfortunately, the great idea just fizzles out.

The basis of the story is that when Cecil B. DeMille made the original, silent THE TEN COMMANDMENTS the studio bulldozed the elaborate sets in the California desert instead of recycling the lumber and other building materials. It seems that there had been genuine Egyptian artifacts used in the set and something Very Bad had been unleashed.

In the present day people are digging up the old desert location, and Something Bad is once again free to roam the Earth.

The cast is adequate to the job, and the special effects are really pretty decent. But the script and direction are uneven, and the film never finds a consistent tone. It veers into comedy and seems to disregard the numerous people killed by the newly unleashed monster. Near the end there's a dune buggy race that's professionally filmed but seems to have been cut in from another movie.

The original TEN COMMANDMENTS had a segment set in contemporary times (the 1920's) concerning the building of a cathedral with substandard material and the tragedy of putting cost and convenience in too high a position. A similar theme could have been developed with the lumber, which would be very well preserved in a desert climate.

THE SANDS OF OBLIVION is certainly worth watching, but the main thing I kept thinking was what might have been.