Against the wishes of his parents, Tae goes to Singapore to become a dancer. His teacher Emi yearns to return to competition and finds a kindred spirit in Tae. Their closeness inspires jealo... Read allAgainst the wishes of his parents, Tae goes to Singapore to become a dancer. His teacher Emi yearns to return to competition and finds a kindred spirit in Tae. Their closeness inspires jealousy in Emi's controlling boyfriend Cheng.Against the wishes of his parents, Tae goes to Singapore to become a dancer. His teacher Emi yearns to return to competition and finds a kindred spirit in Tae. Their closeness inspires jealousy in Emi's controlling boyfriend Cheng.
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This movie is the story about a man that is passionate about dancing and it's basically his dream to be a ballroom dancer. The director picked a good actor for this role which is Jang Hyuk who is an actor that is passionate no matter what role he takes. And it really shows in this with his dancing and all. I am not a fanatic when it comes to these types of dancing but the build up is good enough to make me care about the protagonist and what he is going through. Especially since his character is very peaceful one. The main plot of this movie revolves around the protagonist named Tay Kwan...Glad there is no "Do" at the end and his relationship with father and his female dancing instructor who is also passionate about dancing. And also bonds with through dancing. But a bit of a conflict comes in when the dancing instructor's ex-boyfriend gets in the picture, although he isn't a real bad guy, he is forceful, aggressive and a bit of a bully. And the character is played by Jason Scott Lee which is another great choice because he brings this presence of masculinity and charisma to make him somewhat likable. Even if his character has a forceful exterior he can be a wuss. Since I believe if a man loves somewhat he should try to win her heart even if there is competitors after that person as well. Instead of trying to bully or try to get rid of the competitors. But that is my thought anyways. Also Tay has a difficult time accomplishing his dream because of financial reasons. Jang Hyuk still slightly speaks English with a bit of Korean accent like in "Please Teach Me English" except not as bad. But because of his circumstance in the movie, it makes it work. This is a good romantic dance movies that has to do with the passion of dancing and a bit of rivalry even if the build up is a bit slow at times. It's a well made movie with some good build up that shows the distance some people would go even if they have to risk a lot to accomplish their dream.
7.2/10
7.2/10
This film is probably Jang Hyuk's best film to date, his acting is subtle and effective... and he looks hot!!. I really enjoyed the story very original idea and the shots are really nicely done. I really loved the music especially, and I love the end song Hero.. I have also loved Jason scott lee for years great to see him back on the big screen... he is a very talented actor. The Korean Scenes are also very realistic ... the family scenes are very believable. The costumes are very well designed specially the final ballroom dance scene. Fann wong is a really accomplished actress in this film... I had seen her in many local films but this is the best so far....this film is both happy and sad ... loved it!
10kimwu58
I love dance films, but this is not just a dance film, it is a emotional roller coaster, I loved the cast in this film, so fresh and real. Every scene was like a Hollywood big screen movie. And I loved the end song Hero by enrique. I wanted to get up and dance in the cinema. I went with a group of girl friends and we were singing the song all the way home. By the end of the film the characters had been through so much you cannot help but rejoice at the end. A real feel good ending after an extremely well made drama. Going to see it again with my parents on the weekend. Must buy the soundtrack, great composition.
There are three distinct characters here, each played by someone of different nationality, and had in their own fiefdom, crafted scenes within their own comfort zone, but when put together, seem to have awkwardness stamped all over it. I shall begin with the strongest. This is no doubt Jang Hyuk's vehicle, as he stars as Tae, a Korean whom as a boy, thanks to his mother who took him to a dance performance, fell in love with the art, and vow to pursue this dream of his despite not knowing how to, and facing great opposition from his father, who deemed it a sissy sport and would have preferred he picked up martial arts as a hobby. So when he reached adulthood, and with savings from his factory job, he bids his parents goodbye, and off he comes to Singapore to attend a dance audition.
American Idol style no doubt, with artificial caustic remarks being thrown about by a lacklustre panel of three, but not before having a Singapore Tourism Board approved montage of the usual Singapore Skyline, Esplanade, Raffles Place et al shots that always plague every Singapore-based movie. And from here, let's move on to Fann's Emi Lim, whose signature is so easy to copy, I could've written plenty of cheques in her name. A has been dance instructor whose weak ankle meant a halt in competition, her retirement at the top of her game allowed her to sustain a school with plenty of students who can groove (much better than her of course), while she harbours the thought of one day returning to the ballroom. Taken in by the strikingly good looking Tae, coupled with the fact that he's a virgin (of dance), she relishes the challenge of unlearning what he had learnt, without partner and teacher, and I tell you, always cock teases him so much so that he begins to fall for her.
Alas Emi has a beau who doesn't pay her any attention, and Jason Scott Lee fills in this jealous boyfriend role with flared nostrils and wide hard-staring eyes with aplomb. As Cheng, who's also a has-been given his injured knee (a lot of injured has beens in this movie, and this pair's like made one for the other), his dojo, set up opposite the dance school along the same Wong Street, is running in the red, and he deals with shady characters like Lim Kay Tong's in order to keep his school afloat. Not happy with the good vibes between teacher and student, he tends to show off a lot of his martial arts capability in a bid to scare off the newbie dancer, only to set up an inevitable showdown between the two in due course.
To the movie's credit, the story's quite coherent, except that it relied on a number of clichés to carry the movie through, and not necessarily for the better. There were plenty of superficial subplots and elements that could have been developed further given the running time of close to 2 hours, but instead there were a number of slow moving scenes which while nice to look at, didn't provide depth any more than to establish some background for the characters. Amongst all, I liked Tae's story best, well since he's the main character and had adequate screen time dedicated, where the relationship between him and his father was one of the strongest in the movie with so much meant despite so little being said. Besides, I always enjoyed characters who can learn by observation or from books and videos, and in doing so, lack the basis of understanding which can sometimes plague their execution.
And there are a couple of really creative and unexpected development which I thought I had it nailed, but was wrong. Which of course is a plus point. But the more important question here is, can the leads dance? Scenes of dancing together were limited, and for the most parts Fann and Jang Hyuk danced solo. They were given plenty of opportunity to air the armpits, and the filmmakers were smart to have spliced little set pieces together rather than have dances in one continuous motion and scene, since this will definitely expose plenty of shortcomings especially for Fann's Emi, supposedly being World Class and all. What was worse, was the sudden inject of the song Hero by Enrique Iglesias, which I thought was somewhat inappropriate for a ballroom dance sequence, but I suppose fitted the scene at the time.
Thankfully though, the rest of the score for the movie was beautiful and memorable, the same one in which you can hear in the trailer. If memory serves me correct, almost every scene had a score to accompany the visuals, making it a rather musical film to sit through as well, though at times you have to grit your teeth as Emi seem to have a knack of spouting hokey dance philosophy. Production wise, I would liken it to last year's Cages, which set itself in a Singapore that's of its own artificial creation.
Dance of the Dragon is not all bad, just that it lacked some amount of heart and detail to truly make it excellent. There's no doubt fans of Fann and Jang Hyuk will turn up in droves to catch this movie (like in today's screening), though there are also those who decided that enough is enough and had to walk out. In my opinion, this movie shouldn't have warranted that, but just don't set your sights and expectations too high in wanting to watch a movie with superb dancing or martial arts, of which it has neither, but took effort to craft believable scenes as best as it could.
American Idol style no doubt, with artificial caustic remarks being thrown about by a lacklustre panel of three, but not before having a Singapore Tourism Board approved montage of the usual Singapore Skyline, Esplanade, Raffles Place et al shots that always plague every Singapore-based movie. And from here, let's move on to Fann's Emi Lim, whose signature is so easy to copy, I could've written plenty of cheques in her name. A has been dance instructor whose weak ankle meant a halt in competition, her retirement at the top of her game allowed her to sustain a school with plenty of students who can groove (much better than her of course), while she harbours the thought of one day returning to the ballroom. Taken in by the strikingly good looking Tae, coupled with the fact that he's a virgin (of dance), she relishes the challenge of unlearning what he had learnt, without partner and teacher, and I tell you, always cock teases him so much so that he begins to fall for her.
Alas Emi has a beau who doesn't pay her any attention, and Jason Scott Lee fills in this jealous boyfriend role with flared nostrils and wide hard-staring eyes with aplomb. As Cheng, who's also a has-been given his injured knee (a lot of injured has beens in this movie, and this pair's like made one for the other), his dojo, set up opposite the dance school along the same Wong Street, is running in the red, and he deals with shady characters like Lim Kay Tong's in order to keep his school afloat. Not happy with the good vibes between teacher and student, he tends to show off a lot of his martial arts capability in a bid to scare off the newbie dancer, only to set up an inevitable showdown between the two in due course.
To the movie's credit, the story's quite coherent, except that it relied on a number of clichés to carry the movie through, and not necessarily for the better. There were plenty of superficial subplots and elements that could have been developed further given the running time of close to 2 hours, but instead there were a number of slow moving scenes which while nice to look at, didn't provide depth any more than to establish some background for the characters. Amongst all, I liked Tae's story best, well since he's the main character and had adequate screen time dedicated, where the relationship between him and his father was one of the strongest in the movie with so much meant despite so little being said. Besides, I always enjoyed characters who can learn by observation or from books and videos, and in doing so, lack the basis of understanding which can sometimes plague their execution.
And there are a couple of really creative and unexpected development which I thought I had it nailed, but was wrong. Which of course is a plus point. But the more important question here is, can the leads dance? Scenes of dancing together were limited, and for the most parts Fann and Jang Hyuk danced solo. They were given plenty of opportunity to air the armpits, and the filmmakers were smart to have spliced little set pieces together rather than have dances in one continuous motion and scene, since this will definitely expose plenty of shortcomings especially for Fann's Emi, supposedly being World Class and all. What was worse, was the sudden inject of the song Hero by Enrique Iglesias, which I thought was somewhat inappropriate for a ballroom dance sequence, but I suppose fitted the scene at the time.
Thankfully though, the rest of the score for the movie was beautiful and memorable, the same one in which you can hear in the trailer. If memory serves me correct, almost every scene had a score to accompany the visuals, making it a rather musical film to sit through as well, though at times you have to grit your teeth as Emi seem to have a knack of spouting hokey dance philosophy. Production wise, I would liken it to last year's Cages, which set itself in a Singapore that's of its own artificial creation.
Dance of the Dragon is not all bad, just that it lacked some amount of heart and detail to truly make it excellent. There's no doubt fans of Fann and Jang Hyuk will turn up in droves to catch this movie (like in today's screening), though there are also those who decided that enough is enough and had to walk out. In my opinion, this movie shouldn't have warranted that, but just don't set your sights and expectations too high in wanting to watch a movie with superb dancing or martial arts, of which it has neither, but took effort to craft believable scenes as best as it could.
This movie cannot be appreciated by those of a superficial nature. It is a profound drama with tales of romance and passion. Most of the show consists of scenes with the main characters in deep thought, leaving much of these thoughts to the viewer's imagination. In line with the typical Korean drama, this show may seem slow-moving but in actual fact is rich in emotions which one must delve deep into to understand. The three main actors have put on stunning performances, with Fann Wong still looking fabulous at her age. Her part as an ex-champion and dance instructor comes across most aptly through the pain one can notice in her eyes. Jang Hyuk does a very convincing portrayal of Tae, with his deep passion for dance able to successfully strike a chord in viewers. The soundtrack for the final scene was very appropriately selected, with fitting and moving lyrics. Beautiful cinematography. Good art-house fare.
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- Release date
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- Also known as
- Long zhi wu
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- Budget
- SGD 4,000,000 (estimated)
- Gross worldwide
- $161,320
- Runtime
- 1h 51m(111 min)
- Color
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- Aspect ratio
- 2.35 : 1
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