The Other Man

I'm shocked at the high ratings on this film. As much as I love Liam Neeson, this movie sucked. It was good for about a half hour and then it just dragged and I was ready for it to be over. Boring overall!

A bit of an unwieldy film. This one came out around the same time as TAKEN, and like that film it sees Liam Neeson traipsing around Europe in a bit to reunite his family. However, this isn't an action film at all, but rather an exploration of adultery and the effect it can have on people's lives.

It's hard to work out the target audience. The threat of impending violence keeps things moving along at one stage, as does the mystery surrounding Neeson's wife's secrecy. But it's not a thriller at all, and in fact it's difficult to pigeonhole. Really it's more of an excuse to ruminate on love, jealousy, rivalry and more.

It's also one of those twist films, in which plotting plays a major part. I was torn between being slightly bored and fairly intrigued. Neeson is good, if not great, but Antonio Banderas bags the best role and is a delight. Laura Linney and Romola Garai provide strong support.

Skipping through reviews before watching this film, I nearly decided to give it a miss. But I found out it was a miss for those negative reviewers who didn't get it. It's a hit, for me anyway.

It's gutsy, deals with real emotions colouring them in hither and thither as the scenes flick by in a non linear time line. That may sound like it's complex - it isn't. You are taken on a journey focusing on Peter, his wife being the essential background to the story, with his wife's lover the foil on which they both tread.

If you're looking for a stereotypical Hollywood scorned husband movie, move along, you'll find no joy here. This is real life in content, pace and dialogue. It's not boring, its not slow and it is captivating. I dare any man who has been cheated on by the love of their life not to be deeply moved by this film. The same probably goes for women. As the story unfolds, there's another group of people that will be moved, and that's for you to discover.

The ending is how it should be given the subject matter - some level of completion. And there's plenty to talk about afterwards. I'd love to say more but that would be giving away too much.

Great acting by all, though Liam Neeson has, and holds firmly, the centre stage.

I give this a low end of 9/10 if that's possible. Enjoy!

This film is ultimately disappointing and deserving of its relatively low rating because its edit is annoying and telegraphs where it is going. World-class actors contribute tension and pace and a poor edit simply brings the movie to a complete stop. If ever there was an example of how important editing is to a movie, this is it. Film classes should look at this movie, deconstruct it, and put it back together in a more interesting way. If you watch this film, think about simply reordering several scenes to build tension and mystery and remove confusion. It's a worthwhile exercise. Movies are a complex undertaking that requires contributions of so many -- many folks labored over this film but the folks who put it together just didn't have the talent to pull it off.

Richard Eyre has carefully constructed an intimate tale of a man who discovers his wife's infidelity.

Liam Neeson and Antonio Banderas provide subtle and mature performances, with Romola Garai outstanding as the daughter.

The film is beautifully shot on location in Milan and Lake Como as well as in London and Ely.

The plot twists are effective, leaving one to reflect on how little we can truly know of the people around us.

Nevertheless, the denouement feels a little forced, even if a logical conclusion to the narrative.